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Masters Degrees (Artefact)

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Durham University's unique MA in Museum and Artefact Studies aims to provide students with high quality training relevant to a career in museums, the cultural heritage sector, and in the academic world. Read more
Durham University's unique MA in Museum and Artefact Studies aims to provide students with high quality training relevant to a career in museums, the cultural heritage sector, and in the academic world. In particular, it is intended to equip students with a sound knowledge and critical understanding of current professional principles, good practice and contemporary debates relating to museum and artefact studies.

It aims to help students develop a variety of skills:
Professional skills - relevant to the care, management and exhibition of collections in museums.
Analytical skills - relevant to the study of a wide range of materials and artefacts, from different periods and cultures, and from a variety of disciplinary perspectives.
Research skills - relevant to studies of museums and artefacts, including an awareness of current theoretical issues.
Communication skills (oral, written and visual) - relevant to work in the museum profession and to academic research.

It also aims to encourage students to take personal responsibility for their own learning, team-work and professional conduct.

Course Structure

Two distinct routes can be followed through the MA in Museum and Artefact Studies. These comprise different combinations of modules.

Route 1

The first route is intended for students who firmly intend to pursue a career in museums and galleries. It comprises six compulsory taught modules:
-Approaches to museum and artefact studies
-Museum principles and practice
-Artefact studies
-Care of collections
-Museum communication
-Research paper

Route 2

The second route through the MA provides students with a different choice of modules. It is intended for students with a strong interest in artefact studies, who may wish to pursue a career in the cultural heritage sector or undertake further postgraduate research in museum or artefact studies after completing the MA course, but who also wish to keep their options open. It comprises four compulsory modules (one of which is a dissertation) and a choice of a fifth module:
-Approaches to museum and artefact studies
-Museum principles and practice
-Artefact studies
-Dissertation
And either
-Museum communication
Or
-Care of collections
Or
-A module from the MA in Archaeology (e.g. Prehistory; Roman Archaeology; Medieval Archaeology; Post-Medieval Archaeology; or the Archaeology of Egypt, the Near East and India (when available).

Learning and Teaching

The programme is mainly delivered through a mixture of lectures, tutorials and practical classes. Typically lectures provide key information on a particular area, and identify the main areas for discussion and debate in the Museums sector. Tutorials, seminars and workshops then provide opportunities for students to discuss and debate particular issues or areas, based on the knowledge that they have gained through their lectures and through independent study outside the programmes formal contact hours. Finally, practical classes allow students to gain direct experience of practical and interpretative skills in Museum and Artefact Studies through placements and curating an exhibition and/or developing an educational programme for the University Museums.

The balance of these types of activities changes over the course of the programme, as students develop their knowledge and ability as independent learners , giving them the opportunity to engage in research, professional practice, and developing and demonstrating research skills in a particular area of the subject. The programme aims to develop these key attributes in its students thereby preparing them for work or further study once they have completed the programme.

In Terms 1 and 2 students typically attend 3-4 hours a week of lectures, up to 4 hours of tutorials or seminars, in addition to 2 workshops and 2-3 hours of practical sessions working with artefacts or museum environment-related matters or fieldtrips over the term. Students have a 20-day Museum placement at Easter in a museum or archive. Outside timetabled contact hours, students are also expected to undertake their own independent study to prepare for their classes and broaden their subject knowledge. Professional speakers are brought in to engage the students with issues within the professional body.

In Term 3 the balance shifts from learning the basic skills required, to applying them within a real-life museum environment in the module Museum Communications where students work together on a specific project(s) with an opening date in May, June or July. Typically, students could be spending the equivalent of a working week as they complete the work for their projects, under supervision.

The move towards greater emphasis on independent research and research continues in Term 3, where the use of research skills acquired earlier in the programme are developed through the Dissertation research project or the Research Paper. Under the supervision of a member of academic staff with whom they will typically have between 3 and 5 one-to-one supervisory meetings, students undertake a detailed study of a particular area resulting in a significant piece of independent research. The Dissertation is regarded as a preparation for further academic work while the exhibition and Research Paper route is designed for a more professional environment.

Throughout the programme, all students also have access to an academic adviser who will provide them with academic support and guidance. Typically a student will meet their adviser two to three times a year, in addition to which all members of teaching staff have weekly office hours when they are available to meet with students on a ‘drop-in’ basis. The department also has an exciting programme of weekly one hour research seminars which postgraduate students are strongly encouraged to attend as well as Friends of the Oriental Museum events.

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This MA provides training in the documentation and interpretation of artefacts from archaeological sites and museum collections. Students benefit from a placement within a museum or an archaeological unit where experience will be gained in the practice of finds analysis. Read more
This MA provides training in the documentation and interpretation of artefacts from archaeological sites and museum collections. Students benefit from a placement within a museum or an archaeological unit where experience will be gained in the practice of finds analysis.

Degree information

Students are introduced to the skills of finds specialists, practical issues of artefact study, and debates about the collection, interpretation, reporting and curation of archaeological materials. They develop the ability to evaluate different approaches to artefact studies and undertake the cataloguing and analysis of an artefact assemblage.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (30 credits), four optional modules (60 credits), an optional work placement and a research project (90 credits).

Core modules - all students are required to take the following:
-Working with artefacts and assemblages
-Technology within Society

Optional modules - students choose to follow further optional modules up to the value of 60 credits from an outstanding range of Master's options available at the UCL Institute of Archaeology. For this degree, some of the most popular choices include:
-Antiquities and the Law
-Archaeological Ceramic Analysis
-Archaeological Glass and Glazes
-Archaeometallurgy I: Mining and Extractive Metallurgy
-Archaeometallurgy II: Metallic Artefacts
-Art: Interpretation and Explanation
-British and European Prehistory: Neolithic to Iron Age
-Experimental Archaeology
-Funerary Archaeology
-Geoarchaeology
-Intangible Dimensions of Museum Objects from Egypt
-Interpreting Pottery
-Issues in Conservation: Understanding Objects
-Making and Meaning in Ancient Greek Art
-Making and Meaning in Ancient Roman Art
-Prehistoric Stone Artefact Analysis

Dissertation/report
The 15,000–word dissertation normally combines a professional standard finds report with an academic overview.

Teaching and learning
The programme is delivered through formal lectures, seminars and practical sessions. It can include a placement at a relevant museum or archaeological unit where students gain experience in the practical study and the recording of an artefact assemblage. Assessment is through an essay, a portfolio, a project proposal and the dissertation.

Careers

Some recent graduates of the programme have gone on to PhD studies while others have pursued a very wide range of professional careers both within and beyond archaeology. The main career path is working as assistants, museum curators or working in the antiquities service recording finds.

Top career destinations for this degree
-Project Team Officer, English Heritage
-Archaeologist, Museum of London Archaeology
-Museum Building Manager, Hainan and Haopioen Arts Museum
-Artefacts Assistant, Maidstone Council
-Freelance Numismatist, Self-Employed Numismatist

Employability
The degree is tailored to give graduates a solid grounding in systematically recording and documenting artefacts as well as analysing artefact assemblage. They will also have a basic understanding of creating graphs and diagrams, and analysing and assembling finds-catalogues. Without concentrating on any specific epoch, we give students the tools for understanding and systematically analysing any artefact assemblages.

Why study this degree at UCL?

Whether you plan a career as finds assistant, museum curator or plan a materials based PhD, this course provides you with the skills you need to successfully identify, describe and document artefacts and analyse assemblages. The emphasis of the course is very much on practical application, so there will be numerous handling sessions and praxis-related tasks.

The UCL Institute of Archaeology is the largest and most diverse department of archaeology in the UK, and provides a stimulating environment for postgraduate study. Its outstanding archaeological library is complemented by UCL's Main Library, University of London Senate House and other specialist libraries. UCL is located in central London, within walking distance of the British Museum and the British Library.

UCL's own museums and collections form a resource of international importance for academic research. Students will work on material from the institute's collection as part of their assessment. Past students on this programme have made effective use of the resources at the British Museum, the Museum of London and the Museum of London archives, the Petrie Museum, Victoria and Albert Museum and other British and international museums. The Wolfson Labs provide a unique facility for scientific analyses of materials and have been used by numerous artefact students for their dissertations after the required training.

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Internationally recognised as a pioneering incubator of original designers who challenge the notion of how fashion products change and influence the world we live in. Read more

Introduction

Internationally recognised as a pioneering incubator of original designers who challenge the notion of how fashion products change and influence the world we live in.

Content

MA Fashion Artefact is as original as its name suggests. The course is recognised as a pioneering incubator of ideas and philosophies and has been hailed as a leader in educational studio practice. It has developed and nurtured an impressive roster of alumni who have been awarded top prizes at many international competitions and had their work showcased at prestigious international exhibitions.

Students within Fashion Artefact develop both a comprehensive and personal perspective on fashion in its widest context. The course defines its position within education and the wider creative industries by focusing on the provocative possibilities of an ever-changing spectrum of arenas and audiences.

We believe that fashion is one of the most influential forms of expression in contemporary culture, serving as a reflection of our social behavior. We define fashion artefact as a post-modern metaphor of what occurs in today’s society. Consideration of the fashion artefact in its theoretical and social contexts allows us to gain an insight into complex underlying meanings and open them up for discussion and contemplation.

We strive for perfection and originality in both the exploration and pursuit of material methodologies in construction and manufacture, exploiting both hand-crafted and new technologies. The course leader and teaching team are all internationally recognised practicing artists and designers and are at the forefront of research within studio practice.

Structure

Term One

Creative and Technical Innovation (40 credits)
Research Methods (20 credits)

Term Two

Collaborative Unit (20 credits)
Technical Analysis and Development (40 units)

Term Three

Masters Project (60 credits)

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Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context. Read more
Material culture and artefact studies combines the archaeological recovery and specialist examination of an object with its presentation, management and understanding within a cultural context.

Why this programme

◾This MLitt in Material Culture & Artefact Studies will prepare you to participate at both a practical and theoretical level within the field of specialist artefactual analysis.
◾You will be able to undertake a work placement to gain valuable work experience in a museum, archaeological unit or other cultural institution.
◾You will benefit from the involvement of staff from Glasgow Museums, National Museums Scotland and other institutions within Scotland, and will have the opportunity to work with collections from local museums, including the University’s own Hunterian Museum and Art Gallery.

Programme structure

The taught component consists of core courses and optional courses, running over two semesters.

Assessment is normally focused on written performance, but oral presentation skills and other modes of assessment allow you to develop your writing skills in a number of formats. This is in addition to the practical emphasis on developing your ability to interpret and analyse artefacts.

For the MLitt you can opt to do either a dissertation or an extended work placement (assessed by work placement eportfolio and either a research report or a student exhibition design).

Core courses
◾Material culture in context
◾The process of artefact studies.

Optional courses include modules such as:
◾Lithic analysis
◾Independent study
◾Critical themes in the display and reception of objects
◾Early medieval artefacts
◾Viking and late Norse artefacts (AD 750-1350).
◾Optional courses drawn from Archaeology or from other programmes across the University can be taken by agreement with the programme convener.

Career prospects

The two strands to the degree enable you to prepare for further doctoral research whilst also providing opportunities for valuable vocational experience in a commercial environment.

The wealth of experience and knowledge provided by the interdisciplinary nature and focus of the degree and the networks and relationships developed during their time here, has stood past graduates in good stead upon graduation. They have found full-time positions with Historic Scotland, Headland Archaeology Ltd, Guard Archaeology Ltd. While others are working with various heritage organisations and some are continuing with their postgraduate studies.

Several of our international graduates have found employment working at the Smithsonian, Washington D.C and at the Pink Palace Museum, Memphis Tennessee. Others continue to work in the Cultural Resource Management sector. Several students have gone on to further doctoral research at Glasgow University and beyond, on prehistoric stone tools, Shetland lace knitting, Bronze Age ceramics and medieval settlement..

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This is a two-year course, which educates and trains graduate students to be conservators capable of researching, analysing, cleaning, preserving and caring for a wide range of archaeological and museum objects. Read more
This is a two-year course, which educates and trains graduate students to be conservators capable of researching, analysing, cleaning, preserving and caring for a wide range of archaeological and museum objects.

It is intended for those who wish to become practising artefact conservators, or work in the fields of artefact research or preventive conservation. Graduates of the course will normally work in museums or large heritage organisations such the National Trust or English Heritage.

Graduate students are drawn from a wide range on disciplines, but manual dexterity, a very basic knowledge of chemistry and an enthusiasm and desire to work with museum objects are essential.

Course Structure

Modules:
-Conservation Theory
-Conservation Skills
-Artefact Studies
-Care of Collections
-Conservation Practice
-Dissertation

Learning and Teaching

The programme is delivered through a mixture of lectures, seminars and practical classes as well as a dissertation. Typically lectures provide key information on a particular area, and identify the main areas for discussion and debate among Conservators in that area. Practicals then provide opportunities for students to implement and develop their skills, based on the knowledge that they have gained through their lectures and through independent study outside the programmes formal contact hours. Self-learning development packages allow students to continue their learning in a structured way outside the practical sessions. The dissertation allows students to develop advanced research skills in an aspect of conservation or artefact studies.

The balance of these types of activities changes over the course of the programme, as students develop their knowledge, skills and the ability as independent learners and practitioners that is one of the key attributes that the programme develops in its students. The programme therefore prepares students them for work or further study once they have completed the programme, with an emphasis on taking their learning from the classroom to real life situations in Museums and conservation laboratories. All teaching is delivered by qualified conservators.

In the first two terms of the first year students typically attend 4-5 hours a week of lectures, 6 hours of practical work including seminars, 3 hours of structured self-development learning and up to 9 hours of conservation skills working in the conservation laboratory. Outside timetabled contact hours, students are also expected to undertake their own independent study to prepare for their classes and broaden their subject knowledge.

The balance shifts in the third term, as students develop their abilities as independent learners through supervised practical conservation work for 4 days a week over 10 weeks and create a portfolio of their work and reflections.

The emphasis on using the independent study and research skills developed in the first year of the course is continued through the dissertation, which marks out the researcher route. Under the supervision of a member of academic staff with whom they will typically have ten one-to-one supervisory meetings, students undertake a detailed study of a particular area resulting in a significant piece of independent research.

The department also has an exciting programme of weekly one hour research seminars which students are strongly encouraged to attend.

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This is a two-year course, which educates and trains graduate students to be conservators capable of researching, analysing, cleaning, preserving and caring for a wide range of archaeological and museum objects. Read more
This is a two-year course, which educates and trains graduate students to be conservators capable of researching, analysing, cleaning, preserving and caring for a wide range of archaeological and museum objects. It is intended for those who wish to become practising artefact conservators, or work in the fields of artefact research or preventive conservation. Graduates of the course will normally work in museums or large heritage organisations such the National Trust or English Heritage.

Graduate students are drawn from a wide range on disciplines, but manual dexterity, a very basic knowledge of chemistry and an enthusiasm and desire to work with museum objects are essential.

Course Structure

Modules:
-Conservation Theory
-Conservation Skills
-Artefact Studies
-Care of Collections
-Conservation Practice
-Professional Practice

Learning and Teaching

The programme is delivered through a mixture of lectures, seminars and practical classes as well as an industrial placement. Typically lectures provide key information on a particular area, and identify the main areas for discussion and debate among Conservators in that area. Practicals then provide opportunities for students to implement and develop their skills, based on the knowledge that they have gained through their lectures and through independent study outside the programmes formal contact hours. Self-learning development packages allow students to continue their learning in a structured way outside the practical sessions. The industrial placement forms a major part of the contact time in the programme for Professional Practitioners, allowing students to gain direct experience of practical and applied skills in Conservation. Industrial partners include the Museum of London, National Museum of Wales and Victoria & Albert Museum.

The balance of these types of activities changes over the course of the programme, as students develop their knowledge, skills and the ability as independent learners and practitioners that is one of the key attributes that the programme develops in its students. The programme therefore prepares students for work or further study once they have completed the programme, with an emphasis on taking their learning from the classroom to real life situations in Museums and conservation laboratories. All teaching is delivered by qualified conservators.

In the first two terms of the first year students typically attend 4-5 hours a week of lectures, 6 hours of practical work including seminars, 3 hours of structured self-development learning and up to 9 hours of conservation skills working in the conservation laboratory. Outside timetabled contact hours, students are also expected to undertake their own independent study to prepare for their classes and broaden their subject knowledge.

The balance shifts in the third term, as students develop their abilities as independent learners through supervised practical conservation work for 4 days a week over 10 weeks and create a portfolio of their work and reflections.

This move towards greater emphasis on independent learning and acting in the role of professional conservator continues in the final year, where students have a placement in a working conservation lab for 9 months. They gain experience of working with a wide range of material and develop further their practical skills, within a real-life working environment. A focus is placed upon problem solving and organisational and managerial skills, under the supervision of a professional conservator. The department also has an exciting programme of weekly one hour research seminars which students are strongly encouraged to attend.

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This MSc programme concentrates on science-based archaeology and is ideal for people who want to become post-excavation or artefact specialists in the museum or commercial sectors. Read more
This MSc programme concentrates on science-based archaeology and is ideal for people who want to become post-excavation or artefact specialists in the museum or commercial sectors.

There are two pathways to choose from: Artefact, and Landscape and Environment. Each would be suitable for graduates in archaeology or science subjects, who want to start or further their careers in these exciting fields.

The programme would also be useful preparation for further academic research and the skills you'll gain, such as problem-solving and team work, will be attractive to any employer.

The MSc in Archaeology consists of 180 credits of study. You will take a taught programme of 120 credits, comprised of eight modules, each of 15 credits, divided evenly into four modules per semester. You will also be required to complete a 15,000-20,000 word research dissertation which is to be submitted at the end of the academic year. You will be able to tailor the degree programme to suit your interests and requirements as far as possible within the options available.

Why Department of Archaeology, Classics and Egyptology?

Academic expertise

Archaeology, Classics and Eygyptology has 39 full-time academic staff, who are all actively engaged in research ranging from early prehistory through to late antiquity.

Here are some of our particularly strong areas:-

African archaeology
ancient languages
archaeology of the Mediterranean and the Near East
archaeological science
Egyptology
European prehistory
Greek and Roman history and culture.
Fieldwork is an important part of research in archaeology and we've projects based internationally, in Egypt, Greece, Bulgaria, Jordan, Turkey, Italy, Zambia and South Africa, as well as in the British Isles.

Taught masters programmes

We offer a unique breadth of taught masters degrees in Ancient History, Archaeology (MA or MSc), Human Evolution, Classics and Egyptology.

You can configure a wide choice of modules to suit your interests and requirements and there are opportunities to learn different approaches and techniques, as well as ancient languages such as Greek, Latin, Akkadian, Sumerian, Egyptian and Coptic.

All of our masters degrees provide intensive training to prepare you for doctoral research and employment.

Excellent resources

The Ancient World and Archaeology has been studied at Liverpool since the 1880s, so we've had plenty of time to build up an enviable library and a fantastic museum.

The Garstang Museum, which is in the ACE building, has outstanding archaeological collections, along with extensive laboratory facilities for conservation, lithics, geomagnetism, stable isotope, trace elements, finds processing and sample preparation.

We also have a GIS suite with facilities for archaeological drawing and offer 24-hour access for taught students to a dedicated Student Resource Centre, complete with PCs, personal lockers, desk space, wi-fi and a networked printer.

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The Masters in Celtic & Viking Archaeology provides an introduction to both theory and practice in approaches to early medieval archaeology, based on our particular research strengths in the settlements and material culture of Celtic, Pictish and Viking peoples, and in the archaeology of kingship and political development. Read more
The Masters in Celtic & Viking Archaeology provides an introduction to both theory and practice in approaches to early medieval archaeology, based on our particular research strengths in the settlements and material culture of Celtic, Pictish and Viking peoples, and in the archaeology of kingship and political development.

Why this programme

◾If you want to further your career in archaeology, our new approaches to early medieval studies bring fresh insights into the life and ideas of the period and provide you with a stimulating environment, learning from internationally-renowned scholars
◾You will have the opportunity to take fieldtrips to a number of sites relevant to your studies.
◾Our programme has strong links with the University's Hunterian Museum, and Glasgow Life giving you access to primary source material, including objects and archives.

Programme structure

You will take two core courses and three optional courses. For the MLitt you will produce a dissertation on a specialist topic agreed with the course convenor.

The core courses provides you with a theoretical background to the study of early medieval archaeology, examining themes such as burial, settlement, material culture, religion through a series of case studies. You will also get training and support in a wide variety of research methods including library skills, humanities computing, writing and presenting papers.

Core courses

◾Approaches to Celtic and Viking Archaeology
◾Research Skills

Optional courses

Three optional courses must be selected, two of which from the following
◾Themes in Early Medieval Scottish archaeology
◾Early Christian monuments of Scotland
◾Early Medieval artefacts
◾Viking and late Norse artefacts
◾Norse in the North Atlantic, AD 800–1500
◾Viking and late Norse British Isles.

You may also choose one of the following options
◾Thematic studies: any one of the thematic courses offered via other MLitt programmes, by agreement with the course convener. These may include courses available via other Masters programmes within the University (most relevant are those offered as part of Celtic Studies and Scottish Medieval Studies)
◾Independent study on a topic agreed with the course convenor.
◾Artefact studies: any one of the specialist courses offered in the MLitt Material Culture & Artefact Studies
◾Multimedia analysis and design or 2D digitisation.

Career prospects

Graduates have gone on to work for various heritage bodies such as the National Museum of Scotland, and for UK-based commercial archaeology firms.

The programme provides an excellent platform for you to move onto PhD studies and an academic career. The wide variety of specialist optional courses allow you to tailor your particular programme experience towards a direction that best suits your future plans upon completion.

Positions held by recent graduates include Field Archaeologist, Open Learning Tutor, University lectureships and research managers.

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The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. Read more
The Masters in Museum Studies will help you develop the knowledge, understanding and skills required of today’s versatile museum professional. It has been designed in conjunction with employers to meet their needs for well-rounded museum professionals trained in the latest theoretical and practical approaches.

Why this programme

◾Glasgow’s civic and university collections are the richest and most diverse outside of London and are of international standing.
◾Taught alongside staff from the University's own museum and art gallery, The Hunterian, the degree programme provides a combination of academic and practitioner input.
◾If you want to develop a career in the cultural heritage sector, this programme has been developed for you.
◾Three versions of the degree allow you follow standard or specialist strands.
◾There are great opportunities for you to take practice based courses or work placements at the museums and galleries that partner the programme.
◾We welcome applicants from across the arts and sciences, current professionals or career changers, from the UK or abroad.

Programme structure

Three different strands of the MSc Museum Studies are offered.

The Theory and Practice strand is our standard Museum Studies programme where the museum itself is the primary object of study.

Two specialist strands: Collecting and Provenance; and Artefact and Material Culture, enable you to combine courses in Museum Studies with specialist courses from Masters programmes provided by Archaeology and History of Art.

Each strand will give you a different mix of core and optional courses. All students take two 20 credit common core courses in Museology and Research and Professional Skills. You also take four 20 credit courses from your strand (a combination of strand core and optional courses) and one 60 credit research project.

Career prospects

Three different strands of the MSc Museum Studies are offered.

The Theory and Practice strand is our standard Museum Studies programme where the museum itself is the primary object of study.

Two specialist strands: Collecting and Provenance; and Artefact and Material Culture, enable you to combine courses in Museum Studies with specialist courses from Masters programmes provided by Archaeology and History of Art.

Each strand will give you a different mix of core and optional courses. All students take two 20 credit common core courses in Museology and Research and Professional Skills. You also take four 20 credit courses from your strand (a combination of strand core and optional courses) and one 60 credit research project.

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The MSc in Software Development provides a year of intensive education in software engineering and is ideal for graduates of disciplines other than computing. Read more

Software Development (conversion)

The MSc in Software Development provides a year of intensive education in software engineering and is ideal for graduates of disciplines other than computing.

This course is designed to develop the technical, analytical and professional skills required to take on software development roles within the IT industry.

Software development skills, such as programming, are essential to the technological evolution and advancement of most sectors within the economy. As a result, there is a very strong demand for software professionals.

Aims

The programme aims to:
◦provide a solid understanding of software engineering principles and techniques
◦develop the ability to analyse software problems, create and evaluate software designs and develop and appropriately test software solutions
◦foster critical analysis and evaluative skills pertaining to software engineering

What way is Software Development being taught

The programme is separated into three parts; a foundational element covering the basics of software development and programming; an advanced element where you can tailor your area of specialism; and finally a substantial individual project.

Foundational Element
Most foundational modules are studied in the first semester and cover introductory programming using the Java programming language alongside the foundations of software engineering and databases. Coverage of more advanced algorithmic and object-oriented programming continues into the second semester. The foundation modules are intended to provide students with an essential grounding in software engineering in a manner that is consistent with Level M requirements.

Advanced Element
The second semester provides a number of advanced software engineering modules which permit specialism within key areas of software development. The advanced modules currently encompass aspects such as Requirements Engineering, Software Quality, Software Design Principles and Patterns, and Software Testing and Verification. Alongside these there is an opportunity to take an introductory module in Capital Markets which would help to prime students for software development roles within the financial sector.

The combination of lectures, laboratory work, tutorials and group-based projects employed throughout the foundational and advanced elements equips students with the skills needed to both design and implement complex software systems.

Project Element
Three month summer projects are taken individually with supervision from a member of the School's teaching staff. The projects permit students to combine and apply the skills gained within individual modules towards the creation of a significant software artefact. Projects can be selected by students from a list put forward by the local software industry and the School. Where appropriate an industrial co-supervisor will be assigned.

Modules

Semester 1
Programming I
Databases
Software Engineering

Semester 2
Programming II
Web and Mobile Applications
Software Testing and Verification
Software Design Principles and Patterns

Assessment

The MSc in Software Development is, by its nature, an intensive and practical programme of study. Students build strong software development skills by putting theory into practice and this is reflected within the assessment. A mixture of individual and group based projects, assignments and practical examinations provide the primary means of assessment within modules, with written examinations also employed for some modules. The summer project is assessed through a written dissertation alongside the presentation and demonstration of the created software artefact.

Career Opportunities

The School has strong links with the local, national and international software companies situated around the University. Students have ample opportunity to meet and engage with employers through hosted careers fairs, guest lectures and industrial facing demonstrations. Where possible, MSc dissertations will be set and co-supervised by an industrial partner and may involve an on-site placement.

Employment opportunities in software engineering are excellent as evidenced through the consistent and continued growth of the software sector. A career within the profession is not only well remunerated but also rewarding, with software professionals able to select between a range of career progression paths. Given the diversity of career paths, the communicative, business-related, client-facing, analytical and evaluative skills gained from a primary degree are strongly valued by IT employers and will help augment the employment opportunities of graduates from this MSc.

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The Master of Philosophy specialising in Inclusive Innovation (MPhil) is an interdisciplinary, research-based degree that leads to the development of novel and sustainable solutions for social challenges. Read more

The Master of Philosophy specialising in Inclusive Innovation (MPhil) is an interdisciplinary, research-based degree that leads to the development of novel and sustainable solutions for social challenges. Join like-minded visionaries on a rich learning journey, and spend a year working both individually and with others where expertise, life experience, passion and innovation converge to support new possibilities and ideas.

Overview

The MPhil Inclusive Innovation is a one-year modular programme designed to be a collaboration between GSB faculty and pass innovators. The MPhil curriculum is structured around three main components: learning, engaging, and reflecting and creating – this can be referred to as praxeology (the study of purposeful human action).  

1. Learning

The programme provides a grounding in the fundamentals of inclusive innovation, as well as the challenges facing those working on social and environmental issues in Africa today. A typical class flows from student presentations and group feedback to focusing on topics such as values-based leadership and business model innovation, integrative thinking and design thinking.

2. Engaging

From the start of the programme, innovators identify a problem of interest and start developing a deep understanding of the context behind the issue they’d like to address. They conduct independent research, including a literature review, field studies, interviews, observations and assessment of market needs. This scholarly approach leads to a fuller understanding of the practical possibilities for contributing to the issue concerned.

3. Reflecting and creating

Personal reflections and peer-to-peer feedback all help to spur on the intellectual development of inclusive innovators and their ideas.

The MPhil’s desired outcomes are:

  • A practical outcome or artefact – prototype, framework, business model, etc.
  • A research thesis that has a strong narrative around the artefact development and clearly illustrates a contribution to knowledge.
  • An embodied experience of business model innovation (entrepreneuring)

Inclusive innovators who complete the MPhil will be skilled at:

  • Undertaking and managing complex innovation-focused projects.
  • Identifying and coping with the internal experience of entrepreneuring.
  • Using systems thinking, design thinking and integrative thinking to take on business-model innovation.
  • Planning a new venture or process, including a detailed strategy and feasibility.

MPhil Benefits

You will gain the following during the MPhil in Inclusive Innovation programme:

New thinking

This MPhil degree encourages inclusive innovators to think critically and innovatively to meet new demands. The programme gears participants towards becoming advanced strategic and systems thinkers.

Shorter invention cycles

MPhil innovators will test assumptions and prototype solutions in a “living lab” environment. It’s a free-thinking cross disciplinary space that helps shorten the cycle time from invention to application of innovations and solutions through interaction and debate with consumers, experts, industry and organisations in the relevant ecosystem.

Access to industry experts

Innovators will be exposed to key local and global specialists – from deep-content experts to market experts in the community. The insight and feedback they receive will help them iterate and improve their solutions at various stages.

Networking

Inclusive innovators will build personal relationships with leading experts across different industries and will be plugged into the next generation of African innovators.

Personal fulfillment

Self-reflection, introspection and personal growth are core elements of the programme. The MPhil develops inclusive innovators who boldly pursue ambitious ideas and dreams.



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Through our Archaeology MPhil/ you will conduct original and advanced research into a specialist area of archaeology. Read more
Through our Archaeology MPhil/ you will conduct original and advanced research into a specialist area of archaeology. This is a perfect programme to advance your academic career in archaeology; you will also develop employability skills including project management, report writing, problem-solving, independent working, and research.

Our Archaeology MPhil programme research degree, conducted as supervised independent study, assessed through a single written document that is supported with a viva voce examination.

Both degrees involve the production of new knowledge through original research and advanced scholarship, exploring a field of academic study in detail. This involves detailed understanding of the methods, techniques and approaches needed to produce such knowledge, and the wider context of the subject of study.

These programmes are based in the School of History, Classics and Archaeology and cover a wide range of specialisms. Research supervision is available in the following periods and regions:

Later Prehistory

-Mesolithic/Neolithic transition in north-west Europe
-Neolithic and Early Bronze Age of Britain and north-west Europe
-Copper and Bronze Age in Italy and the Mediterranean
-Iron Age/Roman transition

Classical Archaeology

-Roman Britain
-Roman Europe and Mediterranean
-Roman urbanism
-Greek and Byzantine archaeology
-The Roman/medieval transition

Medieval and Post-Medieval Archaeology

-Early medieval Britain and Europe
-Byzantine archaeology
-Medieval and post-medieval landscapes
-Church archaeology, historic buildings
-Post-medieval archaeology, colonialism, slavery

Thematic research is also strong at Newcastle and research supervision is available in the following areas of enquiry:

Bodies and Identity

-Personhood and identity
-The archaeology of the body and mortuary archaeology
-Art and identity

Landscapes

-Landscape archaeology
-Ritual landscapes
-Historic landscape characterisation

Material Culture

-Ancient technology and economy
-Ancient metallurgy
-Artefact analysis and material culture studies

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MA Fashion at Kingston University is a unique and innovative course combining the creative thinking of the Design School core beliefs with a very solid and 'creative' fashion industry focus. Read more
MA Fashion at Kingston University is a unique and innovative course combining the creative thinking of the Design School core beliefs with a very solid and 'creative' fashion industry focus.

With a heritage and specialism in womenswear, menswear, knitwear, digital or fashion artefact outcomes, the course combines industry standards with a creative and contemporary approach to fashion design developing a holistic and exciting approach to fashion design and beyond.

Our broad design community and positioning as a progressive and highly-rated design institution means that Fashion can actively collaborate and share ideas with designers in across the post graduate framework.

Key features
-With our well-established industry links and partnerships, the craft and skill of fashion is paramount and is developed through pioneering projects with industry practitioners from our team.
-Interdisciplinary modules give you the unique opportunity to expand your current design thinking and methodology, experiment and transform your medium, and work in dynamic teams to exchange and create ideas.

What will you study?

The fashion-based modules will encourage you to think creatively and will challenge you to apply your ideas and concepts to a series of briefs, some of which will arrive directly from industry sources and practitioners. The outcomes are non-prescriptive and should be driven by your ambitions and approach to fashion.

You will identify design narratives to inspire extensive research culminating in exciting, considered and forward-thinking design developments, challenging you to create new responses for fashion design. Addressing the contemporary culture of fashion, you will engage within important areas of development - social politics, economics, environments, sciences and technology futures - creating a clearer understanding of Fashion context.

The core modules, which explore the fundamentals of design and identify its role in your practice, offer the opportunity to connect and interact with designers from a wide set of creative disciplines.

Assessment

Design projects realised in 2D and 3D outcomes; written submissions supporting your studio practice; presentations to staff, your peers, and creative stakeholders; a major project mastering your practice.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list. Those listed here may also be a mixture of core and optional modules.

The Fashion MA course is part of the School of Design's postgraduate programme. The structure – shared with students from Communication Design MA, Product & Furniture Design MA, and Sustainable Design MA – enables you to explore your individual specialist interests in fashion within an integrative learning environment that provides a comprehensive understanding of the value and role of interdisciplinary methods and ways of working. The influences and impact of thinking from other related design subjects on your own specialist study is an important aspect of the identity and the community of interdisciplinary practice at masters level in the School of Design.

This structure is designed to help progress and develop your independent learning, encouraging you to construct and explore projects concerned with areas of particular personal interests. The overarching course philosophy, based upon an emphasis on research, methodology and design thinking, allows individual and personal concerns to be explored through focused study in fashion.
The two shared modules of the School of Design's Postgraduate Framework both commence with a symposium, in which high-profile external speakers present their work and contribute to a debate on a topic of relevance to all courses in the Framework. View the promotional flyers from the following recent symposiums:
-Here and There (PDF) – on the theme of interdisciplinarity
-Creating Futures (PDF) – on the theme of forging a path in the creative industries

Stage 1
-Designing Research
-Fashion Context I

Stage 2
-Fashion Context II
-Creative Futures

Stage 3
-Major Project

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The Archaeology MA inspires you to think about the human past from a variety of thematic and analytical perspectives. Newcastle is surrounded by world-class prehistoric, Roman and medieval heritage. Read more

The Archaeology MA inspires you to think about the human past from a variety of thematic and analytical perspectives. Newcastle is surrounded by world-class prehistoric, Roman and medieval heritage. We make full use of our rich archaeological landscape with regular study trips and fieldwork.

The Archaeology MA has five specialist pathways and a generic route to suit your individual needs, background and career aspirations:

  • Prehistoric Archaeology
  • Greek Archaeology
  • Roman Archaeology
  • Roman Frontier Studies
  • Late Antique, Medieval and Byzantine Archaeology

Newcastle University has a long and distinguished history of archaeology, including:

  • Prehistoric
  • Greek
  • Roman
  • Late Antique
  • Western Medieval
  • Byzantine
  • Historical Archaeology

We have access to some of the finest collections of archaeological artefacts in Great Britain in the on-campus Great North Museum: Hancock.

We provide quality teaching in small groups. This means you'll reach a level of familiarity with artefacts that most students can only dream of.

We have a range of period-based, practical and theoretical modules available. Our modules will give you an understanding of the interpretive approaches that archaeologists adopt. They will also help you understand the methodologies and sources available during your investigations.

You can develop a range of advanced practical skills in:

  • artefact analysis, including metallography and use-wear analysis
  • archaeological surveying, including topographical, buildings and geophysical survey
  • database and archive use
  • geographical information systems (GIS)
  • ancient languages

You'll join a vibrant archaeology community at Newcastle. You'll receive specialist teaching from leading academics in subjects of their research expertise.

Throughout the course you'll have opportunities to engage and learn about our innovative research. We have an extensive programme of invited speakers organised by our research groups. Our Postgraduate Forum also has a seminar series, annual conference and e-journal.

The Archaeology MA provides you with outstanding skills and the ability to enter a range of professions. You will gain advanced skills in literacy, research and project management. You could also choose to continue your academic career with a PhD in archaeology.

Fieldtrips

The North East has an outstanding prehistoric, Roman and medieval heritage. We take full advantage of this through regular study trips and fieldwork. You can also take optional modules with field trips to:

  • Rome 
  • Athens

The tuition of these trips is included in your course fees. If you select a module with an overseas trip you should budget about £450 to cover your flights and accommodation.

Delivery

All campus-based teaching takes place during the working week. Some field trips take place during holidays and weekends, depending on the modules taken. 

Contact and independent study times vary depending on the module and time of year.

Semesters one and two: You typically attend between 6 - 15 hours of teaching per week. The remaining hours of a standard week are for independent study.

Work experience

Work experience

There are many opportunities for you to gain archaeological experience outside your course. We'll encourage you to gain this experience whilst part of our archaeology community.

Staff carry out a wide range of archaeological projects. Most of our students participate in projects run in Newcastle and by partners in the UK and overseas.

Facilities

Facilities

Archaeologists have exceptional facilities on campus. This includes over 200 years of scholarship, libraries and archaeological collections built up by the Society of Antiquaries of Newcastle and the Great North Museum: Hancock.

You'll have access to one of finest archaeological collections in the UK. You can access the following internationally important collections:

  • prehistoric
  • Greek
  • Etruscan
  • Roman 
  • medieval artefacts
  • Gertrude Bell archive.

You'll be based in the recently renovated Armstrong Building. It has:

  • dedicated study spaces
  • Reading Room
  • computers
  • free printing
  • photocopying
  • laptops for research trips,

You'll also get a personal research allowance and an interlibrary loan allowance to support your studies.



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MA Multi-Disciplinary Printmaking at UWE Bristol is best known for its experimental, forward-thinking approach to printmaking today and the future of the printed artefact. Read more
MA Multi-Disciplinary Printmaking at UWE Bristol is best known for its experimental, forward-thinking approach to printmaking today and the future of the printed artefact. With a focus on making, you can explore and experiment with a diverse mix of traditional and emerging fine art printmaking media and develop ideas through processes such as laser cutting, enamelling, electronics, wood engraving and lithography.

This degree is an ideal springboard for professional artist-printmakers looking to extend their practice and also for those with less print-based experience to explore and experiment creatively, and gain valuable real world experience through the Professional Practice module.

Active links with the CFPR brings research expertise, opportunities for placements and access to associated symposia, conferences and exhibitions.

Key benefits

You will have the opportunity to explore your practice through a self-initiated placement/project/experience as part of the Practice in a Professional Context module. You will gain valuable insight into the professional arena and use your knowledge and skills to further develop your practice and future career aspirations.

Course detail

You will study alongside a broad base of students with diverse backgrounds in a professional, well-connected, research-active environment with full access to specialist facilities (some of the best in the country) and support from highly regarded master printers, practicing artists and researchers.

You will study in a creative, vibrant city with active arts communities and opportunities for collaboration and public engagement and gain valuable industry-insight from high profile visiting speakers from creative industries including Emma Stibbon, Sue Gregor and Otto Graphic.

Structure

The full masters course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Masters. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Modules

• Introduction to Multi-Disciplinary Printmaking (30 credits)
• Research Practice (30 credits)
• Developing Practice (30 credits)
• Practice in a Professional Context (30 credits)
• Extended Practice (60 credits)

Format

Students are taught through a combination of seminars, technical workshops, lectures and independent self-directed study. Students learn from each other through presentations and open portfolios and guest speakers bring valuable real-world insight to the course.
There is strong emphasis on developing your creative, conceptual, technical and professional skills with support and guidance on careers and developing your own practice.

Assessment

You will be assessed on your body of practical work, contextually supported by the critical journal. For the Research Practice module you will be assessed on a presentation and written essay.

Careers / Further study

Our students are taught by practicing artists and researchers, bringing skills and expertise exclusively to those at Postgraduate level.

Many of our graduates enter or continue employment in the creative industries in professional studios, as self-employed artists, illustrators and designers running their own businesses or in teaching in both formal and community education programmes.

Spike Print Studio in Bristol, the largest open-access print studio in the South West, employs four alumni (including the studio manager). Others are employed at national studios including Curwen Studio and Lazarides Editions in London. Alumni have also established their own professional studios, for example John Lynch's Stereograph workshops or David Abbott's Chesapeake Ltd, Bristol.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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