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This MA provides training in the documentation and interpretation of artefacts from archaeological sites and museum collections. Students benefit from a placement within a museum or an archaeological unit where experience will be gained in the practice of finds analysis. Read more
This MA provides training in the documentation and interpretation of artefacts from archaeological sites and museum collections. Students benefit from a placement within a museum or an archaeological unit where experience will be gained in the practice of finds analysis.

Degree information

Students are introduced to the skills of finds specialists, practical issues of artefact study, and debates about the collection, interpretation, reporting and curation of archaeological materials. They develop the ability to evaluate different approaches to artefact studies and undertake the cataloguing and analysis of an artefact assemblage.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (30 credits), four optional modules (60 credits), an optional work placement and a research project (90 credits).

Core modules - all students are required to take the following:
-Working with artefacts and assemblages
-Technology within Society

Optional modules - students choose to follow further optional modules up to the value of 60 credits from an outstanding range of Master's options available at the UCL Institute of Archaeology. For this degree, some of the most popular choices include:
-Antiquities and the Law
-Archaeological Ceramic Analysis
-Archaeological Glass and Glazes
-Archaeometallurgy I: Mining and Extractive Metallurgy
-Archaeometallurgy II: Metallic Artefacts
-Art: Interpretation and Explanation
-British and European Prehistory: Neolithic to Iron Age
-Experimental Archaeology
-Funerary Archaeology
-Geoarchaeology
-Intangible Dimensions of Museum Objects from Egypt
-Interpreting Pottery
-Issues in Conservation: Understanding Objects
-Making and Meaning in Ancient Greek Art
-Making and Meaning in Ancient Roman Art
-Prehistoric Stone Artefact Analysis

Dissertation/report
The 15,000–word dissertation normally combines a professional standard finds report with an academic overview.

Teaching and learning
The programme is delivered through formal lectures, seminars and practical sessions. It can include a placement at a relevant museum or archaeological unit where students gain experience in the practical study and the recording of an artefact assemblage. Assessment is through an essay, a portfolio, a project proposal and the dissertation.

Careers

Some recent graduates of the programme have gone on to PhD studies while others have pursued a very wide range of professional careers both within and beyond archaeology. The main career path is working as assistants, museum curators or working in the antiquities service recording finds.

Top career destinations for this degree
-Project Team Officer, English Heritage
-Archaeologist, Museum of London Archaeology
-Museum Building Manager, Hainan and Haopioen Arts Museum
-Artefacts Assistant, Maidstone Council
-Freelance Numismatist, Self-Employed Numismatist

Employability
The degree is tailored to give graduates a solid grounding in systematically recording and documenting artefacts as well as analysing artefact assemblage. They will also have a basic understanding of creating graphs and diagrams, and analysing and assembling finds-catalogues. Without concentrating on any specific epoch, we give students the tools for understanding and systematically analysing any artefact assemblages.

Why study this degree at UCL?

Whether you plan a career as finds assistant, museum curator or plan a materials based PhD, this course provides you with the skills you need to successfully identify, describe and document artefacts and analyse assemblages. The emphasis of the course is very much on practical application, so there will be numerous handling sessions and praxis-related tasks.

The UCL Institute of Archaeology is the largest and most diverse department of archaeology in the UK, and provides a stimulating environment for postgraduate study. Its outstanding archaeological library is complemented by UCL's Main Library, University of London Senate House and other specialist libraries. UCL is located in central London, within walking distance of the British Museum and the British Library.

UCL's own museums and collections form a resource of international importance for academic research. Students will work on material from the institute's collection as part of their assessment. Past students on this programme have made effective use of the resources at the British Museum, the Museum of London and the Museum of London archives, the Petrie Museum, Victoria and Albert Museum and other British and international museums. The Wolfson Labs provide a unique facility for scientific analyses of materials and have been used by numerous artefact students for their dissertations after the required training.

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Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context. Read more
Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context.

Why this programme

-This MLitt in Material Culture & Artefact Studies will prepare you to participate at both a practical and theoretical level within the field of specialist artefactual analysis.
-You will be able to undertake a work placement to gain valuable work experience in a museum, archaeological unit or other cultural institution.
-You will benefit from the involvement of staff from Glasgow Museums, National Museums Scotland and other institutions within Scotland, and will have the opportunity to work with collections from local museums, including the University’s own Hunterian Museum and Art Gallery.

Programme structure

The taught component consists of core courses and optional courses, running over two semesters.

Assessment is normally focused on written performance, but oral presentation skills and other modes of assessment allow you to develop your writing skills in a number of formats. This is in addition to the practical emphasis on developing your ability to interpret and analyse artefacts.

For the MLitt you can opt to do either a dissertation or an extended work placement (assessed by work placement eportfolio and either a research report or a student exhibition design).

Core courses
-Material culture in context
-The process of artefact studies

Optional courses include modules such as:
-Lithic analysis
-Independent study
-Critical themes in the display and reception of objects
-Early medieval artefacts
-Viking and late Norse artefacts (AD 750-1350).
-Optional courses drawn from Archaeology or from other programmes across the University can be taken by agreement with the programme convener

Career prospects

The two strands to the degree enable you to prepare for further doctoral research whilst also providing opportunities for valuable vocational experience in a commercial environment.

The wealth of experience and knowledge provided by the interdisciplinary nature and focus of the degree and the networks and relationships developed during their time here, has stood past graduates in good stead upon graduation. They have found full-time positions with Historic Scotland, Headland Archaeology Ltd, Guard Archaeology Ltd. While others are working with various heritage organisations and some are continuing with their postgraduate studies.

Several of our international graduates have found employment working at the Smithsonian, Washington D.C and at the Pink Palace Museum, Memphis Tennessee. Others continue to work in the Cultural Resource Management sector. Several students have gone on to further doctoral research at Glasgow University and beyond, on prehistoric stone tools, Shetland lace knitting, Bronze Age ceramics and medieval settlement.

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Durham University's unique MA in Museum and Artefact Studies aims to provide students with high quality training relevant to a career in museums, the cultural heritage sector, and in the academic world. Read more
Durham University's unique MA in Museum and Artefact Studies aims to provide students with high quality training relevant to a career in museums, the cultural heritage sector, and in the academic world. In particular, it is intended to equip students with a sound knowledge and critical understanding of current professional principles, good practice and contemporary debates relating to museum and artefact studies.

It aims to help students develop a variety of skills:
Professional skills - relevant to the care, management and exhibition of collections in museums.
Analytical skills - relevant to the study of a wide range of materials and artefacts, from different periods and cultures, and from a variety of disciplinary perspectives.
Research skills - relevant to studies of museums and artefacts, including an awareness of current theoretical issues.
Communication skills (oral, written and visual) - relevant to work in the museum profession and to academic research.

It also aims to encourage students to take personal responsibility for their own learning, team-work and professional conduct.

Course Structure

Two distinct routes can be followed through the MA in Museum and Artefact Studies. These comprise different combinations of modules.

Route 1

The first route is intended for students who firmly intend to pursue a career in museums and galleries. It comprises six compulsory taught modules:
-Approaches to museum and artefact studies
-Museum principles and practice
-Artefact studies
-Care of collections
-Museum communication
-Research paper

Route 2

The second route through the MA provides students with a different choice of modules. It is intended for students with a strong interest in artefact studies, who may wish to pursue a career in the cultural heritage sector or undertake further postgraduate research in museum or artefact studies after completing the MA course, but who also wish to keep their options open. It comprises four compulsory modules (one of which is a dissertation) and a choice of a fifth module:
-Approaches to museum and artefact studies
-Museum principles and practice
-Artefact studies
-Dissertation
And either
-Museum communication
Or
-Care of collections
Or
-A module from the MA in Archaeology (e.g. Prehistory; Roman Archaeology; Medieval Archaeology; Post-Medieval Archaeology; or the Archaeology of Egypt, the Near East and India (when available).

Learning and Teaching

The programme is mainly delivered through a mixture of lectures, tutorials and practical classes. Typically lectures provide key information on a particular area, and identify the main areas for discussion and debate in the Museums sector. Tutorials, seminars and workshops then provide opportunities for students to discuss and debate particular issues or areas, based on the knowledge that they have gained through their lectures and through independent study outside the programmes formal contact hours. Finally, practical classes allow students to gain direct experience of practical and interpretative skills in Museum and Artefact Studies through placements and curating an exhibition and/or developing an educational programme for the University Museums.

The balance of these types of activities changes over the course of the programme, as students develop their knowledge and ability as independent learners , giving them the opportunity to engage in research, professional practice, and developing and demonstrating research skills in a particular area of the subject. The programme aims to develop these key attributes in its students thereby preparing them for work or further study once they have completed the programme.

In Terms 1 and 2 students typically attend 3-4 hours a week of lectures, up to 4 hours of tutorials or seminars, in addition to 2 workshops and 2-3 hours of practical sessions working with artefacts or museum environment-related matters or fieldtrips over the term. Students have a 20-day Museum placement at Easter in a museum or archive. Outside timetabled contact hours, students are also expected to undertake their own independent study to prepare for their classes and broaden their subject knowledge. Professional speakers are brought in to engage the students with issues within the professional body.

In Term 3 the balance shifts from learning the basic skills required, to applying them within a real-life museum environment in the module Museum Communications where students work together on a specific project(s) with an opening date in May, June or July. Typically, students could be spending the equivalent of a working week as they complete the work for their projects, under supervision.

The move towards greater emphasis on independent research and research continues in Term 3, where the use of research skills acquired earlier in the programme are developed through the Dissertation research project or the Research Paper. Under the supervision of a member of academic staff with whom they will typically have between 3 and 5 one-to-one supervisory meetings, students undertake a detailed study of a particular area resulting in a significant piece of independent research. The Dissertation is regarded as a preparation for further academic work while the exhibition and Research Paper route is designed for a more professional environment.

Throughout the programme, all students also have access to an academic adviser who will provide them with academic support and guidance. Typically a student will meet their adviser two to three times a year, in addition to which all members of teaching staff have weekly office hours when they are available to meet with students on a ‘drop-in’ basis. The department also has an exciting programme of weekly one hour research seminars which postgraduate students are strongly encouraged to attend as well as Friends of the Oriental Museum events.

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Scientific analysis is a key tool in the interpretation of archaeological artefact and assemblages. Read more
Scientific analysis is a key tool in the interpretation of archaeological artefact and assemblages. This MSc offers detailed training in the use of scientific techniques for the analysis of archaeological and heritage materials, and a solid background in the archaeology and anthropology of technology allowing students to design and implement archaeologically meaningful scientific projects.

Degree information

This degree aims to bridge the gap between archaeology and science by integrating both a detailed training in the use of scientific techniques for the analysis of inorganic archaeological materials and a solid background in the anthropology of technology. By the end of the degree, students should have a good understanding of the foundations of the most established analytical techniques, practical experience in their application and data processing, as well as the ability to design research projects that employ instrumental analyses to address archaeological questions.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (15 credits), four optional modules (75 credits) and a research dissertation (90 credits).

Core modules
-Laboratory and instrumental skills in archaeological science

Optional modules - you are then able to choose further optional modules to the value of 75 credits. At least 15 credits must be made up from the following:
-Technology within Society
-Archaeological Data Science

At least 30 credits must be made up from the following list below:
-Technology within Society
-Archaeological Data Science
-Archaeological Ceramic Analysis
-Archaeological Glass and Glazes
-Archaeometallurgy 1: Mining and Extractive Metallurgy
-Archaeometallurgy 2: Metallic Artefacts
-Geoarchaeology: Methods and Concepts
-Interpreting Pottery
-Working with Artefacts and Assemblages

In order to allow for a flexible curriculum, students are allowed to select up to 30 credits from any of the postgraduate courses offered at the UCL Institute of Archaeology under other Master's degrees.

Dissertation/report
All students undertake an independent research project which culminates in a dissertation of 15,000 words.

Teaching and learning
The programme is delivered through a combination of lectures, seminars, practical demonstrations and laboratory work. A popular aspect of this programme is its extensive use of analytical facilities. Assessment is through essays, practicals, projects, laboratory reports and oral presentations depending on the options chosen, and the dissertation.

Careers

Given our strong emphasis on research training, many of our MSc graduates take up further research positions after their degree, and over half of our MSc students progress to PhD research. Their projects are generally concerned with the technology and/or provenance of ceramics, metals or glass in different regions and periods, but most of them involve scientific approaches in combination with traditional fieldwork and/or experimental archaeology.

Some of our graduates are now teaching archaeometry or ancient technologies at different universities in the UK and abroad. Others work as conservation scientists in museums and heritage institutions, or as finds specialists, researchers and consultants employed by archaeological field units or academic research projects.

Employability
Due largely to an unparalleled breadth of academic expertise and laboratory facilities, our graduates develop an unusual combination of research and transferable skills, including critical abilities, team working, multimedia communication, numerical thinking and the use of advanced analytical instruments. On completion of the degree, graduates should be as comfortable in a laboratory as in a museum and or an archaeological site. They become acquainted with research design and implementation, ethical issues and comparative approaches to world archaeology through direct exposure to an enormous variety of projects. The range of options available allows students to tailor their pathways towards different career prospects in archaeology and beyond.

Why study this degree at UCL?

The UCL Institute of Archaeology is the largest and most diverse department of archaeology in the UK. Its specialist staff, outstanding library and fine teaching and reference collections provide a stimulating environment for postgraduate study.

The excellent in-house laboratory facilities will provide direct experience of a wide range of techniques, including electron microscopy and microphone analysis, fixed and portable X-ray fluorescence, X-ray diffraction, infra-red spectroscopy, petrography and metallography under the supervision of some of the world's leading specialists.

The institute houses fine teaching and reference collections that are extensively used by MSc students including ceramics, metals, stone artefacts and geological materials from around the world. In addition, the institute has a wide network of connections to museums and ongoing projects offering research opportunities for MSc students.

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Learning how to make new discoveries that will contribute to a better understanding of the historical and social significance of works of art, artefacts and other cultural products from classical antiquity to the present. Read more
Learning how to make new discoveries that will contribute to a better understanding of the historical and social significance of works of art, artefacts and other cultural products from classical antiquity to the present.

Art is an expression of the human spirit. The study of art deals with cultural, social, religious, political and aesthetic meaning in the time it was created, the present and the eras in between. Think of how the Greek mythology of Narcissus – who has been portrayed in countless sculptures and paintings over the ages – was used by Freud to name a psychological disorder and is today used by politicians to symbolise the flaws of modern society. And think of how the destruction of art, be it by Byzantine iconoclasts, sixteenth-century Dutch protestants, or present-day adherents of IS, teaches us that the emotional and political significance of art goes far beyond the loss of objects.

The research Master’s in Art and Visual Culture studies the relationship between art, the past and the present from various angles, including the interpretation of the cultural contexts of visual expressions and their transformations throughout the ages up to now. This programme is geared towards classical archaeologists, art historians and cultural scholars alike. You’ll gain insight into general humanities methods and theories as well as those specific for those three fields. You can then go to focus on your own topic in the field of Art-Historical, Cultural Studies and Archaeology.

See the website http://www.ru.nl/masters/arts-culture 

Europe and ‘its worlds’

The programme welcomes students with interest in all forms of art and visual culture. Our own research primarily focuses on Europe and ‘its worlds’, including how European artefacts interact with and differ from the rest of the world. Our research studies artefacts in the broadest sense, ranging from the more traditional forms as sculptures, paintings and architecture to modern ones as film, digital art, the performing arts and even fashion. All our research is performed in collaboration with scientists from other fields within the Institute for Historical, Literary and Cultural Studies (HLCS). We are joined in thirteen themed research groups .

Why study Art and Visual Culture at Radboud University?

- We teach you to look at the physical, artistic and visual qualities of an artwork or artefact, seen from the perspectives of three different disciplines: Classical Archaeology, Cultural Studies and Art History.
- In your first year, you take several courses with students from the other HLCS research Master’s specialisations in Historical Studies, and in Literary Studies. This unique construction will allow you to view your own field from the perspective of the other humanities.
- A personal tutor will guide you throughout the entire programme. He/she will give you advice on how to tailor our programme to best suit your interests, act as a sounding board for your research ideas, and help you make the right connections in the academic arena.
- You’ll receive thorough preparation for PhD research, including the writing of a publishable scholarly article and a proposal for a PhD project.
- This programme strongly encourages you to go abroad for at least a semester. Students can use our connections to other universities (IRUN network ) and research institutes to find a place that meet their academic interests.

Our research in this field

Any research done by students of the Master’s in Art and Visual Culture will be supervised by a researcher at the Institute for Historical, Literary and Cultural Studies (HLCS) in Nijmegen. HLCS research focuses around the theme Europe and its Worlds and questions whether ‘Europe’ consists of different worlds, how it is addressed, how it differs from the rest of the world, and how it interacts with other worlds. Researchers from a variety of humanities disciplines collaborate in thirteen different thematic groups to explore the spaces, cultural practices, beliefs, texts and ideas related to Europe and its World.

Thematic research groups
There are art and cultural scientists in many of these thematic groups. Although all the groups could be of interest to an art and cultural researcher, our experience is that the following generate a lot of interest among the Art and Visual Culture students:

- Matter And Culture: Analysis, Discourse & Aesthetics of/in Material Culture
The common framework of this group is research into material culture as the bearer of meaning in the broadest sense.

- Creative Industries: Society, Culture and Aesthetics in the 21st century
This group aims to gain a socio-cultural understanding of the creative industries. The group views the creative industries as a dynamic sector of autonomous and applied arts that range from theatre, music, media, literature and museums; to gaming, film, fashion and television, as well as to design, arts education, heritage and festivals.

- Memory, Materiality and Meaning in the Age of Transnationalism
This group studies the material as well as immaterial media and forms of embodiment through which we create memory through meaning-making and performative practices.

Master’s thesis topics in Art and Visual Culture:
For their Master’s thesis research, students can work together with researchers from one of the HLCS research groups or choose a topic in a non-related area. A small sample of thesis topics that you could research in this programme:
- Understanding the Post-Pompeian Era: Wall painting in the Roman Empire (AD 79-395)
- Crime in a Nordic Space: The Production of Space in Forbrydelsen
- William Marlowe in his time: an eighteenth-century view painter rediscovered
- Unravelling the Fabrics of Time: A New Materialist Perspective on Slow Fashion Becomings
- A Pyramidal Structure along the Via Appia. Documentation and reconstruction


See the website http://www.ru.nl/masters/arts-culture 

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Art, Media and Society is a renewed, fully English-taught Master's specialization within the Master's program Culture Studies. The Master’s specialization in Art, Media and Society focuses on the transformations that cultural products undergo as a result of digitalization and globalization. Read more
Art, Media and Society is a renewed, fully English-taught Master's specialization within the Master's program Culture Studies.

The Master’s specialization in Art, Media and Society focuses on the transformations that cultural products undergo as a result of digitalization and globalization. In this program you will analyze how digital cultural products and artefacts critically reflect societal issues, such as the financial crisis, the rise of populism or the ‘tyranny of intimacy’ of social media. Furthermore, you will investigate the public impact of activities carried out by a range of different authors and artists. You will use theories and analytical tools to understand what is at stake here. Central questions are: How can art reshape the public sphere? What are new dimensions of information in the current public sphere?

As a student of Art, Media and Society, you take an interdisciplinary approach to media and art in the modern digital and culturally diverse society, and find yourself at the interface between culture, media, aesthetics and politics.

In this Master’s program, you study digital cultural products and artefacts in contemporary society: phenomena of high and mass culture as well as fashion and advertising, narrative forms of expression such as journalism and personal blogging, as well as literature and visual art focusing on varied purposes: to articulate human rights, to challenge neoliberal development, and to forge alternative local and transnational solidarities. You investigate how information circulates in various contexts, what the social, political and ethical implications are of cultural products, and how roles of producing and consuming these products are negotiated.

In addition, you study theories about the way cultural products and artefacts are experienced and responded to. You practice and further develop your ability to communicate your knowledge and to define, formulate, develop and implement projects. The purpose of the Master’s specialization in Art, Media and Society is to educate professionals with clear profiles.

Career Perspective Art, Media and Society

Art, media and society prepares you for a career in today’s global, digital and cultural diverse society. An average of 80 % of our students finds a job within a year after graduating. Our alumni work in the (online) media sector, in education, as programmer of film, theater, festival or debate. The third unit of the Master’s program is especially focused on developing the specific role of the cultural scholar in society.

The program prepares you for a job in the cultural sector, or the media sector, in which you have to organize, analyze, interpret, write and present.

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This is a distinctive programme, built around the unique position of Edinburgh College of Art (ECA) in the University and the city of Edinburgh. Read more

Research profile

This is a distinctive programme, built around the unique position of Edinburgh College of Art (ECA) in the University and the city of Edinburgh.

It combines advanced research in and on collections (ranging from visual art, film and musical instruments through to medical artefacts and rare books) with practices, including archival work and temporary exhibition organisation. At its core are high-quality peer-group research placements delivered in partnership with national cultural institutions and a regular colloquium course debating key issues in the field.

The programme is aimed at students wishing to develop research-level knowledge in the field of museum, gallery and collections studies broadly conceived, and to gain practical experience of professional working as part of a peer group in a large public institution, delivering a live project.

You will gain critical, analytical, interpretative and other research skills that are transferable to further academic research, to museum collections and curatorial settings, and to other professions.

The study and interpretation of diverse museum and gallery collections involves theoretical, historical and practical approaches to artefacts from world cultures past and present.

Drawing on disciplines such as anthropology, art history, archival studies, conservation, history of music, history of science, and sociology, this exciting field is about working at the interface of academic research and the curatorial profession.

The Edinburgh approach, based around strong partnerships with national cultural institutions in the city, fosters the next generation of researchers and museum and gallery professionals. It affords unique opportunities for live project delivery in national institutions, master classes with leading experts, and a rigorous framework for intellectual development and innovation.

Training and support

The core course will include introductory training relating to the principles and practices of collections management as well as institutional practices including interpretation, access and audience engagement. Two intensive one-day workshops will offer practical training in archival practice and object handling, along with further learning opportunities relating to the transportation, insurance, and installation of objects in exhibitions. More advanced professional training in relevant practices will be given by partner organisations during placement projects. In addition, the programme will enable you to use a range of IT skills in the delivery of presentations: oral, written and visual.

The 60 credit dissertation component will be supervised by a member of staff in ECA, with secondary supervisory support from ECA, the University or from a member of staff in one of the external partner organisations. Your project/dissertation will be supported by regular supervisory meetings and feedback on drafts of chapters.

Facilities

Situated in the heart of Edinburgh's Old Town, Edinburgh College of Art has a wide range of studios and workshop spaces, libraries and collections, places to socialise, perform and show work; all within walking distance of world-class museums, music venues and galleries.

Our facilities range from the historic, to contemporary, specialist spaces for making work at all scales, in and across all media. In this directory, you’ll find details of our own facilities, and selected places in the city to be inspired, research, collaborate or gain work experience.

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Study in the European heartland of medieval archaeology. The buildings, material culture and landscapes of York and the north of England offer unrivalled opportunities for the study and research of medieval archaeology. Read more
Study in the European heartland of medieval archaeology

Why choose this course?

The buildings, material culture and landscapes of York and the north of England offer unrivalled opportunities for the study and research of medieval archaeology. The Archaeology department in York was established as the first in the UK to specialise in medieval archaeology, and that legacy is evident today in the department’s concentration of medieval archaeologists. Their specialisms cover the entire medieval period, from the post-Roman era to early modern times.
-Study in the heartland of medieval archaeology in Europe
-Learn from leading archaeologists, specialising in every aspect of the Middle Ages
-Immerse yourself in the medieval community at the Centre for Medieval Studies
-Gain volunteering and work experience in the heritage sector
-Access state-of-the-art facilities, including laboratories, archives and libraries
-Use the latest techniques and equipment to build key practical skills
-Receive careers advice from knowledgeable staff with valuable contacts in the academic and heritage sectors

What does the course cover?
The course focuses on the artefacts, landscapes, buildings and social, cultural and environmental contexts of medieval Britain and Western Europe. It covers the period from the end of the Roman Empire to the Reformation, and explores themes such settlement, trade and economy, religion, buildings and artefacts, social structure, ethnicity and identity, conquest and cultural contact, and methodological and theoretical approaches.

The flexible modular structure of the course means you can tailor your MA to suit your interests and goals. There is an opportunity to learn valuable practical skills, which are essential for a wide range of archaeological and associated careers.

Who is it for?
This degree is for anyone interested in studying the medieval period from a material perspective. It is primarily for students with previous experience in archaeology, history, art history or anthropology, but our students do come from a wide variety of academic backgrounds.

What can it lead to?
The course provides a solid foundation for a wide range of careers and further studies. Our students have gone on to research degrees, academic or teaching careers, museum positions and archaeology posts at local councils, regional authorities, field units, and heritage bodies such as English Heritage and the Portable Antiquities Scheme.

Careers

The MA in Medieval Archaeology enables you to:
-Study a broad range of issues in medieval archaeology at a general level
-Explore selected topics in detail, which may be drawn from both the early and later medieval periods
-Relate general research principles and skills to your studies of medieval archaeology in particular
-Develop an ability to gather and organise information and arguments in a critical and independent manner
-Undertake a piece of independent research on a topic within the field of medieval archaeology
-Develop written communication skills through essays and your dissertation
-Develop presentation skills through the delivery of seminar papers and a short lecture on your dissertation topic

The skills and knowledge gained on the course are applicable to wide range of archaeological careers, as well as further study and research.

Course postgraduates have gone on to pursue research degrees, academic or teaching careers, museum positions and archaeology posts at local councils, regional authorities, field units and heritage bodies. Some of the organisations our students now work for include:
-Historic England
-English Heritage
-The National Trust
-York Archaeological Trust
-The Council for British Archaeology
-Yorkshire Museums Trust
-Portable Antiquities Scheme
-British Museum
-Church of England
-Churches Conservation Trust
-Jorvik Viking Centre

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This course develops skills in computer animation, computer games technology, film and television, or music technology. It is driven by the design and application of the latest hardware, software and techniques to produce creative and innovative media artefacts. Read more

Why take this course?

This course develops skills in computer animation, computer games technology, film and television, or music technology. It is driven by the design and application of the latest hardware, software and techniques to produce creative and innovative media artefacts. These could be focused on industry-related developments but equally you could test an idea or propose a new idea to address novel research problems.

MSc Creative Technologies is centred on a bespoke project chosen by you. This allows you to define the focus of your work and gain the hands-on experience of designing, creating and managing your media development or research programme.

You will be equipped with the technical, academic and professional skills required to pursue a career in your chosen industry. Your project will lead to an exit award of either:

MSc Computer Animation
MSc Computer Games Technology
MSc Film and Television
MSc Music Technology

What will I experience?

On this course you can:

Focus on a problem to develop excellent portfolio work
Design and develop software, systems, 2D/3D assets, and innovative solutions
Use our sound/music studios and multimedia labs, accessing high-spec computing facilities
Utilise our industry-standard game content creation software, VR hardware, motion capture facilities and console development kits
Access the latest digital film equipment through our loan store, including the C300, EX3 and Canon 7D cameras and the Mix Pre-D portable sound mixer
Have the opportunity to engage in client-based research

What opportunities might it lead to?

Our course specialises in developing a wide range of analytical and problem-solving skills to support you in becoming a critically-reflective practitioner in a range of technology-related careers. In an age where media content providers are looking for cross-platform solutions to moving image digital design and production, the specialist knowledge our graduates attain leave them in a particularly strong position.

Depending on your project choice, you’ll be prepared to find employment internationally within the computer games industry, Virtual Reality, film or broadcast industries, training, healthcare and simulation or music industries. In addition, previous graduates have started their careers as freelancers, independent developers or continued onto PhD study.

Our students have pursued a wide range of project topics, including:

Computer games programming and technical design
Virtual Reality for healthcare
Education, training and simulation
3D modelling
Sound Design
Animation design
Motion capture
Cross platform film production
Online audio visual archiving

Module Details

Promoting careful planning, implementation and reflection on subject-related issues, this course will encourage you to build on your previous creative and technical expertise.

You will have the opportunity to research, design and develop a major artefact, prototype or study. In addition to one-to-one academic guidance from two project supervisors, the lifecycle of your project is also supported by self-directed taught units that take a project from start to finish:

Context and Definition: Identifying the background, scope and context of your project, and formulating a project plan.
Professional, Academic and Research Development: Identifying your own strengths, areas for development and refined career goals.
Project Design and Development: Shaping the project as it comes together and responding proactively to development issues.
Project Evaluation and Resolution: Acting upon feedback from the project to refine the outcome, before reflecting upon and evaluating your success.

Programme Assessment

This course encourages individual exploration and research along with opportunities to demonstrate this knowledge within your specialist area of interest. Particular emphasis is placed on your ability to define, implement, evaluate and reflect on subject related issues.

Formal assessment will include written materials, such as project proposals, research or development papers and reflective reports. This, along with completed artefacts, will form the assessment. In addition, presentations during the programme will allow the development of your ability to contextually justify your work.

Student Destinations

The rapid growth of the media industries, along with the advancing nature of technology, means that the demand for specialist skills in creative technologies is on the rise.

Depending on the focus of your self-directed project and your specific career plans, you can develop skills to work in the film and broadcast industries, games design, programming, art production and virtual reality development. The leisure and entertainment sector has an increasing number of opportunities in the field of music technology.

Other areas where you may find employment include education, health and business, which rely on audio specialists for the development of audio systems, software and interfaces, installation and monitoring, through to contextual acoustic research.

In addition, there is a growing demand for delivering cross-platform content as part of regional and international convergence projects, such as cross media solutions on TV, the web and social media, or across social venues, mobile phone devices and the home.

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Early Modern English Literature taught with the British Library; a unique opportunity to study early modern literary works, including Shakespeare, in light of recent critical approaches and as print and manuscript material artefacts. Read more
Early Modern English Literature taught with the British Library; a unique opportunity to study early modern literary works, including Shakespeare, in light of recent critical approaches and as print and manuscript material artefacts. Ideal foundation for doctoral work and careers in the arts, education, curatorship and broadcasting.

Key Benefits

- A strong tradition of Shakespeare and early modern literary studies at King's

- Unique access to unparalleled collections at the British Library and to the expertise of world-class curators, who will teach the core module and supervise some dissertations

- Close links with the London Shakespeare Seminar, the London Renaissance Seminar, and with the Institute of English Studies

Visit the website: http://www.kcl.ac.uk/study/postgraduate/taught-courses/early-modern-english-literature-text-and-transmission-ma.aspx

Course detail

- Description -

This MA programme focuses on the transmission of key early modern literary texts makes it unlike any other programme of its kind. Transmission is understood both as the circulation of literary texts in manuscript and print and their reception. Students will therefore learn to read early modern handwriting, to transcribe neglected literary manuscripts and rare printed texts and to edit them for the modern reader.

By focusing on transmission, this MA programme will also make students aware of the impact of the materiality of the text and of the material conditions of its (re)production on its interpretation. The specific process whereby a literary text reaches its readers or its audience is always central to its interpretation.

The core module taught at the British Library is specifically designed to teach students how to search collections of early modern manuscripts and rare books held in major research libraries worldwide and how to identify the agents involved in their production, transmission and preservation in libraries and private collections.

- Course purpose -

Early Modern English Literature taught with the British Library; a unique opportunity to study early modern literary works, including Shakespeare, in light of recent critical approaches and as print and manuscript material artefacts. Ideal foundation for doctoral work and careers in the arts, education, curatorship and broadcasting.

- Course format and assessment -

Core and optional modules assessed by coursework, plus a dissertation.

Career propsects:

We expect some students will pursue PhD level study in the area, leading to a teaching or academic career. Other students will be ideally placed for jobs in the arts, creative and cultural industries, curatorship and broadcasting.

How to apply: http://www.kcl.ac.uk/study/postgraduate/apply/taught-courses.aspx

About Postgraduate Study at King’s College London:

To study for a postgraduate degree at King’s College London is to study at the city’s most central university and at one of the top 21 universities worldwide (2016/17 QS World University Rankings). Graduates will benefit from close connections with the UK’s professional, political, legal, commercial, scientific and cultural life, while the excellent reputation of our MA and MRes programmes ensures our postgraduate alumni are highly sought after by some of the world’s most prestigious employers. We provide graduates with skills that are highly valued in business, government, academia and the professions.

Scholarships & Funding:

All current PGT offer-holders and new PGT applicants are welcome to apply for the scholarships. For more information and to learn how to apply visit: http://www.kcl.ac.uk/study/pg/funding/sources

Free language tuition with the Modern Language Centre:

If you are studying for any postgraduate taught degree at King’s you can take a module from a choice of over 25 languages without any additional cost. Visit: http://www.kcl.ac.uk/mlc

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The Archaeology MA inspires you to think about the human past from a variety of thematic and analytical perspectives. Newcastle is surrounded by world-class prehistoric, Roman and medieval heritage. Read more

Course Overview

The Archaeology MA inspires you to think about the human past from a variety of thematic and analytical perspectives. Newcastle is surrounded by world-class prehistoric, Roman and medieval heritage. We make full use of our rich archaeological landscape with regular study trips and fieldwork.

Newcastle University has a long and distinguished history of archaeology, including: Prehistoric; Greek; Roman; Late Antique; Western Medieval; Byzantine; Historical Archaeology.

We have access to some of the finest collections of archaeological artefacts in Great Britain in the on-campus Great North Museum: Hancock.

We provide quality teaching in small groups. This means you'll reach a level of familiarity with artefacts that most students can only dream of.

We have a range of period-based, practical and theoretical modules available. Our modules will give you an understanding of the interpretive approaches that archaeologists adopt. They will also help you understand the methodologies and sources available during your investigations.

Modules

For detailed module information see http://www.ncl.ac.uk/postgraduate/courses/degrees/archaeology-ma/#modules

How to apply

For course application information see http://www.ncl.ac.uk/postgraduate/courses/degrees/archaeology-ma/#howtoapply

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While the rate of deterioration and disappearance of heritage sites has accelerated due to acceleration of human progress, major technological breakthroughs have occurred to enable digital preservation, i.e. Read more
While the rate of deterioration and disappearance of heritage sites has accelerated due to acceleration of human progress, major technological breakthroughs have occurred to enable digital preservation, i.e. 3D digital capture has been developed allowing high definition, high accuracy, and high productivity associated with digital documentation. This technology has been adopted worldwide and over 3,000 international service providers are available to deploy this technology to facilitate the preservation of heritage sites. In addition, major innovations in digital image processing, 3D modelling software, broadband access, and computer hardware capabilities have allowed worldwide public access to voluminous data and information systems including 3D visualisation.

The

MSc in Visualisation (International Heritage)

is a specialist pathway in the realm of 3D visualisation at DDS. This course aims to develop the knowledge and skill sets required to deliver and conduct digital preservation of world heritage sites and to create a unique opportunity to combine architecture and heritage with state of the art digital technologies, including 3D laser scanning, digital reconstruction of historic sites and artefacts, interaction and visualisation using virtual reality facilities. It allows an ideal opportunity for documentation, maintenance, and preservation of significant cultural sites and physical heritage assets, and to reconstruct them in a real-time 3D environment for use in tourism, art, education, entertainment and science.

This pathway will enable students to understand the process of creating original 3D datasets of cultural objects and sites, to reconstruct and present immersive visualisation with interactive narratives and provide a novel approach to foster multi-disciplinary study in computer science, history, geography, culture study, archaeology, architecture, the build environment, art and design and tourist management.

The programme aims to develop the knowledge and skill sets required to deliver and conduct digital preservation of world heritage sites and to create a unique opportunity to combine architecture and heritage with state of the art digital technologies, including 3D laser scanning, digital reconstruction of historic sties and artefacts, interaction and visualisation using virtual reality facilities. It allows an ideal opportunity for documentation, maintenance and preservation of significant cultural sites and physical heritage assets, and the ability to reconstruct them in a real-time 3D environment for use in tourism, art, education, entertainment and science.

The International Heritage pathway emerged as a result of successful strategic research collaborations between the DDS and a number of partners in cultural heritage. DDS has several long-term partnerships with industry and governmental organisations and a world-leading portfolio of work. DDS and Historic Scotland have formed the Centre for Digital Documentation and Visualisation (CDDV) which specialises in the precise documentation and 3D representation of heritage objects, architecture and environments using state of the art, high resolution laser scanning technology and 3D visualisation software. The CDDV promotes and celebrates Scotland’s cultural heritage at home and abroad and enhance Scotland’s reputation for developing world class and innovative research and development. It is delivering the digital documentation of the five Scottish UNESCO World Heritage Sites and five International Heritage Sites in a five-year project known as the Scottish Ten.

The MSc in Visualisation (International Heritage) provides a high level taught programme to those emerging from a wide range of disciplines. This places graduates in a leading global competitive position to advance in research, academia, governmental and commercial organisations, gaining a greater understanding of techniques that may assist in digital heritage practices.

Although just one intake per year in September, students can attend this programme on a part-time basis.
A number of Scottish Funding Council Fee Waivers are available for this programme.

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Still accepting applications for 2016/17. An internationally respected postgraduate metals conservation programme. The strongly practical emphasis of this programme (73%) is based on assessment and treatment of clients' objects. Read more
Still accepting applications for 2016/17

An internationally respected postgraduate metals conservation programme.

The strongly practical emphasis of this programme (73%) is based on assessment and treatment of clients' objects. You will consolidate your skills in the treatment of ferrous metals, copper allows, base metals and precious and plated metals. All work is grounded by your research into the historical context of each object, visiting lecturers and postgraduate science lecturers. Network within the sector, visit museums and collections, attend seminars and undertake optional work placements to develop your progressional practice.

::You can expect::

- Practical hands-on bench skills and object based treatments
- Tutors with extensive experience
- To work on artefacts from public and private collections
- An interdisciplinary environment
- Visiting lecturers from public and private institutions
- Access to dedicated workshops, 7am-10pm
- An approach intormed by national and international practive, to Icon standards
- Theoretical, scientific and analytical study of artefacts and materials
- To perform historical research and interpretation of the objects you work on

Programme Aims

The aims of the programme are to provide:

Practical:

1. A context for the analysis, assessment and treatment of museum-class metalwork objects

2. The opportunity to develop sophisticated specialist craft and conservation skills

3. A research environment for the development and public dissemination of innovative
approaches to the conservation of historic metalwork objects

Theoretical:

1. The opportunity to contribute to the development of historical, cultural and technical
understanding of metalwork objects through primary research and investigation

2. The opportunity to evaluate methodologies, develop critiques and propose new hypotheses

3. A context for individual inquiry and group debate across the conservation specialisms

Professional:

1. A context for the development of a range of verbal, written and visual skills appropriate for the
communication and documentation of conservation projects and research

2. A context for the development of, and critical reflection upon, personal and professional codes
of practice

3. Opportunities to plan and implement a range of projects that are either increasingly technically
more complex, or have issues that are of a compounded or more complex nature

Careers

Graduates of the programme often progress to MA Conservation Studies - https://www.westdean.org.uk/study/school-of-conservation

Alumni have had work placements or gone on to work at The British Museum, The Royal Armouries, National Maritime Museum, National Museum of Scotland, Fitzwilliam Museum, National Gold Museum Colombia, and at UK businesses including Plowden & Smith Ltd, Hall Conservation Ltd and Richard Rogers Conservation Ltd. Others have become independent conservators.

Facilities

You will work in our well-equipped metals workshop with areas for photography, analysis, chemicals, hot work (casting, soldering, and welding) and a machine shop. Adjacent to the workshop is the newly-built forge to which you will have access. Collaboration with other conservation specialisms makes for a uniquely enriched learning environment.

The computer suite and the on-site Art and Conservation Library put thousands of specialist books and journals, databases within your reach. A well-equipped analytical laboratory is also available to students.

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The Masters in Celtic & Viking Archaeology provides an introduction to both theory and practice in approaches to early medieval archaeology, based on our particular research strengths in the settlements and material culture of Celtic, Pictish and Viking peoples, and in the archaeology of kingship and political development. Read more
The Masters in Celtic & Viking Archaeology provides an introduction to both theory and practice in approaches to early medieval archaeology, based on our particular research strengths in the settlements and material culture of Celtic, Pictish and Viking peoples, and in the archaeology of kingship and political development.

Why this programme

-If you want to further your career in archaeology, our new approaches to early medieval studies bring fresh insights into the life and ideas of the period and provide you with a stimulating environment, learning from internationally-renowned scholars
-You will have the opportunity to take fieldtrips to a number of sites relevant to your studies.
-Our programme has strong links with the University's Hunterian Museum, and Glasgow Life giving you access to primary source material, including objects and archives.

Programme structure

You will take two core courses and three optional courses. For the MLitt you will produce a dissertation on a specialist topic agreed with the course convenor.

The core courses provides you with a theoretical background to the study of early medieval archaeology, examining themes such as burial, settlement, material culture, religion through a series of case studies. You will also get training and support in a wide variety of research methods including library skills, humanities computing, writing and presenting papers.

Core courses
-Approaches to Celtic and Viking Archaeology
-Research Skills

Optional courses - three optional courses must be selected, two of which from the following
-Themes in Early Medieval Scottish archaeology
-Early Christian monuments of Scotland
-Early Medieval artefacts
-Viking and late Norse artefacts
-Norse in the North Atlantic, AD 800–1500
-Viking and late Norse British Isles.

You may also choose one of the following options
-Thematic studies: any one of the thematic courses offered via other MLitt programmes, by agreement with the course convener. These may include courses available via other Masters programmes within the University (most relevant are those offered as part of Celtic Studies and Scottish Medieval Studies).
-Independent study on a topic agreed with the course convenor.
-Artefact studies: any one of the specialist courses offered in the MLitt Material Culture & Artefact Studies.
-Multimedia analysis and design or 2D digitisation.

Career prospects

Graduates have gone on to work for various heritage bodies such as the National Museum of Scotland, and for UK-based commercial archaeology firms.

The programme provides an excellent platform for you to move onto PhD studies and an academic career. The wide variety of specialist optional courses allow you to tailor your particular programme experience towards a direction that best suits your future plans upon completion.

Positions held by recent graduates include Field Archaeologist, Open Learning Tutor, University lectureships and research managers.

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The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. Read more
The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. It has been designed in conjunction with employers to meet their needs for well-rounded museum professionals trained in the latest theoretical and practical approaches.

Why this programme

-Glasgow’s civic and university collections are the richest and most diverse outside of London and are of international standing.
-Taught alongside staff from the University's own museum and art gallery, The Hunterian, the degree programme provides a combination of academic and practitioner input.
-If you want to develop a career in the cultural heritage sector, this programme has been developed for you.
-Three versions of the degree allow you follow standard or specialist strands.
-There are great opportunities for you to take practice based courses or work placements at the museums and galleries that partner the programme.
-We welcome applicants from across the arts and sciences, current professionals or career changers, from the UK or abroad.

Programme structure

Three different strands of the MSc Museum Studies are offered. The Theory and Practice strand is our standard Museum Studies programme where the museum itself is the primary object of study.

Two specialist strands: Collecting and Provenance; and Artefact and Material Culture, enable you to combine courses in Museum Studies with specialist courses from Masters programmes provided by Archaeology and History of Art.

Each strand will give you a different mix of core and optional courses. All students take two 20 credit common core courses in Museology and Research and Professional Skills. You also take four 20 credit courses from your strand (a combination of strand core and optional courses) and one 60 credit research project.

Core and optional courses

Strands

Theory and Practice
-Museum Interpretation and Learning (Core)
-Museum Practice
-Heritage and Cultural Informatics
-Curating the Sciences
-American Material Culture
-Phenomenology
-2D Digitisation
-Approaching the Ancient World
-Work Placement
-Hunterian Exhibition Course
-International Trafficking in Cultural Objects

Collecting and Provenance (in conjunction with History of Art)
-Cultures of Collecting (Core)
-Object Biography
-Provenance
-Collecting and Display
-Restitution
-2D Digitisation
-Approaching the Ancient World
-Work Placement
-Hunterian Exhibition Course
-International Trafficking in Cultural Objects

Artefact and Material Culture (in conjunction with Archaeology)
-Material Culture in Context (Core)
-Process of Artefact Studies (Core)
-Critical Themes in the Display and Reception of Objects
-Science Based Analysis of Archaeological Material
-Early Medieval Artefacts
-Viking & Late Norse Artefacts
-2D Digitisation
-Approaching the Ancient World
-Work Placement
-Hunterian Exhibition Course
-International Trafficking in Cultural Objects

Career prospects

Career opportunities exist in a variety of roles within the cultural heritage sector; these include museums and galleries as well as historic houses, heritage sites and consultancy. Roles range from front of house, education and outreach to collections management, curation, marketing and management.

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