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This Masters is concerned with outlining and critically evaluating the concept of the ‘avant-garde’ both theoretically and in terms of its applicability to representative areas of 20th-century art. Read more
This Masters is concerned with outlining and critically evaluating the concept of the ‘avant-garde’ both theoretically and in terms of its applicability to representative areas of 20th-century art. Dealing with art from the early twentieth century to the present, you will investigate concepts such as historical avant-garde, neo-avant-garde, and post-avant-garde, paying close attention to the theorists who have elaborated these ideas.

Why this programme

-Glasgow’s civic and university collections are some of the richest and most diverse in Europe and are of international standing. You are granted privileged access to the extensive collections in our own Hunterian Museum and Art Gallery.
-You have the opportunity to take part in a project-based work placement, where you can explore a possible future career while meeting professional practitioners and developing your skills and experience.
-If you want to learn from world-leading researchers and develop expert knowledge of 20th-century Avant-Gardes, this programme is for you.
-Our research forum provides you with a lively and stimulating introduction to methodological debates within art history. It provides a sense of art history’s own history as well as contemporary concerns and practice, examining the beliefs and values that have informed various forms of historical and visual analysis and enquiry. It is focused around a series of seminars or workshops run by members of staff and visiting academics.

Programme structure

Closely focused on the visual and historical specificities of the subject, the core teaching will have you examining the politically oppositional and ‘transgressive’ impulses of the avant-garde.

You will interpret ‘transgression’ in the widest sense and in relation to a range of diverse historical contexts, including: the anti-art concerns of Dada; the political tensions arising from conflicts between nationalist and internationalist currents in European art of the early 20th century and the Nietzschian/Bataillean testing of the boundaries of conventional moral positions, particularly regarding sexual identity and the body.

The optional courses available are closely geared to the research interests of our staff. Their content will draw upon current exhibitions and debates.

You will take five core courses and one optional course. This is followed by a period of self-study towards a dissertation 15,000 words in length (including footnotes but excluding bibliography) and will be on a topic chosen in consultation with the tutors and the programme convenor.

Core courses
-Research methods in practice
-Theories of the Avant Garde
-Readings in Duchamp: anti-art, blasphemy, sexuality
-Art, embodiment, transgression
-Dada in Switzerland and Germany.

Optional courses - you may choose from the following options in the College of Arts
-A Humanities Advanced Technology and Information Institute (HATII) course: 2D Digitisation (Theory and Practice)
-A course from the MLitt Modernities: Modernism, Modernity & Post-Modernity run by English Literature
-a course from elsewhere in the College of Arts, subject to the approval of the programme convenor.

Or from courses run by History of Art
-Art in the making: modern and Avant-Garde techniques
-Independent study
-Work placement

Career prospects

Career opportunities include positions in curation, digitisation and research within museums and other cultural and heritage institutions. The programme also provides an excellent platform for you to move onto PhD studies and an academic career.

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Aberystwyth University’s MA in Film Studies focuses upon the advanced study of cinema. Read more
Aberystwyth University’s MA in Film Studies focuses upon the advanced study of cinema. Normally, you will already have attained a degree of expertise in film studies or in a cognate area before starting the course and you will be ready to study film at a more advanced level by mastering theoretical, historical and empirical approaches to the subject.

This MA in Film Studies course is designed to give you a comprehensive overview of the development of film and film theory, taking in the development and intersections of both Hollywood and European cinemas and popular and 'alternative' cinemas. You will also have the opportunity to study specific movements within cinema, such as the changing manifestations of German Expressionism, American film noir and avant-garde movements; you will do so by studying philosophical, aesthetic, social and cultural influences.

This course will enable you to interrogate a wide range of factors which inform the production, distribution and reception of film, including a range of cultural and aesthetic contexts, the representation of class, ethnicity and gender, changing and shifting film marketing and distribution practices, and the study of a range of film fans and audiences. You will also receive a thorough grounding in key theoretical traditions and research methods within film studies which will prepare you for the production of a 15,000 word dissertation (on a topic of your choice) at the end of the course.

The MA in Film Studies will provide you with essential research, historical and analytical skills designed to support your future career progression either in the cultural and critical industries or in academia. Throughout the MA, staff will be happy to advise you on potential progression, after your MA, to PhD study. For profiles of previous MA Film Studies students, which outline their experiences on the MA and their subsequent career progression, see: http://www.aber.ac.uk/en/tfts/study-with-us/masters/former-ma-profiles/

The Department of Theatre, Film and Television Studies at Aberystwyth is the highest rated Arts and Humanities Department in Wales, according to the results of the 2014 Research Excellence Framework, with 60% of research submitted being rated world-leading.

See the website http://courses.aber.ac.uk/postgraduate/film-studies-masters/

Suitable for

This degree will suit you:

- If you wish to engage in the advanced study of cinema.
- If you are ready to take on the subject in theoretical, historical and empirical terms;
- If you aim to pursue a career in film journalism, criticism or analysis, film historical work or arts administration, or if you wish to progress to PhD study;
- If you wish to sharpen your academic rigour and develop a cache of critical evaluative, communication, and time and project management skills.

Course detail

The MA in Film Studies focuses on the importance of film within an ever-changing global environment. As a student, you will be encouraged to investigate the ways in which technologies and social changes have impacted, and continue to impact upon different aspects of film, including filmic representation and the ways in which film has been taken up within broader cultural contexts. You will also receive a thorough grounding in key theoretical traditions and research methods within film studies, and will be alerted to the historical developments that have marked film as a medium, focusing on historical case studies in order to think about changes and continuities throughout film history. While you will be introduced to a broad array of filmmaking traditions, you will focus particularly on the interrelations between Hollywood and European cinemas.

The MA will introduce you to different ways of understanding film: as entertainment, as art, as an industry, and as a cultural medium through which identities, histories and ideologies are both represented and negotiated. You will be taught by active researchers in the field of film studies, with a broad array of expertise and knowledge particularly in British, French, Russian and Hollywood cinemas, avant-garde, experimental and cult film, film history and representation, film genre and star studies, and fan, audience and reception studies. As such, the MA aims to enrich your knowledge of film’s importance through different methodological and theoretical approaches to the subject, and to sharpen your own research and study skills in the process.

The MA in Film Studies is run by the Department of Theatre, Film and Television Studies, one of the largest and most significant departments of its kind in the UK, and has a particularly vibrant postgraduate and research culture (including an annual postgraduate conference). Based in Aberystwyth University’s Parry-Williams Building, the Department boasts superb facilities including: 36 digital and HD editing suites; over 40 industry standard HD and digital cameras: a new HD, digital television studio; three fully-equipped theatre spaces (seating approximately 100 people each); and much more. We also maintain close links with Aberystwyth Arts Centre's digital 3D cinema. The cinema has a vibrant and lively film programme including the annual Abertoir horror film festival of Wales.

Format

The course is taught over one year (if taken full time), and three years (if taken part time). The MA encompasses a total of six (out of a choice of seven) taught modules (120 credits in total) covering film theory, research methods, film history, film representation, documentary and avant-garde film, film marketing and distribution, and film audiences. In order to complete your MA, you will then apply your learning in the individual dissertation worth an additional 60 credits. The dissertation is a substantial piece of scholarly research totalling no more than 15,000 words. It will be on a subject of your own choice, informed by discussions with your designated dissertation supervisor in the Department.

Assessment

The taught part of the course is delivered and assessed through lectures, seminars, oral presentations and essays. Successful completion of your dissertation leads to the award of an MA.

Employability

Every aspect of the Aberystwyth Master’s in Film Studies programme is designed to enhance your employability. The benefits of the course for employment are twofold: not only will you possess first-rate, subject-specific knowledge of film history and theory, but you will also be equipped with widely applicable skills and abilities that will suit many employment contexts.

Alongside the development of your subject-specific knowledge, an especially noteworthy strength of this course is its emphasis on group discussion and individual student presentations (which will enable you to develop your team work and communication skills). As an emerging film academic your strengthened research and critical faculties will make you a strong candidate for any post where ideas and topics need research, analysis, discussion, expansion and classification. The pattern of research and analysis you will undertake in this course creates highly marketable skills which will, upon graduation, stand you in excellent stead for entry into employment. The course will also provide you with the training and skills you will need if you decide to progress to PhD study.

The dissertation element of the course will enable you to develop and demonstrate an array of professional qualities and skills. You will do this by reflecting on the methods and approaches you have encountered in the study programme and then identifying and creating appropriate methodologies for your own research work. Success in this area of study proves to prospective employers that you take the initiative to develop and improve your research and project management skills.

Find out how to apply here https://www.aber.ac.uk/en/postgrad/howtoapply/

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Comparative Literature at Kent offers an excellent environment for the postgraduate study of literature beyond national and linguistic borders. Read more
Comparative Literature at Kent offers an excellent environment for the postgraduate study of literature beyond national and linguistic borders. The programme involves the study of literature from two or more national and linguistic traditions, allowing you to gain an intercultural and transnational understanding of diverse cultural and literary practices.

The MA programme explores three main areas: themes, genres, movements and major literary figures; the interactions and exchanges between national literary traditions; and the theory and practice of comparative literature. These complementary strands encourage comparative analysis in a variety of contexts, ranging from the study of national literatures to the exploration of different genres, periods, media and literary theory.

The programme is offered by the Department of Comparative Literature and benefits from staff expertise in a range of areas, including European modernism, postmodernism, postcolonial literature, literature and medicine, literature and sexuality, literature and psychoanalysis and literature and the visual arts. Our programme also draws on additional expertise in the School of European Culture and Languages, particularly from colleagues in the departments of French, German, Hispanic Studies and Italian.

You begin by studying a choice of four modules across the Autumn and Spring terms, before writing a 12,000-word dissertation over the summer, supervised by an expert in the department. The programme can also be studied in Canterbury and Paris, where you relocate to Kent’s Paris centre for the spring term.

The MA in Comparative Literature is an ideal programme for those wanting to engage in and pursue detailed literary and cultural analysis that crosses national boundaries.

Visit the website https://www.kent.ac.uk/courses/postgraduate/318/comparative-literature

Course structure

The programme comprises three main interweaving strands:

- themes and major figures in European literature

- interactions between European national literatures, as reflected in important genres such as autobiography and the fantastic

- comparative literature in theory and practice, with an emphasis on the history of the discipline and ways of reading literature comparatively.

These complementary strands encourage comparative analysis in a variety of contexts: national literatures, genres, media and theory.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

CP805 - European Modernism: Sexual and Textual Deviance (30 credits)
CP808 - Writing the Self: Autobiography in the Modern Period (30 credits)
CP810 - Comparative Literature in Theory and Practice (30 credits)
FR872 - Theories of Art in Modern French Thought (30 credits)
LS810 - History and Memory: Exploring the Independence Period through memoirs Research Methodology (30 credits)
FR804 - Real Fictions: The Documentation of Modernity (30 credits)
FR807 - Postmodern French Detective Fiction (30 credits)
CP813 - Literature and Medicine (30 credits)
CP998 - Comparative Literature Dissertation (60 credits)

Assessment

Assessment is by one 5,000-word essay for each module, and the dissertation.

Programme aims

This programme aims to:

- provide you with the knowledge and skills to prepare you for the academic study of comparative literature at MPhil/PhD level

- attract outstanding students, irrespective of race, background, gender, or physical disability from within the UK

- further the University’s International Strategy by attracting graduate students from abroad as well as from the UK

- enable you to begin to specialise in your areas of interest

- enable you to hone your ability to read literature and literary theory critically and comparatively

- provide you, consistent with point one above, with a transition from undergraduate study to independent research

- provide you with a training that will culminate, if followed through to PhD level, in the ability to submit articles to refereed journals in comparative literature.

Research areas

Areas of particular research strength in Comparative Literature at Kent include the European avant-garde, modernism and postmodernism, postcolonial literature, literary theory, literature and medicine, literature and the visual arts, literature and sexuality, and literature and philosophy. The list below indicates the range of current research interests of members of staff within Comparative Literature and the other disciplines with whom we work closely. Many of these staff are members of the Centre for Modern European Literature. They can supervise postgraduate students for the MA or PhD degrees in any of their respective areas of expertise. If you are considering applying to undertake a research degree, we encourage you to contact us to discuss your plans at an early stage of your application.

- The European avant-garde
- Modernism and postmodernism
- Postcolonial literature
- Literary theory
- Literature and medicine
- Literature and philosophy
- Literature and sexuality
- Literature and the visual arts

- Centre for Modern European Literature
Many of the most significant European writers and literary movements of the modern period have traversed national, linguistic, and disciplinary borders. Co-directed by members of Comparative Literature, French, and German, the Centre for Modern European Literature aims to promote collaborative interdisciplinary research that can do justice to these kinds of border crossing. Ranging across English, French, German, Italian and Spanish literature, the Centre focuses in particular on the European avant-garde, European modernism and postmodernism, literary theory, the international reception of European writers, and the relations between modern European literature and the other arts, including painting, photography, film, music and architecture. The Centre’s activities include a lecture and seminar series and the regular organisation of conferences. It also works with the editors of the postgraduate journal Skepsi, and runs the MA in Modern European Literature.

Careers

Comparative literature graduates develop key skills, including critical thinking, analysis and problem solving. They go on to successful careers in areas such as the media, academia and many different cultural institutions including libraries, museums and galleries.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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This MA has two strands. Modernism and Contemporary Literature. These are two areas in which the department has particular research strengths. Read more
This MA has two strands: Modernism and Contemporary Literature. These are two areas in which the department has particular research strengths. The programme has two core courses: one on Modernism, both classic modernism and late modernism, and one on the contemporary. Students take both core courses.

In Term 1, the Modernism core course is ‘Modernism, Modernity and History’, while the Contemporary core course is ‘Contemporary Literature’.

In Term 2, the Modernism strand consists of ‘Modernist Special Topics’ and the Contemporary strand consists of ‘Contemporary Special Topics’. Each of these courses in Term 2 is made up of two five-week ‘Special Topic’ units, each of which reflects a particular departmental research interest.

For 2014-15, the modernist special topics will be ‘1930s, Politics and the Avant Garde’ and ‘Postcolonial Modernism: Crises and Experiments in the African Novel’, while the contemporary special topics will be ‘The City in Contemporary Fiction;’ and ‘Contemporary Women’s Poetry and Poetics’. The special topics are likely to change from year to year.

The course will explore a range of twentieth and twenty first-century British, North American and post-colonial literature and will reflect on some of the historical, intellectual, cultural and technological changes of this era. You will have the opportunity to study with scholars who have international reputations in their fields and develop advanced skills in literary study and research.

There is also scope to work on individual authors, on various topics in literary and cultural theory, as well as a variety of literatures in English for your dissertation.

This course is ideal if you intend to progress to advanced research or simply wish to develop your knowledge of modern literature and your critical skills beyond first-degree level.

See the website https://www.royalholloway.ac.uk/english/coursefinder/mamodernismandcontemporaryliterature.aspx

Why choose this course?

- All members of staff are actively engaged in major research projects: the Department was awarded a 4* rating in the 2008 Research Assessment Exercise (RAE). This commitment to scholarly research means all our postgraduate courses are informed by the latest developments in literary studies.

- The Department has major research strengths in twentieth-century and twenty-first-century literature and in contemporary critical theory.

- The College provides all the IT facilities and training that students need in order to access the burgeoning resources for study on the Internet.

- Our excellent library resources span the full range of English studies and you will also have access to the University of London Library at Senate House as well as the British Library and the many specialist libraries located in central London.

Course content and structure

Full-time students will take 2 courses in each Terms 1 and 2; and write a dissertation in Term 3 and across the summer vacation. Part-time students normally take the 2 course units in terms 1 and 2 of their first year, 2 more in the second and also write their dissertation during the second year.

Course units:
Modernism Strand
Term 1: Modernism, Modernity and History
This unit comprises a series of seminars on such topics as Modernism and the avant-garde; modernity, mass culture and technology; race, gender and primitivism; modernism and politics. You will be introduced to various modernist movements (Futurism, Imagism, Surrealism) and to the ways in which Modernism has been conceptualized in relation to modernity.

Term 2: Modernist Special Topics
The course for 2014 contains two five-week components. The first provides an advanced introduction to the relationship between avant-garde prose and politics in the 1930s. The second will explore the re-appropriation and re-tooling of modernist aesthetic strategies by a range of contemporary African writers to address the crises of the post-colonial state and of post-colonial subjectivity. You will engage with the work of a number of post-colonial theorists and investigate a range of key texts by African writers.

Contemporary Strand
Term 1: Contemporary Literature
The course will address a range of literary works which engage with such topics as globalisation, transnationalism, and global terror as well as magic realism, postmodernism and Conceptual Writing. You will consider contemporary fiction, poetry, post-colonial writing and writing across media as part of an exploration of the contemporary.

Term 2: Contemporary Special Topics
The course for 2014 contains two five-week components on contemporary fiction and contemporary poetry respectively. The first provides an advanced introduction to the fictional writings about globalisation and mobility.

The second provides an advanced introduction to the work of selected contemporary women poets. You will read these texts in the context of current debates in innovative poetics and in relation to modernist strategies of avant-garde practice by previous women writers. You will explore how these contemporary poets have utilised, adapted and/or transformed modernist strategies of practice and to what ends.

Dissertation
You will write a dissertation of 12-15,000 words on an approved topic, during the summer term and summer vacation, with support from a tutor.

On completion of the course graduates will have:
- achieved an understanding of the intertwined issues of modernity, modernism and the contemporary as they are reflected in literary and theoretical writings in the twentieth- and twenty-first centuries

- improved their literary, analytic and research skills at an advanced level

- shown themselves able to work independently on an extended research project

- provided the platform for further postgraduate work, should they wish to undertake it.

Assessment

Assessment is carried out by essays and a dissertation.

Employability & career opportunities

The Department has an impressive record for placing graduates in academic jobs and in prominent positions outside academia. In the field of twentieth-century literature our postgraduates have recently secured positions at Queen Mary, University of London, the Universities of Wales, Nottingham, Lancaster, Newbold College and elsewhere; and have published academic books with Cambridge University Press, Palgrave, Berg and other publishers; as well as popular books on gay studies, music and other topics.

The English Department also prepares postgraduates for successful careers in a variety of other areas, such as teaching, writing and journalism, curating, administration and marketing.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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Explore the relationship between literature and film in an exceptionally broad array of contemporary and historical contexts, and from a variety of different perspectives. Read more
Explore the relationship between literature and film in an exceptionally broad array of contemporary and historical contexts, and from a variety of different perspectives. You discover cutting-edge approaches to cinematic and literary aesthetics, adaptation, and relationships between different media, reception contexts, ethics, and interfaces between theory and practice.

On our course you gain a deep understanding of the theoretical and practical interactions between literature and film, choosing specific areas of literary and cinema studies to complement your preparation for a creative practice or theoretical dissertation project of your choice. You will forge and develop connections between audio-visual and textual media. Focusing a variety of cultural productions and diverse forms of enlightenment, and entertainment, you will encounter parallel and sometimes more densely intertwined media histories, discovering the complex ways in which media anticipate, interfere with, and draw on one other.

Through weekly seminars, screenings and discussions of key cinematic and literary texts, you consider different ways that texts create their meanings. You study topics including:
-Areas such as modernism, poetic practice, American prose, Caribbean literature, and African American literature
-Documentary and fiction film production including screenwriting, pre-production, camera, lighting, sound, storyboarding and editing
-Landmark directors and movements such as Expressionism and the avant-garde
-Film theory including feminism, psychoanalysis, queer theory, haptic cinema
-Adaptation and comparative media

You also benefit from a series of masterclasses conducted by invited industry professionals which focus on the craft of filmmaking: developing your technical understanding of cinematography, directing and editing/postproduction.

These also introduce you to potential employment routes and industry career pathways, from setting up your own production company, to identifying and tapping into distribution networks and preparing and marketing your completed films.

We are ranked Top 20 in the UK (Times Good University Guide 2015), and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

Our intensive modules are taught in small groups by expert academic film specialists and professional filmmakers .

The Centre for Film and Screen Media at Essex is part of a vital departmental unit that offers talented students the support and confidence to respond both critically and artistically to the study of film. This distinctive environment is possible because we are a community of award-winning film-makers, scholars, and media specialists; our staff over the years have included Oscar winners and BAFTA winners.

Our academic staff specialise in a wide range of production and critical areas including producing, screenwriting, documentary, , film theory, Soviet cinema, US cinema, films of Asia and Pacific regions, modernism and the avant-garde, adaptation, and silent cinema.

Our Department has a distinguished history of combining critical and creative work, and we have long been home to poets, novelists, translators, dramatists and actors, alongside literary critics, drama scholars, filmmakers and film theorists.

Specialist facilities

For your film production modules, you have priority use of industry-standard editing facilities, two state-of-the-art studios, and a range of cameras and other filmmaking equipment. You also gain experience using professional film production software including Avid and Final Cut; everything you will need to produce films to an expert standard.

You also have access to our other departmental facilities:
-Show off your work on our Vimeo channel
-View classic films at weekly film screenings in our dedicated 120-seat film theatre, equipped with digital HD projection facilities and surround sound
-Borrow DVDs from our substantial departmental collection
-Join student film societies and the Centre for Film and Screen Media film series, which screen and discuss both recent blockbusters and less mainstream arthouse films
-Hear writers talk about their craft and learn from leading specialists at weekly research seminars
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting skills at our Lakeside Theatre Writers workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested
-Write for our student magazine Albert or host a Red Radio show

Your future

We actively encourage and assist you to find appropriate internship and work placement opportunities during your studies, allowing you to practice and develop your skills and experience as well as enhancing your graduate employment prospects.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as scholars, university lecturers, teachers, publishers, journalists, arts administrators, theatre artistic directors, drama advisers, filmmakers, film editors, and translators.

We also offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

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Explore and make creative connections between film analysis and film practice. Our course has a distinctive focus on international, alternative, and documentary cinemas, while also providing a solid foundation in key elements of film history and theory, including Hollywood. Read more
Explore and make creative connections between film analysis and film practice.

Our course has a distinctive focus on international, alternative, and documentary cinemas, while also providing a solid foundation in key elements of film history and theory, including Hollywood. This critical appraisal of such a wide range of genres gives you a solid understanding of what makes film work well, enabling you to improve your own production skills in camerawork, editing, lighting, screenwriting and production management.

You gain a strong sense of independent filmmaking practice, and learn to apply your academic knowledge of film through exploring topics including:
-The formal, social, cultural and political dimensions of films from both within and beyond Hollywood
-Fiction film production, including pre-production, camera, lighting and sound
-Classics of the documentary form , docufictions and mockumentaries
-Collective and individual filmmaking projects
-Storyboarding and editing

You also benefit from a series of masterclasses conducted by invited industry professionals which focus on the craft of filmmaking: developing your technical understanding of cinematography, directing and editing/postproduction.

These also introduce you to potential employment routes and industry career pathways, from setting up your own production company, to identifying and tapping into distribution networks, and preparing and marketing your completed films.

We are ranked Top 20 in the UK (Times Good University Guide 2015), and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

Our intensive modules are taught in small groups by expert academic film specialists and professional filmmakers.

The Centre for Film and Screen Media at Essex is part of a vital departmental unit that offers talented students the support and confidence to respond both critically and artistically to the study of film. This distinctive environment is possible because we are a community of award-winning film-makers, scholars, and media specialists; our staff over the years have included Oscar winners and BAFTA winners.

This course features academic staff who specialise in a wide range of production and critical areas, including producing, screenwriting, documentary, film theory, Soviet cinema, US cinema, films of the Asia and Pacific regions, modernism and the avant-garde, adaptation, and silent cinema. Production staff have extensive experience with organisations such as the BBC.

Our Department has a distinguished history of combining critical and creative work, and we have long been home to poets, novelists, translators, dramatists and actors, alongside literary critics, drama scholars, filmmakers and film theorists.

Specialist facilities

For your film production modules, you have priority use of industry-standard editing facilities, two state-of-the-art studios, and a range of cameras and other filmmaking equipment. You also gain experience using professional film production software including Avid and Final Cut; everything you will need to produce films to an expert standard.

You also have access to our other departmental facilities:
-Show off your work on our Vimeo channel
-View classic films at weekly film screenings in our dedicated 120-seat film theatre, equipped with digital HD projection facilities and surround sound
-Borrow DVDs from our substantial departmental collection
-Join student film societies and the Centre for Film and Screen Media film series, which screen and discuss both recent blockbusters and less mainstream arthouse films
-Hear writers talk about their craft and learn from leading specialists at weekly research seminars
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting skills at our Lakeside Theatre Writers workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested
-Write for our student magazine Albert or host a Red Radio show

Your future

We actively encourage and assist you to find appropriate internship and work placement opportunities during your studies, allowing you to practice and develop your skills and experience as well as enhancing your graduate employment prospects.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as scholars, university lecturers, teachers, publishers, journalists, arts administrators, theatre artistic directors, drama advisers, filmmakers, film editors and translators.

We also offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Example structure

-Dissertation: MA Film Studies
-Research Methods in Literary and Cultural Analysis
-Film and Video Production Workshop
-Critical Moments in the Theory and History of Film
-Adaptation (optional)
-Advanced Film and Industry: Production and Industry (optional)
-Documentary and the Avant-garde: Film, Video, Digital (optional)
-Women Filmmakers (optional)

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MARCA is a Master’s degree program (60 Credits) offered to international students by the European University at Saint Petersburg. Read more
MARCA is a Master’s degree program (60 Credits) offered to international students by the European University at Saint Petersburg.

This program is for students interested in Russia. As we have learnt from students who have come to study at MARCA, the roots of your interest may be very different: Russian family origins or a love-story with a Russian (including such well known heart-breakers as Dostoevsky, Chekhov or Tchaikovsky), attraction to Russian culture or fear of Russian politics, pure intellectual curiosity or interest in energy politics. Your plans for the future might be vague or clear: business or law, marketing or government, journalism or academics. Whatever it might be, if Russia has anything to do with it, there is one sphere you must understand – Russian culture.
When we say culture we do not mean only literature and the arts, but also religion, science, ideology, popular culture and practices of everyday life. If we accept a wide notion of culture we immediately realize that cultural distinctions are more important than political or economic ones. Major geopolitical changes result not only and not primarily from conflicts of economic interests, but rather from differences in civilizations.

Intellectual innovation is the key to success in many fields. Conservators stay within borders and try to protect them, innovators trespass the frontiers and explore the territories of the others. It is much wiser to borrow from our neighbors than to keep away from them. A truly innovative program nowadays has to be multidisciplinary as well as interdisciplinary.

MARCA provides:

• Unique special courses in Russian/Soviet visual arts and architecture for graduate students in the humanities
• General courses in Russian and Soviet culture, literature, history and society with special emphasis on St. Petersburg and its cultural impact
• On-site classes in world-renowned museums – the Hermitage, the Russian Museum, the imperial residences, such as Peterhof, Tsarskoe Selo, Pavlovsk etc.
• Easy access to other cultural resources – libraries, archives, other museums, concert halls and theaters
• Lecturers with wide international experience from EUSP and other leading academic institutions – the Hermitage, the Institute of Russian Literature (Pushkinskii Dom), the Herzen University, etc.
• Joint classes with IMARES, the internationally recognized Master’s program in Russian and Eurasian studies

Workload and Credits

• Two semesters of 14-weeks each, 20 contact hours per week on average, plus dissertation writing period
• The choice of 3 to 5 subject courses per semester
• Each subject course carries 8 ECTS credits (4 US credits) and is taught for 4 academic hours per week plus homework. Delivered through lectures and seminar sessions, each course involves submitting one or two essays.
• Each student submits a Master’s dissertation
• Russian language is taught for 8 hours per week in groups corresponding to proficiency level


Course Curriculum

• Empire, State, Building: Architecture as a Mirror of Russian Politics
• St. Petersburg in Russian Literature (the 19-20th Centuries)
• Visual Images of Russian Identity in the 19th – early 20th Century Art and Architecture
• The Political Culture of the Russian Revolution
• From Icon to Avant-Garde: a Survey of Russian art through the centuries
• The Social History of Russian Literature
• Unofficial Late Soviet Culture
• Russian Avant-Garde: Myths, Hypotheses, Facts
• The Home of Russian Tsars: Palace, People, Collections
• The Soviet Nonconformist Art in its Social and Political Context
• Russian Classical Music

Logistics

EUSP provides visa and registration support. It also helps to lodge international students in Russian families or to rent separate apartments. Students use the library, computer facilities and other university services.

Applicants should submit:

1. A completed and signed application form
2. A statement of purpose (not more than 500 words)
3. Two letters of recommendation from academics who are closely acquainted with the applicant’s academic work
4. Certified transcripts of previous undergraduate and graduate studies with grade-point averages
5. Curriculum Vitae

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The course offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. Read more
The course offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. From avant-garde drama to political action, queer performance, live art, dance, cultural tourism, and the spectacles of the West End, you will be introduced to a range of theatre and performance theories and practices.

Ideal for students who have recently completed an undergraduate degree in Theatre, English or related fields, or spent time engaging in performance practice or work in related industries.

Key benefits

- Unrivalled location at the heart of London allows students regular access to a wide range of theatre and performance events, including performances, seminars, and research centres.

- Dynamic intellectual community offered by King’s College London and surrounding institutions, supplemented by regular invited artist and academic speakers or artist residents.

- Core modules providing a strong foundation in theatre and performance studies, plus the opportunity to create an individualised course of study through selected options.

Visit the website: http://www.kcl.ac.uk/study/postgraduate/taught-courses/theatre-and-performance-studies-ma.aspx

Course detail

- Description -

The programme offers students the opportunity to study theatre and performance studies in a dynamic research environment in the heart of London. From avant-garde drama to political action, queer performance, live art, dance, cultural tourism, and the spectacles of the West End, students will be introduced to a range of theatre and performance theories and practices in an expanded field.

Students will take a core module in Theatre and Performance Theory, which will provide them with systematic understanding and critical awareness of current problems and new insights in the field, and the ability to critically evaluate current research and advanced scholarship in the discipline. Students will also take a core module in Theatre and Performance Research Methods in the second semester, which will provide them with the research skills and techniques needed to undertake advanced research and scholarship in the field, and enable them to evaluate and critique various methodological approaches to practice-based and scholarly research.

- Course purpose -

Ideal for prospective students who have recently completed an undergraduate degree in Theatre, English or related fields, or spent time engaging in performance practice or work in related industries. The programme invites considered reflection on performance and performativity, emphasising close reading, research, and interdisciplinary approaches to theatre and the arts.

- Course format and assessment -

Lectures, seminars, and optional workshops; essays; dissertation; lab-based research projects (as relevant); independent study; tutorials.

Career Prospects:

Graduates may go on to work in arts practice and related industries, including museum, curatorial, and archival work; production; dramaturgy; journalism; performance; and theatre and performance-related arts management and administration. Graduates may also pursue further research in the field at doctoral level.

How to apply: http://www.kcl.ac.uk/study/postgraduate/apply/taught-courses.aspx

About Postgraduate Study at King’s College London:

To study for a postgraduate degree at King’s College London is to study at the city’s most central university and at one of the top 21 universities worldwide (2016/17 QS World University Rankings). Graduates will benefit from close connections with the UK’s professional, political, legal, commercial, scientific and cultural life, while the excellent reputation of our MA and MRes programmes ensures our postgraduate alumni are highly sought after by some of the world’s most prestigious employers. We provide graduates with skills that are highly valued in business, government, academia and the professions.

Scholarships & Funding:

All current PGT offer-holders and new PGT applicants are welcome to apply for the scholarships. For more information and to learn how to apply visit: http://www.kcl.ac.uk/study/pg/funding/sources

Free language tuition with the Modern Language Centre:

If you are studying for any postgraduate taught degree at King’s you can take a module from a choice of over 25 languages without any additional cost. Visit: http://www.kcl.ac.uk/mlc

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Our MA in French and Comparative Literature involves the postgraduate study of literature beyond national and linguistic borders with a particular focus on French culture. Read more
Our MA in French and Comparative Literature involves the postgraduate study of literature beyond national and linguistic borders with a particular focus on French culture.

Comparative Literature at Kent involves the study of literature from two or more European cultures, to gain an intercultural and transnational understanding of cultural practice. The MA in French and Comparative Literature introduces you to a wide range of theoretical perspectives, enriching your appreciation of the cultures, texts and critical practices examined in the programme’s various modules. You benefit from expert teaching from members of the Department of Modern Languages (http://www.kent.ac.uk/secl/modern-languages/index.html) and the Department of Comparative Literature (http://www.kent.ac.uk/secl/complit/index.html) and thus participate in an interdisciplinary dialogue.

Kent provides an ideal location in which to study French culture; our Canterbury campus is close to mainland Europe, with Paris only a couple of hours away by Eurostar.

In the Autumn and Spring terms, you take a choice of four modules, before undertaking a 12,000 word dissertation over the summer with supervision from an expert within the department. There is also a version of this programme which allows you to spend the spring term in Paris.

This programme is ideal for modern languages graduates who wish to consolidate their knowledge in a wider context; English graduates wishing to diversify their interests; and graduates in other humanities subjects (history, philosophy, theology) who would like to apply their knowledge to literary and visual material.

Visit the website https://www.kent.ac.uk/courses/postgraduate/28/french-and-comparative-literature

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FR866 - Literature and Theory (30 credits)
FR872 - Theories of Art in Modern French Thought (30 credits)
FR 803 - Paris and the European Enlightenment (30 credits)
FR820 - Paris: Reality and Representation (30 credits)
CP808 - Writing the Self: Autobiography in the Modern Period (30 credits)
FR998 - French Dissertation (60 credits)

Assessment

Assessment is by one 5,000-word essay for each module and the dissertation.

Programme aims

The programme aims to:

- provide the opportunity for you to obtain a postgraduate qualification (MA) in one year, and to allow, if required, a smooth transition to doctoral studies

- allow you to study modules in both modern French studies and comparative literature

- develop your knowledge and understanding of relevant aspects of contemporary Paris and the cultural history of the city as reflected in modern French, European, English and American literatures and other artistic media

- enhance your comprehension and communication skills in both French and English

- develop your awareness of various critical and research methodologies and of the interplay between literature, art and cultural context

- provide teaching which is informed by current research and scholarship and which requires you to engage with aspects of work at the frontiers of knowledge

- provide a deepening of intercultural awareness and understanding

- provide opportunities for the further development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector

- provide further development of critical, analytical, problem-solving and other transferable skills.

Research areas

Staff interests broadly fit within the parameters of French literature and thought from the 18th century to the present, with research clusters organised around the following areas: the European Enlightenment and Counter-Enlightenment; Ekphrasis; Franco-Sino relations; Life Writing; Medical Humanities; Philosophy and Critical Theory; French Surrealism; Cubism; the Avant-Garde; the interface between visual arts and text.

Recent publications have focused on authors, artists and thinkers including the following: Apollinaire; Artaud; Badiou; Barthes; Blanchot; Cocteau; Crébillon fils; Deleuze; Diderot; Djebar; Flaubert; Foucault; Houellebecq; Lacan; Maupassant; Mérimée; Nimier; Proust; Sade; Yourcenar; Zola.

Centre for Language and Linguistic Studies (CLLS)
Founded in 2007, the Centre for Language and Linguistic Studies (CLLS) promotes interdisciplinary collaboration in linguistic research and teaching. Membership embraces not just the members of English Language and Linguistics but also other SECL members with an interest in the study of language, as well as researchers in philosophy, computing, psychology and anthropology, reflecting the many and varied routes by which individuals come to a love of language and an interest in the various disciplines and subdisciplines of linguistics.

Centre for Modern European Literature
Many of the most significant European writers and literary movements of the modern period have traversed national, linguistic, and disciplinary borders. Co-directed by members of Comparative Literature, French, and German, the Centre for Modern European Literature aims to promote collaborative interdisciplinary research that can do justice to these kinds of border crossing.

Ranging across English, French, German, Italian and Spanish literature, the Centre focuses in particular on the European avant-garde, European modernism and postmodernism, literary theory, the international reception of European writers, and the relations between modern European literature and the other arts, including painting, photography, film, music and architecture. The Centre’s activities include a lecture and seminar series and the regular organisation of conferences. It also works with the editors of the postgraduate journal Skepsi, and runs the MA in Modern European Literature.

Careers

A postgraduate degree in French studies is an extremely versatile qualification that can open the door to exciting career opportunities in many professions. Our graduates have gone on to work in the IT industry, academic administration, cultural management and to further postgraduate training and academic careers at UK and overseas universities.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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America's cultural icons are the world's cultural icons. From Walt Disney to the Statue of Liberty, from Hollywood to Time magazine, and from Jack Kerouac to Philip Roth; the influence of American culture and literature around the world is huge. Read more
America's cultural icons are the world's cultural icons. From Walt Disney to the Statue of Liberty, from Hollywood to Time magazine, and from Jack Kerouac to Philip Roth; the influence of American culture and literature around the world is huge. Our program allows students to critically explore the significance of American culture to countries around the globe. Aside from studying the vast reach and influence of American cultural products abroad, students will also explore the variety of American cultural expressions themselves.

See the website http://www.ru.nl/masters/americanstudies/cultural

Emphasis on societal and socio-political context

The Master's specialisation offers courses on the contemporary North American novel, manifestations of the American avant-garde, and/or the literary and cultural works of American ethnic groups such as African Americans, Native Americans and Latino/as. There is emphasis on the societal and sociopolitical context in which literary and cultural communications acquire meaning.

Admission requirements for international students

1. A completed Bachelor's degree in American Studies or related area
You are required to have a Dutch Bachelor's degree (or equivalent, from a research university) in American Studies or a Bachelor's degree in English Language & Culture with a specialisation in American Studies. If you specialised in English you can apply if you had at least 40EC in courses related to American Studies. If you have a different academic background, you will need to have achieved 60 EC in courses related to American Studies.

2. A proficiency in English
In order to take part in the program, you need to have a sufficient level of English. Non-native speakers of English without a Dutch Bachelor's degree or VWO diploma need one of the following:
- A TOEFL score of at least 600 (paper-based), 250 (computer-based), 100 (internet-based);
- An IELTS score of at least 7.0;
- A Cambridge Certificate in Advanced English (CAE) or Certificate of Proficiency in English (CPE) with a mark of B or higher.

Career prospects

There is a wide range of opportunities for graduates from the Master's program in North American Studies. Your broad interdisciplinary education and excellent command of English will help you find a job in an international setting. You could work in school or university education, in research, in journalism or other media, in publishing, museums, international finance, government, business, international affairs or as a diplomat.

Our approach to this field

America's cultural icons are the world's cultural icons. From Walt Disney to the Statue of Liberty, from Hollywood to Time magazine, and from Jack Kerouac to Philip Roth, the influence of American culture and literature around the world is huge. Our program allows students to critically explore the significance of American culture to countries around the globe. Aside from studying the vast reach and influence of American cultural products abroad, students will also explore the variety of American cultural expressions

Our research in this field

- Emphasis on societal and sociopolitical context
The program offers courses on the contemporary North American novel, manifestations of the American avant-garde, and/or the literary and cultural production of American ethnic groups such as African Americans, Native Americans and Latino/as. Particular emphasis lies on the societal and sociopolitical context in which literary and cultural communications acquire meaning.

- Study American issues with an interdisciplinary view
True to the tradition of American Studies, our program teaches students to approach issues from different angles and to think in interdisciplinary ways. We also offer excellent internships, thanks to our global network. Furthermore, we are the only university in the Netherlands to teach oral communication skills in the American language throughout our Bachelor's program, so students who go on to study for a Master's degree have unique, near-native language abilities.

- High level of communication in American English
In Nijmegen, you will find yourself in a dynamic learning environment where the level of scholarship and communication in (American) English is extremely high. This is one of the reasons why our programs are so popular. Another is the choice Nijmegen offers between two fascinating fields within which you can create your own custom-made program: ‘Literatures and Cultures of North America in International Perspective' and ‘Transnational America: Politics, Culture and Society.'

See the website http://www.ru.nl/masters/americanstudies/cultural

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(subject to approval). Kent’s new MA in European Culture makes it possible to study the history, literature, and political philosophies of the continent while based in Paris, Europe’s cultural capital. Read more
(subject to approval)

Kent’s new MA in European Culture makes it possible to study the history, literature, and political philosophies of the continent while based in Paris, Europe’s cultural capital.

Europe is at the heart of many contemporary political debates, and is a geographically, linguistically and culturally diverse continent with a rich history. From the French Revolution to the European Union, Europe has long been a placeholder for any number of utopian, internationalist aspirations. To trace the history of the cultural constructions of Europe is to hold a mirror up to its changing intellectual faces.

The programme is offered by the Department of Modern Languages and benefits from staff expertise in a variety of disciplines across the School of European Culture and Languages (https://www.kent.ac.uk/secl/index.html). Based at Kent’s Paris centre at Reid Hall, where authors and philosophers such as Barthes, Beauvoir and Derrida have lectured, and in the heart of historic Montparnasse, where Picasso and Modigliani had their studios, the MA offers you the chance to immerse yourself fully in European culture in order to enhance your linguistic skills and cultural understanding.

The programme consists of one core module, ‘The Idea of Europe’, and three further taught modules, followed by a final dissertation. All modules are taught in English.

This is an ideal programme for anyone with an interest in the rapidly changing political history of Europe, in its diverse literature, or in the experience and independence gained from living and studying overseas for an extended period of time. Additionally, you will benefit from enhanced linguistic skills from your time spent living in Paris while studying at Kent's Paris centre, as well as gain confidence and independence from living overseas.

Course structure

You take one core module, ‘The Idea of Europe’ which will equip you with the methodological and historical framework for the MA as a whole. You then take three further taught modules offered at the University of Kent’s Paris centre before undertaking a final dissertation.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

Assessment

Assessment is by one 5,000-word essay for each module, and the dissertation.


- Centre for Modern European Literature

Many of the most significant European writers and literary movements of the modern period have traversed national, linguistic, and disciplinary borders. Co-directed by members of Comparative Literature, French, and German, the Centre for Modern European Literature aims to promote collaborative interdisciplinary research that can do justice to these kinds of border crossing.

Ranging across English, French, German, Italian and Spanish literature, the Centre focuses in particular on the European avant-garde, European modernism and postmodernism, literary theory, the international reception of European writers, and the relations between modern European literature and the other arts, including painting, photography, film, music and architecture. The Centre’s activities include a lecture and seminar series and the regular organisation of conferences. It also works with the editors of the postgraduate journal Skepsi, and runs the MA in Modern European Literature.

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The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more
The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

The programme allows you to spend your first term at our Canterbury campus with full access to its excellent academic and recreational facilities, before relocating to our Paris centre for the spring term, studying in the heart of historic Montparnasse.

Visit the website https://www.kent.ac.uk/courses/postgraduate/19/film-paris

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. It was ranked second in the UK for research power in the most recent Research Assessment Exercise (RAE). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Studying film as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.

Modules

During the first term, you take two 30-credit taught-course modules from your chosen MA pathway. You then spend the second term in Paris, studying two modules from a choice which varies from year to year.

Modules available on this programme may include:
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History: Research Methods (30 credits)
FI821 - Film and Modernity (Paris) (30 credits)
FI998 - Dissertation:GPMS (60 credits)

During the spring term you are free to construct your own programme from across the range of modules available, making it as focussed or as inter-disciplinary as you like. You have plenty of time during the autumn term to make informed decisions about your programme of studies in Paris.

You are encouraged to make full use of the city’s cultural resources and to integrate these into your studies which means you will be able to explore and discover connections between history, literature, the visual arts and other media.

Assessment

Assessment is by coursework and the dissertation.

Programme aims

The programme aims to:

- develop your understanding and skills to a notably higher level of sophistication and achievement (appropriate to an Master’s level award) than would be expected at degree level, such that you leave the programme with a substantial analytic and critical understanding of film and film studies

- develop your understanding and skills to the level necessary for entry into a research programme in film

- develop your ability to think independently, argue with clarity and force, to discern areas of research interest within the field and be able to frame viable research questions

- allow you to spend your first term in Canterbury, studying modules in film, and to spend your second term in Paris developing your interest in cinema within the context of city often seen to be central to the aesthetic developments of filmmaking and critical approaches central to the history of the discipline

- consider the impact of French critics and filmmakers on the wider discipline of film

- provoke reflection on areas of critical and theoretical approaches to French cinema and its context

- nurture the intellectual skills cited above in the context of written work (essays and dissertations) as well as in the context of interpersonal interaction (seminars, research papers, supervision)

- provide access to enhanced intercultural awareness and understanding through the opportunity to study in Paris

- provide opportunities for the development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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This programme is designed to meet the needs of committed students who are interested in exploring and exploiting their own possibilities as writers, and in critically examining their own writing. Read more
This programme is designed to meet the needs of committed students who are interested in exploring and exploiting their own possibilities as writers, and in critically examining their own writing. It is unique in combining creative and life writing in a stimulating and enriching programme- http://www.gold.ac.uk/pg/ma-creative-life-writing/

We examine relevant literary and cultural theory as well as the politics and practicalities of language and writing from the point of view of the writer.

Practitioner-led, the programme offers you the opportunity to work with a range of published writers who visit the College to give readings and lead workshops.

Visiting writers have included William Fiennes, Jackie Kay and Aminatta Forna.

Poetry Masterclasses have been led by Sharon Olds, Les Murray, Derek Walcott and C K Williams

We also expect to draw fully upon London’s rich tradition as a converging point for culturally diverse literary practices.

Our graduates have gone on to have successful careers as writers and have won awards including the Guardian First Book Award, the Eric Gregory Award, the Sunday Times Young Writer of the Year Award, and the Dylan Thomas Prize. Two of our graduates (Ross Raisin and Evie Wyld) were recognised in Granta's Best of Young British Novelists 2013 list.

Explore the work of students currently enrolled on the programme in the Goldfish online journal.

Contact the department

If you have specific questions about the degree, contact Maria Macdonald.

There are three main components of the Masters:

Creative and life writing workshops
Contemporary Contexts for Creative and Life Writing
One-to-one tutorials
There will be two core modules: a two-term workshop in creative and life writing, and a one-term Contemporary Contexts for Creative and Life Writing seminar module.

Workshop in Creative and Life Writing

All students attend this two and-a-half-hour compulsory workshop – part-time students attend in their first year. In the first term you will be encouraged to experiment with a variety of genres in creative and life writing, and then in the second term to develop your individual interests in poetry, fiction, autobiography and biography, or perhaps a fusion of those genres.

Each term you submit a piece of your own writing together with a critical account of how you have structured and developed it. Presentations of your work to other students with an account of your aims and approaches form an additional important element.

Some workshops will be taken by visiting writers, introducing you to a range of practices, concerns and techniques. The workshop also enables you to debate issues raised in the Contemporary Contexts module in relation to your own practice.

Contemporary Contexts for Creative and Life Writing

This is a two-hour seminar module, made up of informal talks by visiting speakers, followed by a seminar. These talks might be by practising writers, biographers, critics or philosophers (from both outside and inside Goldsmiths).

Our notable visitors have included Ali Smith, A L Kennedy, Daljit Nagra and Jon McGregor. Wide-ranging topics have included: the role of the writer and politics; writing the self; the relationship between contemporary fiction and biography; the relationship between fictional and non-fictional autobiography; writers and their readers; the publishing world; contemporary ideas about language; gender and writing.

In both the Contemporary Contexts module and the workshops you will be asked to consider works by significant contemporary writers in relation to your own writing practice. Assessment is by a critical essay on a writer or literary issue. Full-time students take the Contemporary Contexts module in their first term and part-time students in their second year.

Tutorials will be offered at regular intervals during the year (12 in all).

Options

You also choose an option module lasting one term. Full-time students take the module in the second term, while part-time students take it in the second year (second term). You can choose from a specialist workshop in fiction, poetry or life writing, or an option from the list of MA options offered by ECL including topics such as European Avant-Garde, Postmodernist Fiction or Re-writing Sexualities.

Assessment

Assessment is by the submission of four pieces of writing of 5,000 words each – either an essay, or, for workshops, a piece or pieces of creative or life-writing – plus a critical account of how you have structured and developed your work. You will also be assessed on a portfolio (maximum of 20,000 words) containing a piece or pieces of creative or life-writing together with a critical account of how you have structured and developed your work. In all cases, the number of words applies to prose.

Careers

Graduates of this programme include Tom Lee, Lucy Caldwell, Ross Raisin, Amy Sackville, Rohan Kriwaczek, Evie Wyld, Sara Grant, Naomi Foyle, Bronia Kita, Lijia Zhang, Ashley Dartnell and Suzanne Joinson and the poets Emily Berry, Andy Spragg, Kate Potts, Jack Underwood, Abigail Parry, Anthony Joseph, Katrina Naomi and Matthew Gregory.

Among them they've won or been shortlisted for awards including The Sunday Times/EFG Private Bank Short Story Award 2012, the Rooney Prize for Literature 2011, the 2008 and 2011 Dylan Thomas Prize, several Eric Gregory Awards, The Sunday Times Young Writer of the Year Award 2009, the John Llewellyn Rhys Prize 2009 and 2010, the Guardian First Book Award, the New Writing Ventures Prize, and several Betty Trask Awards.

Other graduates have gone on to work in publishing (for example, as senior commissioning editors), journalism, public relations, teaching, advertising, the civil service, business, industry, and the media.

Skills

The MA will enable you to develop transferable skills, including: enhanced communication and discussion skills in written and oral contexts; the ability to analyse and evaluate different textual materials; the ability to organise information, and to assimilate and evaluate competing arguments.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This Master's degree in modern and contemporary literature begins with an investigation of literary and theoretical conceptions of modernity in early twentieth-century literature, focusing on topics such as urbanisation, technology, mass culture, individualism and subjectivity. Read more
This Master's degree in modern and contemporary literature begins with an investigation of literary and theoretical conceptions of modernity in early twentieth-century literature, focusing on topics such as urbanisation, technology, mass culture, individualism and subjectivity.

You will also have the chance to analyse the historical transformations of literature and cultural thought from 1945, using the contexts of post-war reconstruction, decolonisation, the fate of avant-garde art, and theories of postmodernity and globalisation. The emergence of international literary paradigms during the twentieth century is reflected in the choice of texts from British, American and post-colonial contexts.

Why study this course at Birkbeck?

Arts and humanities courses at Birkbeck are ranked third best in London and 11th in the UK in the Times Higher Education 2015-16 World University Subject Rankings.
Enables you to gain a thorough grounding in the key concepts of modernism, modernity and the contemporary.
You will be introduced to key texts and paradigms that shape our conception of literature from the early twentieth century to the present.
Opportunities to join a number of graduate seminars and reading groups, and occasional discussions with practising novelists and poets.
Birkbeck is at the geographical centre of London’s research library complex, a short distance from the British Library, Senate House Library and the Institute of Historical Research.
Senate House Library has an outstanding collection of literary periodicals of the nineteenth and twentieth centuries, while the nearby University College London Library also has an important James Joyce archive. The Poetry Library at London’s South Bank Centre is rich in twentieth-century poetry.
Birkbeck's School of Arts hosts the internationally acclaimed Contemporary Poetics Research Centre, which regularly features visiting poetic practitioners.

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Our department offers a distinctively comparative approach to the study of literature; at Essex you don’t just study English literature, you study world literature in English. Read more
Our department offers a distinctively comparative approach to the study of literature; at Essex you don’t just study English literature, you study world literature in English. You explore literature across time, geography, and genre, combining scholarly research with innovative, practical ways of engaging with texts.

You grapple with the challenges of conducting research into Shakespeare and other early modern literature, acquiring specialist skills in archival research, palaeography, and the study of rare and antiquated books. You study materials on 18th century drama and literature, visiting the UK’s only surviving Regency Theatre to investigate how architecture affected the content of drama, and how drama reflected Georgian society. You have the opportunity to explore the history of genres such as the novel and lyric poetry, and study a truly extensive range of work; your reading takes you from African American literature, through Caribbean literatures, to the literature and performance of New York, Paris, Berlin, Vienna, Moscow and London.

Our department is ranked Top 20 in the UK (Guardian University Guide 2015), and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

At Essex, we have an impressive literary legacy. Our history comprises staff (and students) who have been Nobel Prize winners, Booker Prize winners, and Pulitzer Prize winners.

Our Department is a vibrant conservatoire of scholars and practitioners who are committed to unlocking creative personal responses to literature. This distinctive environment is possible because we are a community of award-winning novelists, poets and playwrights, as well as leading literature specialists.

Our academic staff specialise in a range of areas including modernism, comparative and world literature, Shakespeare, the Renaissance, modernism, travel writing, nature writing, translated literature, cultural geography, Irish and Scottish writing, U.S. and Caribbean literatures, and the history of reading.

Specialist facilities

-Meet fellow readers at the student-run Literature Society or at our department’s Myth Reading Group
-Write for our student magazine Albert or host a Red Radio show
-View classic films at weekly film screenings in our dedicated 120-seat film theatre
-Learn from leading writers and literature specialists at weekly research seminars
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting and performance skills at our Lakeside Theatre Workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested

Your future

A good literature degree opens many doors.

We offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as writers, and others are now established as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Example structure

-Dissertation
-Research Methods in Literary and Cultural Analysis
-Georgian and Romantic Literature and Drama
-Early Modern to Eighteenth Century Literature
-The New Nature Writing (optional)
-Writing the Novel (optional)
-Memory Maps: Practices in Psychogeography (optional)
-Dramatic Structure (optional)
-Literature and Performance in the Modern City (optional)
-Adaptation
-Documentary and the Avant-garde: Film, Video, Digital
-Film and Video Production Workshop
-Advanced Film and Industry: Production and Industry
-US Nationalism and Regionalism (optional)
-African American Literature (optional)
-Sea of Lentils: Modernity, Literature, and Film in the Caribbean (optional)
-Writing Magic (optional)
-"There is a Continent Outside My Window" : United States and Caribbean Literatures in Dialogue (optional)
-Literature and the Environmental Imagination: 19th to 21st Century Poetry and Prose (optional)

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