The History of Art MA at UCL draws on the world-leading research and teaching expertise within the department, and is designed to enable students to acquire specialised knowledge pertaining to the field of art history and to develop independent research skills.
Students develop skills for engaging with visual materials and gain historical knowledge, enabling them to interpret artefacts in relation to their social and cultural contexts. They are introduced to current methodological debates in the field and encouraged to define their own position through reasoned historical and theoretical arguments.
Students undertake modules to the value of 180 credits.
The programme consists of a core module (30 credits), two optional modules (60 credits) and a research dissertation (90 credits).
Options may include the following:
All MA students undertake an independent research project which culminates in a dissertation of approximately 13,000 words.
Teaching and learning
The programme is delivered through a combination of lectures, seminars, tutorials, as well as gallery and museum visits. Assessment is by two essays for each of the taught modules (six essays in all), the dissertation and a viva.
Further information on modules and degree structure is available on the department website: History of Art MA
UCL's History of Art graduates have an excellent record of success in entering PhD programmes, careers in museums and galleries, the art trade, the heritage industry, art publishing, and art conservation. The unique combination of visual analysis and intellectual rigour offered by the MA has also proven valuable in diverse careers including journalism, publishing, and advertising. For those aspiring to an academic career, the MA is a requirement for a PhD, and many former MA students have successfully received funding for research degrees, and subsequently obtained academic positions, at prestigious institutions in the UK, North America, and elsewhere.
Recent career destinations for this degree
Our History of Art MA provides focused training in the history of art and its methodologies. It encourages students to develop original critical thinking on all aspects of visual culture, and promotes a serious engagement with historical and contemporary cultural debates. You will learn how to work collaboratively as well as independently to develop your skills in written and oral communications. The MA is an excellent starting point for a career in academia, curating, for working in the heritage industry, commercial art galleries, and other sectors of the cultural industries.
Careers data is taken from the ‘Destinations of Leavers from Higher Education’ survey undertaken by HESA looking at the destinations of UK and EU students in the 2013–2015 graduating cohorts six months after graduation.
UCL History of Art is one of the most dynamic centres for the study of art history and visual cultures in the world. It is one of the leading departments in the UK for research; and all staff are active researchers in a range of specialist fields. Our teaching and research move beyond traditional forms of art history to address visual and material cultures more broadly, and we are committed to a wide range of critical and historiographical enquiry.
The MA in History of Art is a challenging and versatile degree; you will study in a community of approximately 40 graduate students; at the same time you will work in smaller groups and in close contact with tutors in your special subject courses.
The department is located in Bloomsbury, close to the Warburg Institute, the British Library, and the British Museum. The National Gallery, Tate Galleries, and the Victoria and Albert Museum are also within easy reach. UCL's own Art Museum holds many rare and important works.
The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.
The following REF score was awarded to the department: History of Art
85% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)
Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.
This Masters is concerned with outlining and critically evaluating the concept of the ‘avant-garde’ both theoretically and in terms of its applicability to representative areas of 20th-century art. Dealing with art from the early twentieth century to the present, you will investigate concepts such as historical avant-garde, neo-avant-garde, and post-avant-garde, paying close attention to the theorists who have elaborated these ideas.
Closely focused on the visual and historical specificities of the subject, the core teaching will have you examining the politically oppositional and ‘transgressive’ impulses of the avant-garde.
You will interpret ‘transgression’ in the widest sense and in relation to a range of diverse historical contexts, including: the anti-art concerns of Dada; the political tensions arising from conflicts between nationalist and internationalist currents in European art of the early 20th century and the Nietzschian/Bataillean testing of the boundaries of conventional moral positions, particularly regarding sexual identity and the body.
The optional courses available are closely geared to the research interests of our staff. Their content will draw upon current exhibitions and debates.
You will take five core courses and one optional course. This is followed by a period of self-study towards a dissertation 15,000 words in length (including footnotes but excluding bibliography) and will be on a topic chosen in consultation with the tutors and the programme convenor.
You may choose from the following options in the College of Arts
Or from courses run by History of Art
Students on this programme are invited to take part in an optional study trip of approximately one week, which is funded by the student. Previous destinations include Berlin and Dublin.
Career opportunities include positions in curation, digitisation and research within museums and other cultural and heritage institutions. The programme also provides an excellent platform for you to move onto PhD studies and an academic career.
Working from a strong theoretical basis, this programme will help you to understand a range of empirical, aesthetic and conceptual issues which traverse and exceed both 'art' and 'international' politics.
We will explore practices and issues related to public space, democracy, equality, participation, justice and affect. By shuttling across art and politics, rather than seeking to produce a synthesis between the two, we probe a range of practices and strategies which, in the encounter between art and politics, play out in numerous forms and very different kinds of social spaces.
You will work alongside a mixed constituency of students from Art, Politics, International Studies, Philosophy, Cultural Studies as well as numerous other disciplines, which means we can take up the challenge to develop frameworks and spaces that are mixed and mobile, and which can operate in trans-disciplinary settings. In such a mixed context, questions about ‘autonomy’ and the political character of art take on renewed vigour and urgency.
Similarly we are able to probe art’s potential in times of political and cultural crisis. Why for instance, do contemporary arts practices increasingly claim ‘political’ origins and motivations, while political parties seek the involvement of art and artists of all kinds? Or, what good are practices that are neither art nor politics?
You are required to undertake project-based work in accordance with your own political and aesthetic interests. The purpose of this project-work is to find ways of ‘doing’ politics which employ ‘artistic’ strategies and interventions in their realisation.
Projects have a student-centred material focus, complementing the theoretical emphasis of core and optional modules, and will seek to raise awareness of particular issues and draw attention to their position in the public arena. They may be written, broadcast, performed, curated, made, or involve any other kind of appropriately documented submission.
Training in digital and genetic media will be provided where necessary. Project training is monitored and co-ordinated by the artist-in-residence in the Department of Politics – who will oversee students’ individual needs while ensuring that there is continuity of support and opportunities to identify and build upon individual strengths and weaknesses.
Assessment consists of coursework, extended essays, reports, presentations, practice based projects or essays/logs, group projects, reflective essays, and seen and unseen written examinations.
Please note that due to staff research commitments not all of these modules may be available every year.
Our graduates come from diverse disciplinary backgrounds and embark on highly contrasting career paths. These include careers in curating (both independent and embedded); art practice (both collaborative and individual); journalism (radio, web and print journalism); performing arts; central and local government; work with NGOs (national and international); research (academic and professional); project development, administration and management. Some of our graduates undertake further professional training in law; journalism; education and social work.
You'll develop: a critical engagement with the broad field of international studies, communication skills, research skills, presentation skills.
Find out more about employability at Goldsmiths.
The study of the history of art at Leeds has an international reputation for its innovative, rigorous, diverse and critically engaged approaches. Previously called MA History of Art, the name has been changed for 2018 to highlight the established strengths of this course with its emphasis on social and political approaches to art history.
At the cutting edge of the discipline, the MA in the Social History of Art builds on a unique legacy of dynamic and challenging scholarship, and continues to test the parameters of the discipline and shape wider debates in the field.
Around a shared commitment to understanding art as central to the production and reproduction of the social worlds we inhabit, our key research strengths lie in feminist, gender and Jewish studies, on questions of materialism and materiality, the postcolonial and the ‘non-Western’, as well as in provocations of those fields of art history considered more ‘established’, from Medieval and Renaissance up to the contemporary.
We combine an exceptional range of optional modules, core modules on methodology and advanced research skills, and self-directed research leading to a dissertation on a topic of your own choice.
The School of Fine Art, History of Art and Cultural Studies offers a modern and well-equipped learning environment, complete with professionally laid out studios and versatile exhibition spaces in a beautiful listed building, fully redesigned and refurbished, at the heart of the University campus.
The University incorporates world-class library resources and collections, the Stanley & Audrey Burton Gallery, Treasures of the Brotherton, the Museum of the History of Science, Technology and Medicine, ULITA – an Archive of International Textiles and the [email protected] performance venue.
The world class Brotherton Library holds a wide variety of archive and early printed material in its Special Collections which are available for use in your independent research. Our other library resources are also excellent, and the University Library offers a comprehensive training programme to help you make the most of them.
Across both semesters, you’ll take core modules. These will enable you to develop practical skills for advanced-level research, and to engage critically with key debates in art history from the foundations of the discipline up to contemporary approaches.
Alongside this, you’ll work in depth on specialist topics, with choices from an array of optional modules covering a considerable chronological and geographic range with diverse critical and methodological approaches.
The development of your research skills and specialist knowledge will ultimately be focused in the writing of your dissertation – an independent and self-devised research project, which you will undertake with the guidance of your supervisor.
If you choose to study part-time, you’ll study over a longer period and take fewer modules in each year.
These are typical modules/components studied and may change from time to time. Read more in our Terms and conditions.
We use a range of teaching methods including lectures, online learning, seminars and tutorials. However, independent study is crucial to the programme ― it allows you to prepare for classes and assessments, build on your skills and form your own ideas and research questions.
Our taught modules are generally assessed through essays, which you will submit at the end of the semester in which you take each module.
This programme will develop your visual, critical and cultural awareness and expand your subject knowledge in history of art. In addition, it will equip you with sophisticated research, analytical, critical and communication skills that will put you in a good position to succeed in a variety of careers.
Our graduates have pursued careers as curators and education staff in museums and galleries and worked for national heritage organisations, as well as in journalism, publishing, arts marketing, public relations, university administration and teaching. Others have transferred the skills they gained into fields like the insurance industry, independent style editing and freelance writing on fashion, arts and culture.
Many of our graduates have also continued with their research at PhD level and secured external funding to support them – including AHRC scholarships. A large proportion of our former research students are now developing academic careers in the UK, Europe, Asia, USA and Canada.
We encourage you to prepare for your career from day one. That’s one of the reasons Leeds graduates are so sought after by employers.
The Careers Centre and staff in your faculty provide a range of help and advice to help you plan your career and make well-informed decisions along the way, even after you graduate. Find out more at the Careers website.
This intensive programme allows artists to develop a body of work within the contexts of the studio, dissemination, value and audience. The course is open to artists working in, or wishing to work in, socially engaged practice, collaborative practice, as artist curators, as art writers or within art education.
You will develop your art practice in purpose built studios, working towards a final exhibition and dissertation, supported by a series of conversations, seminars and a visiting speaker programme.
In a region full of cultural resources, from The Hepworth Wakefield to artist-led spaces such as Seize Projects, you will gain experience from expert practitioners and researchers, visiting artists and speakers.
Through our optional module array you will have the opportunity to explore critical and theoretical issues such as aesthetics, feminist studies, deconstruction and museum practice.
Housed within a single central campus location, the School offers a modern and well-equipped learning environment providing 24-hour studio access and versatile exhibition spaces. Resources include dedicated Mac and PC computer suites for video editing, animation and image manipulation, printmaking workshops for etching, relief and screen printing, and a photography darkroom for film developing and printing. A woodworking and casting area are also housed within the School, with additional facilities for digital and 3D printing available at the University.
At the heart of the School is Project Space – a multi-purpose space, designed for the development of curatorial practice and visiting exhibitions.
The University incorporates world-class library resources and special collections, the Stanley & Audrey Burton Gallery, Treasures of the Brotherton, the Museum of the History of Science, Technology and Medicine, ULITA – an Archive of International Textiles and the [email protected] performance venue.
Appropriate critical and technical skills and methodologies are developed throughout the duration of the course, as students engage in discussion and critique of their own practice and projects with peers and academic staff.
Students take full responsibility for their own programme of work, routinely engaging with contemporary issues in art, developing relationships across the School and Faculty, and working with local partners. This combines the production of work in an active studio and workshop environment with a programme of academic research and study, culminating in a public presentation/exhibition and critically reflective dissertation.
The course is also supported by a network of regional galleries, museums and artist initiatives with which the School has direct links, including The Tetley, The Hepworth Wakefield, Leeds City Art Gallery, Seize Projects, Pavilion, Henry Moore Institute, Yorkshire Sculpture Park and Tate Liverpool.
You will also have the opportunity to expand your studies when you choose from a wide range of optional modules, and by becoming involved in many of the School’s public-facing initiatives such as the Project Space, the Wild Pansy Press and the International Contemporary Artists’ Book Fair.
If you choose to study part-time, you will study over a longer period and take fewer modules in each year.
These are typical modules/components studied and may change from time to time. Read more in our Terms and conditions.
We use a variety of teaching and learning methods. These will vary, but generally include visits to museums and galleries, lectures, seminars, tutorials and online learning.
You’ll also benefit from our extensive programme of visiting artists and speakers. Independent study is vital to this programme – not only is this where you’ll work on your practice and develop your creativity, but it is also an opportunity to build your skills in research, analysis and interpretation.
The assessment methods you come across may vary depending on the modules you choose. However, they’re likely to include your exhibition and supporting written work, your portfolio of studio work, in-course assessment, essays and presentations.
This programme will allow you to develop your practice as an artist and write thoughtfully about the practice and context of artistic work.
It will also give you the chance to gain skills in organising and curating events and exhibitions, researching, interpreting and analysing artistic work and cultural, visual and critical awareness.
All of these traits are valuable in a wide range of careers. Fine Art graduates have gone on to work in curatorial and educational roles around the world, both on a freelance basis and for major art institutions. Others have decided to develop their research interests through PhD study and academia, or pursued careers in teaching.
We encourage you to prepare for your career from day one. That’s one of the reasons Leeds graduates are so sought after by employers.
The Careers Centre and staff in your faculty provide a range of help and advice to help you plan your career and make well-informed decisions along the way, even after you graduate. Find out more at the Careers website
This innovative programme explores the theory and practice of political resistance. The programme examines how resistance has featured in the history of political ideas, from Plato to Badiou, and investigates past and present practices of resistance as articulated in a wide range of activities including politics, art, film, poetry and fiction.
As a key feature of the MA, you not only study resistance but are also given the opportunity to practice what you have learned by submitting for assessment a ‘documented practice of resistance’ for assessment. Since the programme was first introduced, our students have submitted a wide range of practices including political campaigns, campus protests, sculptures, paintings, poems, video installations, films, architectural designs, photography and indeed creative, interactive, participatory work that cannot easily be categorised. This demonstrates how the MA provides a space where you can explore your own creativity and find and use your own voice.
While the theme of resistance is discussed in general terms, the programme pays particular attention to artistic practices of resistance. As one of the Founding Associate Partners of the TATE Exchange initiative, the School maintains a link with the TATE Modern museum in London, which enables our students to present their documented practices of resistance in the TATE’s new Switch House, thus allowing you to interact with the global audience of one of the most important museums of modern art in the world.
Teaching on the core courses is highly interactive, emphasizing the importance of experiential learning in conjunction with traditional academic studies. For example, in addition to the work with TATE, you will also be invited to take part in a Gandhian fast and to discuss and instantiate ‘utopia’. In a mark of the high-quality teaching offered by the programme, it won in 2015 the prestigious Teaching Innovation Award from the UK’s Political Studies Association.
The School of Politics and International Relations is one of the most dynamic places to study Politics and International Relations. We combine high-quality teaching with cutting-edge research in a supportive environment that welcomes students from all over the world.
All lectures and seminars on postgraduate modules are informed by the latest research and scholarship, and are delivered by full-time academic staff who have internationally recognised expertise in their field.
The School of Politics and International Relations has a dedicated Employability, Internships, Placements and Alumni Manager who works with students to develop work-based placements in a range of organisations. Centrally, the Careers and Employability Service can help you plan for your future by providing one-to-one advice at any stage of your postgraduate studies.
In the Master’s in European Politics and External Relations, you will analyse politics and power in Europe. The programme focuses on the challenges of Europe as a part of an increasingly interdependent, globalised and multi-polar world. You will be given the analytical, theoretical and empirical tools to develop a deeper understanding of the EU’s role as an international actor. You will also gain knowledge on both internal and external dimensions of EU policies such as for example the economic crisis, challenges surrounding security, the environment, the refugee crisis, the rise of populism, trade as well as the EU’s role in its immediate neighbourhood and the world and many more topics. Our teaching is research-led and our programme offers access to seminars and debates of the research community of ACCESS Europe. During past years, European Politics and External Relations track students were given the opportunity to attend a study trip to Brussels, which included meetings and discussions in key EU institutions.
The European Politics and External Relations programme provides students with a thorough understanding of the politics and power of Europe in an increasingly diverse, interdependent, and multi-polar world. It offers in-depth study of the internal and external dimensions of European politics and their interrelations. Internally, it takes a historically grounded approach to processes of European integration, democracy and citizenship. Externally, it focuses on understanding and analysing the power of Europe in a changing global environment, for example in relation to borders, security, conflicts, trade, finance and environmental governance.
You have a fascination for European politics in a global context in all its facets. This fascination extends to the current political developments of the EU, as well as the state-of-the-art of theorizing EU power and politics. The programme is intensive and rigorous. You are expected to develop a capacity to work independently and in group settings. Most teaching is in small seminars (max 25 students) in which you are expected to contribute actively, and in which your skills of analysis, presentation, teamwork and critical questioning are developed. In addition, you learn to undertake an individual and high-level research project.
The European Politics and External Relations programme prepares you for a career in (European) policy making, diplomacy, work with a non-governmental organisation (NGO), consultancies, and businesses, as well as academia. For more information, see the webpage on career prospects.
The University of Amsterdam, a major research university, offers a Master’s programme taught by one of the highest ranking political science departments in continental Europe. The Graduate School of Social Sciences (GSSS) of Amsterdam provides a vibrant and international academic community. The GSSS values diversity in both research and academic content, academic staff and the student population. European Politics and External Relations:
European Politics and External Relations is a track of the accredited degree programme Political Science. After successful completion of this programme, you will receive a legally accredited Master’s degree in Political Science and the title Master of Science (MSc).
This course offers advanced study of Greek and Roman art and archaeology and is an intercollegiate programme with options taught at King's, UCL and Royal Holloway, with close links to the Institute of Classical Studies.
It gives you with the unique opportunity to acquire technical skills provided by optional modules in papyrology, epigraphy and palaeography.
Leads to further research or careers in education, journalism, finance, politics and cultural sectors.
Through this Classical Art & Archaeology MA you will examine painting, pottery, sculpture and mosiaics and explore the craftsmanship that produced archologically significant works. Traditionally, classical archaeology has focused on the art history of Classical Greece and Italy, but has more recently branched out geographically and chronologically. Archaeology has also become more theoretical in recent decades.
This course explores the relationship between humans and their material environment. We consider engagement in field projects as essential for the continuing health of the discipline. All trends are well represented here at King's.
Classical Art & Archaeology at King's
Our expert staff cover wide range of specialisms including Bronze Age, Aegean, Byzantine Cyprus, Roman Britain, Persian monuments, Greek pottery and Roman mosaics, while many other staff members employ art historical and archaeological methods in their work.
London has been a centre for the collection and display of ancient art and artefacts for many centuries, a cultural engagement that has in turn had a great influence on British heritage. There is a strong commitment at King's to exploring the role that ancient art and archaeology has had and continues to have in this local context of a global capital.
MA Classical Art & Archaeology
The MA course consists of a wide range of optional modules and a research dissertation. The compulsory colloquium, Undertaking Research in Classical Archaeology, taken as preparation for writing the dissertation, provides particularly concentrated training in research techniques and methodology. Modules are taught both with texts in the original languages and with translated texts. If you intend to pursue further research in classical archaeology or art history, you may find particular value in the unique opportunities to acquire technical skills in the handling of documentary evidence provided by modules in Greek Papyrology, Greek & Roman Epigraphy, and Greek & Latin Palaeography.
As well as archaeological and art-historical topics, students can also choose modules from other MA programmes at King's, including Ancient History, Classics, and Late Antique & Byzantine Studies. Students also have the opportunity to study Latin and Ancient Greek.
The MA programme in Classical Art & Archaeology is organised on an intercollegiate basis, combining the expertise of staff in all three of the participating colleges - King's, UCL and Royal Holloway. It centres on the University's Institute of Classical Studies, which not only contains a world-class research library, but also hosts the richest programme of seminars, conferences, and occasional lectures for this subject area in the UK.
In the Department of Classics we run a research seminar series (which MA students are encouraged to attend), where you will learn about the current research of our academic staff and PhD students. The Department regularly hosts major research conferences with speakers from around the world. There are also University of London research seminars organized through the Institute of Classical Studies, for example in Literature, Classical Archaeology and Ancient History, where you will be able to listen to and meet leading scholars from around the world. There is also the Late Antique & Byzantine Studies seminar, which is organized by the Centre for Hellenic Studies.
We will assign you a personal tutor in the Department of Classics, who will advise you and help you decide which modules to take, and can answer any questions or concerns you may have whilst at King's.
During your first term at King's you will need to decide on your MA dissertation subject, if you have not done so before you arrive. The dissertation can be related to work you are doing for a taught module, or it can be in a completely different area. On the basis of your chosen subject area you will be assigned a supervisor within the Department of Classics who will discuss the topic with you, and oversee your work on it.
This programme offers advanced study of Greek and Roman archaeology and art; it is intended either as a further year's study after a first degree or as training in the technical disciplines needed to undertake doctoral research.
We will typically provide you with six to eight hours of teaching through lectures and seminars each week, and we will expect you to undertake 35 hours of independent study. For your dissertation, we will provide five hours of supervision from a member of the Department, depending on your chosen topic, who will oversee your work on it. We will expect you to undertake 575 hours of independent study.
We typically assess our modules through a combination of coursework and examinations, and the amount of coursework we expect you to produce will be greater for modules which are worth more credits. For your dissertation module you will write a 12,000-word thesis.
Gender equality, diversity and inclusion are hot topics in contemporary politics, organisations and society. Managing the diversity of the workforce is a key challenge for private and public organisations alike.
Are you interested in topical debates about the role gender, race, and ethnicity play in national, European and global political decision-making? Do you want to understand the positions of men and women of different backgrounds, gays, lesbians and transgenders in society and politics as well as the dynamics of gender hierarchies and gender politics? Then this programme is made for you!
The Master's specialisation in Gender Equality, Diversity and Inclusion in Politics introduces you not only to issues and ongoing debates in the field of gender and diversity studies in organisations and politics, but also offers the opportunity to familiarize yourself with the state of the art in the field and to acquire knowledge of different policy practices related to it and their gendered implications. It offers you the knowledge and skills needed to understand the moral reasons - social justice, fairness and anti-discrimination - and the business reasons - legitimacy and performance - for addressing gender equality, diversity and inclusion through, among others, gender mainstreaming strategies. You learn to apply academic theories to real life questions and dilemmas within organisations and society, to reflect upon the normative dimensions of debates, to design workable solutions to change organisations and to advice policy makers and management teams.
As a GEP student you will be offered an interdisciplinary education, leading to the only Master’s Degree (MSc) in Political Science with a specialisation in gender equality, diversity and inclusion in the Netherlands. The programme focuses on the role and function of gender and diversity in society, with a particular emphasis on underlying power processes in politics and society. You will study how organisations produce different structural inequalities (regarding gender, ethnicity, sexuality, class, age, disability), and how these inequalities intersect and manifest themselves in different practices. At the same time as the programme addresses questions related to the role culture, identity, leadership, and politics play in the (re-)production of gender inequalities, it also assesses the influence and strategies of different stakeholders as well as change agents in gender mainstreaming and transforming organisations. We offer state of the art theoretical insights and provide a solid training in research methods to help you design and implement organisational interventions and solve policy problems.
The Master’s specialisation in Gender Equality, Diversity and Inclusion in Politics is taught at the Nijmegen School of Management. It has a course load of 60 EC* (one-year). All the courses are 6 EC and the Master’s Thesis is 18 EC.
The programme covers:
Radboud University holds the title for Best General University in the Netherlands in the Keuzegids Masters 2017 (Guide to Master's programmes).
Gain the skills to take part in the exciting world of museums, galleries and the cultural heritage sector.
On this MA, you’ll work with academics and museum professionals – these have previously included senior staff from the Brighton Museum & Art Gallery, the V&A, the National Trust, the Science Museum, and the Metropolitan Museum and Museum of Modern Art in New York – to explore the history, theory and politics of art institutions and to build a critical framework for the practice of curating.
You visit a number of museums in Sussex and in London, allowing you to learn first-hand about institutional histories, collections, permanent galleries and temporary exhibitions.
Choose to study this course full time or part time, to fit around your work and family life. Modules for the full-time course are listed below.
For details about the part-time course, contact course co-ordinator Sophie Heath at [email protected]
In the autumn and spring terms, you take museum skills modules at Sussex and visit local and national collections. With your tutors and classmates, you debate a range of ethical concerns facing museum curators. The summer term is taken up with a work placement.
This MA introduces you to:
Assessed work includes term papers, practical assignments, a learning journal (written during the placement as a reflection on that experience) and a 12,000-word dissertation.
In the summer term, you undertake a work placement in one of our partner museums or galleries, acquiring vocational skills and practical experience.
Our aim is to ensure that every student who wants to study with us is able to despite financial barriers, so that we continue to attract talented and unique individuals.
Our Careers and Employability Centre can help you find part-time work while you study. Find out more about career development and part-time work
You gain knowledge about objects and collections, and develop a critical awareness of museum practices.
You develop communication and project management skills. These skills provide the practical and theoretical foundation for careers in:
100% of students from the Department of Art History were in work or further study six months after graduating. Our students have gone on to roles including:
(EPI, Destinations of Leavers from Higher Education Survey 2015 for postgraduates)