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A graduate degree in apparel and textiles enables students to pursue careers in higher education, business, and government. The program prepares students for careers in college teaching, research, extension, education administration, marketing, consumer service, product development/evaluation, and entrepreneurship. Read more

GRADUATE STUDY IN APPAREL AND TEXTILES

A graduate degree in apparel and textiles enables students to pursue careers in higher education, business, and government. The program prepares students for careers in college teaching, research, extension, education administration, marketing, consumer service, product development/evaluation, and entrepreneurship. Emphasis is placed on the development of analytical skills and problem-solving skills and equips graduate students for continued intellectual and career growth. Graduates receive the degree of Master of Science in human environmental sciences, with a major in clothing and textiles.

Visit the website http://www.ctd.ches.ua.edu/graduate-program.html

PROGRAM OF STUDY

Students in the graduate program may concentrate in the behavioral aspects of clothing; the international aspects of textiles and apparel; or historic costume and textiles. The faculty assists each graduate student in planning an individualized program suited to the student’s career goals. The program requires a minimum of 30 semester hours of graduate courses. A graduate course in statistics must be completed successfully. Graduate students are encourages to participate in research and service activities of the faculty as a means of developing direction for the graduate program. Since graduate courses in the department have prerequisites, students should contact the Department of Clothing, Textiles and Interior Design for information about minimum preparation for graduate study.

PROGRAM FACULTY

At present, we have faculty doing research in the following areas:

- Dr. Marcy Koontz has been exploring the scholarship of engagement in higher education for the several years. Her work focuses on the implementation and assessment of meaningful sustainable projects that engage students in the local community - from preservation of cultural heritage resources to helping develop and implement innovative programs that address community issues from a design perspective. Her previous research focused on emerging technologies with an emphasis on the application of advanced computer graphics software in the field of apparel and textiles, and developing and constructing advanced computer-based curricula for apparel and textiles instruction.

- Dr. Amanda J. Thompson's topics of research include textile science issues, historic and archaeological textile analysis, and cultural interpretation of textiles and the crafts that support textiles. She also is working with alternative fibers and 3D printing and its use in textiles.

- Dr. Michelle (Xiao) Tong's current research interests include soft-goods branding management, E-commerce, international marketing and international trade of textiles and apparel products.

- Dr. Virginia Wimberley's research deals with application of microscopy and other analytical methodology to the analysis of pre-historic, historic and contemporary dress and textiles for their contributions to the material culture. She has worked on Native American prehistoric collections from Ohio, Georgia and Alabama. Currently she is starting an investigation of the role of clothing in sex role stereotyping by preschool children.

FACILITIES

The Department of Clothing, Textiles and Interior Design maintains the Carolyn Stewart Historic Costume Collection and the Comer Historic Textiles Collection for use in teaching and research. The University’s research facilities include the Mary Harmon Bryant Hall which is the repository for the department’s historic costume and textile collections with the Mary Harmon Moman Doll Collection and the Wade Hall and Greg Swem Quilt Collection, as well as other University collections; Amelia Gayle Gorgas Library, which belongs to the selective Association of Research Libraries; Central Analytical Facility; and the Seebeck Computer Center. Excellent computing capabilities exist within the College. Campus agencies that foster interdisciplinary research include the Small Business Development Center, the Capstone International Center, the Hess Institute, and the Institute for Social Science Research.

Find out how to apply here - http://graduate.ua.edu/prospects/application/

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Humber’s Fashion Management and Promotions graduate certificate program prepares you to work in the dynamic fashion industry. It focuses on the management, marketing and sales of fashion apparel and accessories. Read more
Humber’s Fashion Management and Promotions graduate certificate program prepares you to work in the dynamic fashion industry. It focuses on the management, marketing and sales of fashion apparel and accessories. Courses cover content in new product development and branding, fashion buying and retailing, multi-channel sales, international marketing, and product management. Visual merchandising skills combined with colour theory skills and trend forecasting give this program a dynamic, hands-on approach to the business side of fashion. The program also covers the rapidly growing promotional side of fashion including courses in integrated marketing communication and social media brand management. You will learn how to leverage and promote a brand through social media, personal blogs, Instagram, Twitter, online selling and personal website development.

Course detail

Upon successful completion of the program, a graduate will:

• Analyze the changing face of the Canadian Textile and apparel industry in context with shifting global sourcing and manufacturing centres.
• Determine strategies and formulate a production plan for developing new fashion/cosmetic/fragrance products that are consistent with evolving market needs using Supply Chain Management principles.
• Strategically analyze the process of brand development, market positioning and new fashion/cosmetic/fragrance trends, and evaluate potential impact.
• Determine entrepreneurship strategies in both large and small companies.
• Develop replenishment processes for product inventory and develop pricing and market positioning strategies which take into account competitive pressures, manufacturing costs and corporate objectives.
• Create visual merchandising promotional images using specialized industry software.
• Formulate a strategic business plan based on the ever changing face of retail operations, and conduct primary research on market and manufacturing conditions in order to determine existing and potential levels of activity for particular fashion and cosmetic products.
• Evaluate the types of multi-channel retailing methods and determine the most optimum strategic mix for an organization.
• Evaluate product marketing in an international market.
• Prepare and deliver a sales/marketing/promotional presentation.
• Apply human resource and leadership knowledge and skills to enhance performance with individuals and teams to contribute to the successful creation of a new product.
• Develop strategies to establish working relationships with clients, customers, suppliers, manufacturers, distributors and promotional agencies which maintain and strengthen their loyalty to his/her organization.

Modules

Semester 1
• BISM 5000: Computer Analytic Skills
• FMPC 5000: Marketing Fundamentals
• FMPC 5001: Career Development and Pre-Placement Seminar
• FMPC 5002: Trend Analysis
• FMPC 5005: Product Knowledge
• FMPC 5006: Visual Merchandising and Display
• FMPC 5007: Wholesale Sales

Semester 2
• FMPC 5100: Current Issues in Fashion Industry: A Strategic Analysis
• FMPC 5101: International Marketing
• FMPC 5103: Retail Buying
• FMPC 5104: Product Development and Sourcing
• MKTG 5519: Integrated Marketing Communications
• WORK 5121: Fashion Management Field Placement
• WORK 5570: Industry Seminar

Work Placement

Gain first-hand experience in the industry with a four-week (160-hour) work placement, which takes place either part time during the program or full time at the end of the program. Placements provide the valuable work experience employers seek.

Your Career

According to City of Toronto data, the fashion industry employs nearly 50,000 people. Fashion design, wholesaling and retailing have grown dramatically in the last five years, with 10,000 fashion-related jobs. There are 4,600 fashion retail firms in Toronto that generate annual sales of $2.6 billion. Sales have grown by 6.4 per cent in the last year. Employment in the wholesale and retail trade grew by 34.5 per cent or 13,000 jobs in the last five years.

Graduates may find employment in companies that develop, manufacture, market, import, wholesale, distribute or retail fashion apparel and accessories. Employment settings include apparel suppliers, wholesale distribution companies, fashion retail companies, importers and logistics firms, marketing divisions within major retail operations, and up and coming online businesses. The program equips you for roles such as product development manager, private label/brand manager, retail manager, event manager, retail buyer, fashion manager relating to sourcing, logistics co-ordinator, inventory control manager, visual merchandiser, promotion manager or planner. Online retailing offers positions in community management, social media marketing and opportunities in customer service inventory management.

How to apply

Click here to apply: http://humber.ca/admissions/how-apply.html

Funding

For information on funding, please use the following link: http://humber.ca/admissions/financial-aid.html

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MA Performance Product Design is a highly creative degree that addresses the advancement of fashion and fashion product design through both design, innovation and technology. Read more

About this course

MA Performance Product Design is a highly creative degree that addresses the advancement of fashion and fashion product design through both design, innovation and technology. You will have the opportunity to make innovative and progressive design contributions to the fields of performance/sportswear, intimate and swim apparel, accessories, lifestyle and health and wellbeing products. It aims to provide you with the knowledge and expertise necessary in developing world-class designers with a global understanding of technological developments in materials and processes and how these will energize the next phase of performance garment and product design.

You will explore the factors which best describe and help interpret human-centred needs to inspire the creation of designs with sustainable social and commercial value. The Fashion subject division aims to develop this programme as a distinct link to our materials research hub P3i, based in London.

MA Performance Product Design supports the development of live and speculative projects, deepened and broadened by investigation of research principles and reflective practice. It aims to combine studio based professional practice with design research, including material resources, the application of new and existing technologies, product life cycle and disposal. It will consider the future of the product and designer within the global economy, through issues of materiality, experience and representation as part of a wider context of systems and organisations.

See the website https://www.northumbria.ac.uk/study-at-northumbria/courses/performance-product-design-ma-ft-dtfped6/

Who would this Course suit?

This course would suit those graduates who come from a fashion design or industrial/product design background wishing to extend their potential as a design practitioner. You’ll be original, independent and a critical thinker interested in wanting to make innovative and progressive design contributions to the fields of performance/sportswear, intimate and swim apparel, accessories, lifestyle and health and wellbeing product.

MA Performance Product Design is ideal for graduates who wish to pursue a self-directed topic and use design practice as a way of research.

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The course philosophy for MA Fine Art - Contemporary Dialogues is that of experimentation, offering a challenge to conventional notions of medium-specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy for MA Fine Art - Contemporary Dialogues is that of experimentation, offering a challenge to conventional notions of medium-specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

MA Fine Art within the Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

Core Modules
-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Master's Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Master's Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
 Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suites and workshops in other areas within the art school. 
We currently have two research centres within the faculty. These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunities while also developing the creative industries infrastructure in the region, which will benefit graduating students.

The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event-based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services. The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at University of Wales Trinity Saint David, Swansea (formerly Swansea Metropolitan University). CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

Read less
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

The Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Masters Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Masters Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suits and workshops in other areas within the art school. 
We currently have two research centres within the faculty.These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunity whilst also developing the creative industries infrastructure in the region, which will benefit graduating students.

The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services.

 The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at Swansea Metropolitan University. CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

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In Design driven firms, managers must be able to combine managerial skills, creativity and entrepreneurial spirit, within a perspective able to embrace at the same time design and production, tradition and innovation, reality and vision, everyday life and future. Read more

Overview

In Design driven firms, managers must be able to combine managerial skills, creativity and entrepreneurial spirit, within a perspective able to embrace at the same time design and production, tradition and innovation, reality and vision, everyday life and future.
The modern manager is a figure that gets trained and thrives in a border area where designers, managers and entrepreneurs, experts in enterprise and corporate organizations, in information technology, communication, marketing, contribute to the creation of new operative codes and a new strategic language for the companies and the market.

The Master Course in Business Design stems from the core idea that the project is the hinge and the guide of the enterprise and it aims at bringing quality within the territories of product, services and social enterprises.

The program includes an internship in a company working in the disciplinary field.
The curriculum in Business Design is an ongoing research that aims to develop new ideas, in order to package and launch them on new markets.

Audience

Candidates holding a first-level academic diploma or BA degree, or about to graduate and with a knowledge of the English language
(IELTS 5.0 academic or equivalent certificate minimum).
The program is open to graduates and young professionals coming from design and creativity related faculties, economic and human sciences, who wish to learn how to combine creativity, business and entrepreneurial mindset through a multidisciplinary
approach.

Job Opportunities

Participants will develop competences to occupy senior positions as Design director, Creative director, Project manager in sectors like Design, Food, Leisure, Tourism, Consumer Goods, Media, Social business, Public and cultural institutions, Consultancy, ICT. Students are also trained to be entrepreneurs of their own projects by starting new business venture through design concepts and methodologies.

Companies

A network of professionals and leaders of different areas of interest constantly interacts and collaborates with profit with the Master in Business Design of Domus Academy, actively participating in educational programming, workshops and international competitions organized by the department.

The Master in Business Design has worked with: 3M, Altre forme, Autogrill, Barilla, BTicino, Co.Import, Comieco, DB Apparel, Ebay Italia, Elica, Fondation Interieur, Italia Independent, MDF Italia, Moreschi, Pininfarina, Piquadro, Procter & Gamble, Rilastil, Royal Rose, Sevengrams, Slowear, Sunstar, The Coca Cola Company, Unieuro, Unilever, Veuve Clicquot, Wega.

For more information please visit http://www.domusacademy.com/

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The Fashion and Textiles MA at DMU offers a practice-based, design-led experience across the following four distinctive pathways. Read more
The Fashion and Textiles MA at DMU offers a practice-based, design-led experience across the following four distinctive pathways:

• Contour Fashion – specialising in the study of intimate apparel, including jersey wear, lingerie, swimwear, corsetry, loungewear and bra design

• Fashion Design – with the opportunity to specialise in womenswear, menswear and fashion knitwear

• Footwear Design and Accessories – with options including women’s, men’s and children’s footwear and accessories for sport, leisure or fashion

• Textile Design – for fashion, interiors and lifestyle, with the opportunity to specialise in print, construct and mixed media

Prior to enrolling onto the course you will choose one of the pathways which will provide the focus of your design practice. The promotion of creative, technical and intellectual knowledge, alongside a critical, contextual understanding will be a key focus. This is complemented by teaching and learning across the pathways to consider design communication, portfolio development and promotion.

The course will prepare you for a variety of careers. Graduates from the School have gone on to work in roles ranging from design, product development, buying, and garment technology to working freelance or starting up a small business. They have also gone on to work for national and multinational companies such as Agent Provocateur, Courtaulds, Abercrombie and Fitch, Tommy Hilfiger, Superdry, Alexander McQueen, Vivienne Westwood, French Connection, Jigsaw, Next, H&M, Kurt Geiger, L.K. Bennett, Clarks, New Balance, Tesco, Joules, and Primark.

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This innovative and progressive course will give you the opportunity to develop your creative, technical, and critical skills in fashion and textile design, while extending your practice in a conceptual and professional context. Read more
This innovative and progressive course will give you the opportunity to develop your creative, technical, and critical skills in fashion and textile design, while extending your practice in a conceptual and professional context.

The course combines intensive, studio-based projects with design research, as well as furthering your understanding and working knowledge of the techniques and processes specific to your chosen field of fashion and textile design. You’ll also learn to consider your design practice in terms of the technological, social, critical and ecological issues that influence fashion and textile design, while extending your understanding of business and entrepreneurship through industry briefs and external projects.

You’ll have the opportunity to develop advanced research skills and explore issues related to design practice, including new technology, globalisation and sustainability. This will be informed by your work with academics, practitioners and experts in the field of fashion design and textile design.

We use a broad range of teaching and learning strategies, including lectures, seminars and studio practice. You’ll take part in presentations, group activities, study groups and individual tutorials to discuss, debate and critique your work alongside your peers. You’ll work in our specialist workshops that include digital print and CAD facilities, knit, weave and print equipment, fashion sewing and pattern-making resources and an extensive specialist art and design library.

Our teaching staff are active in professional practice, research and scholarship and are members of research groups covering digital and material arts and sustainable art and design.

When you have completed your course you’ll be able to position yourself for a career in design for fashion, textiles, or related product areas, such as knitwear, performance sportswear or smart textiles for apparel and other uses such as interior design. Alternatively, you could further your studies through one of our MPhil or PhD programmes.

Read less
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests. Read more
The course philosophy is that of experimentation, offering a challenge to conventional notions of medium - specificity in order to properly facilitate your ‘style' of expression and your inherent interests.

Course Overview

MA Textiles within the Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

Students use the Masters Programme for all kinds of reasons; to gain an extra qualification, to achieve a higher and more sophisticated level of practice, as well as to have supported research and development time in order to elevate themselves to a more professional plateau with their artwork. Students from the Masters Programme have gone on to many varied careers in teaching and lecturing positions, in community arts and the cultural industries in general. Lots have continued to practice as artists and some have progressed to PhD study.

The programme has access to well equipped workshops including a resin, plaster, wood, metal and ceramic.
Beyond this specialist equipment, you will also have access to an extensive range of facilities including an excellent library, open-access computer suits and workshops in other areas within the art school. 
We currently have two research centres within the faculty.These research centres provide staff with research opportunities and access to high technology resources, they provide students with placement opportunity whilst also developing the creative industries infrastructure in the region, which will benefit graduating students.

CIRIC The Creative Industries Research and Innovation Centre was established in 2005 and is a knowledge transfer centre for projects that support the creative industries in Wales.

Current projects include Moving Image Wales, which supports the digital media industry, the Textiles Technologies Project, which supports the textiles and apparel industries, CIME, which supports business through creative intervention and SATnet, which provides a link between artists and businesses in the science and technology sectors. In addition, IPCRES is also based in CIRIC and is developing and disseminating research about durational and event based practices.

Alongside the numerous projects operating within CIRIC, there is also a Design Bureau, with water jet cutting, laser cutting and fabric printing services.

 The Centre for Lens Arts and Science Interaction is a research centre based within The Dynevor Centre for Art, Design, and Media at Swansea Metropolitan University. CLASI aims to encourage and promote interdisciplinary research projects, which stimulate research, innovation, and experimentation across photographic, digital and electronic arts. A strong emphasis is placed on research strands where the histories, philosophies and practices of art and science intersect. The definition of art and science is intentionally broad and the centre is aligned with SATnet and CIRIC.

Assessment

Our students have access to a diverse range of equipment and resources, which in most cases are sufficient to complete their programme of study. We provide the basic materials necessary for students to develop their practical work within our extensive workshop and studio facilities. However, it is likely that art and design students will incur some additional costs to extend their investigation of their personal practice. For example, purchasing their own specialised materials and equipment, joining in optional study trips, and printing.

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The MA International Fashion Journalism course is an exciting addition to the University’s portfolio of postgraduate courses and has been developed collaboratively across the Department of Apparel and the Department of Journalism, Information and Communications. Read more
The MA International Fashion Journalism course is an exciting addition to the University’s portfolio of postgraduate courses and has been developed collaboratively across the Department of Apparel and the Department of Journalism, Information and Communications.

The aim of the programme is to develop professional fashion journalists who can communicate to a variety of audiences through a range of national and international media. The course embraces not only the written word but encompasses the diverse possibilities of contemporary fashion journalism and its global context. The course is establishes professional journalism principles and covers keys areas of multi-platform fashion journalism, which enables you to produce well-written and researched content for the web, print and broadcast media.

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Studying fashion buying and merchandise management at Master’s level will allow you to develop the ability to strategically plan and select a range of products, whilst considering the profitable development of a company. Read more
Studying fashion buying and merchandise management at Master’s level will allow you to develop the ability to strategically plan and select a range of products, whilst considering the profitable development of a company.

This course offers you an opportunity to explore the buying function and to develop analytical and managerial skills that will allow you to become highly employable upon completion of your studies. You will develop a detailed understanding of the process, structure and dynamics of fashion buying in the international fashion supply chain. Study visits to international trade fairs and fashion capitals offer exciting research opportunities to support course content.

You will study fashion buying, product development, merchandise management, logistics and supply chain management, project management, budgeting and financial management, fashion marketing and research methods. Your study will culminate in a dissertation.

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This programme offers you an opportunity to develop the ability to strategically plan and instigate marketing activity, whilst considering the profitable development of a company. Read more
This programme offers you an opportunity to develop the ability to strategically plan and instigate marketing activity, whilst considering the profitable development of a company.

You will explore fashion consumers and the marketing function within the international fashion context across retail, print media and online environments. The course cultivates analytical and managerial skills that will allow you to become highly employable upon completion. You will study the methods of international fashion marketing and its incorporation in the structure and dynamics of the global fashion supply chain. Study visits to international trade fairs and fashion capitals offer exciting research opportunities to support course content.

You will study fashion marketing, marketing management, marketing analytics, project management, product development, supply chain management, budgeting and financial management and research methods. Your study will culminate in a dissertation.

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