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Masters Degrees (Activism)

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Our approach to Visual Cultures frames it in terms of what it can do alongside what it can know. Read more
Our approach to Visual Cultures frames it in terms of what it can do alongside what it can know. Be inspired by a team of world-renowned teaching and research staff, who will challenge you to explore existing paradigms, develop an individual approach to visual culture research, and articulate your thinking as you develop your 'manifesto' and portfolio.

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This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create- http://www.gold.ac.uk/pg/ma-applied-theatre/. Read more
This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create- http://www.gold.ac.uk/pg/ma-applied-theatre/

Our aim is to prepare students to be collaborative, responsive, imaginative, politically engaged and culturally aware artist practitioners. The course is aimed at newly-emerging practitioners with a background in theatre, education, activism or social change, as well as at more established practitioners who want to reflect, refresh and develop their skills. We actively encourage the sharing of skills and expertise among our multi-national group of students. We prioritise applicants with some experience in the arts, education, activism or social care, and it is rare that we take applicants directly from their first degree.

Together we explore the ways in which theatre and performance is created by diverse groups of people in a variety of community, social and educational settings: in schools or on the streets, in children’s homes and elderly care, in conflict zones, conferences, crèches and youth clubs, pupil referral units and prisons, women’s refuges and refugee centres, hospitals and hostels – anywhere groups of people meet and interact.

What is applied theatre?

Applied theatre is an umbrella term for a range of exciting worldwide performance forms concerned with personal and social change.

The term embraces: theatre of the oppressed, community theatre, theatre-in-education, drama in education, theatre for development, prison theatre, intercultural arts, intergenerational arts, theatre in museums, archives and heritage sites, story-telling, reminiscence theatre, conflict resolution. The work often moves across art forms. This is not a definitive list, as it is a field that is dynamic and changing.

The MA considers case studies from the UK and from across the globe. Central to this investigation are: questions of identity; representation; discrimination; health; equality; human rights; opportunity; access; social inclusion/exclusion; participation; ethics; evaluation and documentation; aesthetics and the role of the artist.

Placement and partnerships

The course is structured so that practice and theory constantly respond to one another, through practical classes and seminars. All students undertake a placement in a recognised host organisation where you'll work with experienced practitioners, and learn from the inside how participatory arts organisations function.

We have active partnerships with many companies, and the majority of the tutors, including the convenor, are active artists, with a variety of arts practices in performance, community and social settings.

Contact the department

If you have specific questions about the degree, contact Sue Mayo

Structure

Full time students are in Goldsmiths Monday to Wednesday in terms 1 & 2.

Part time students are in Goldsmiths Tuesday and Wednesday in terms 1 & 2 of year 1, and Mondays only in year 2.

In the summer term, for both years, there are 5 days of teaching in April and May, dates to be confirmed.

Assessment

The MA Applied Theatre has five points of assessment:

a 6,000-word essay based on material covered in Term 1
a 6,000-word reflective portfolio on the placement
a 12,000-word research project/dissertation
These assessments count towards 80% of the final mark.

The remaining 20% is derived from assessment of the two shared complementary/contextual modules, which include Disability Theatre, Performance Praxis, African Theatre, Musical Theatre and Cultural Theory.

Skills
The MA aims to equip you with the appropriate background knowledge and understanding to work creatively and critically within the broad remit of applied theatre. Recent research identified three core skills for participatory artists working in socially engaged theatre practice. These are:

critical thinking (the ability to contextualise and interrogate practice in the light of current thinking and practice)
creativity (the ability to take creative risks based on a strong skill base)
responsiveness (the ability to reflect and adapt)
The course works with these core skills threaded through its methodology, while also offering opportunities to look at the hard skills of planning, documenting and evaluating work.

Careers

Our students go on to work in a range of roles including setting up and running community/participatory theatre companies, as freelance drama workshop facilitators, lecturers, heads of education or participation producers within established theatre companies.

Previous students have gone on to carry out:

work with people with learning disabilities
theatre work with early years
creative work in pupil referral units
cross-arts projects in a range of educational, community and social contexts
theatre education and outreach
community theatre
museum education and theatre in prisons
Previous graduates from the programme have also continued with research study towards the MPhil or PhD qualification.

We have graduates working at the Southbank Centre, the Royal National Theatre, The Young Vic, Brighton Dome, Pan Arts, Rewrite, Ovalhouse, Battersea Arts Centre, the Albany and Talawa Theatre; with MIND, Tender, Magic Me, and Headway.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This MA looks at contemporary changes in media and communications, by putting into perspective the transformations that affect the way people live and work, national and international institutions evolve, and how cultural practices develop- http://www.gold.ac.uk/pg/ma-global-media-transnational-communications/. Read more
This MA looks at contemporary changes in media and communications, by putting into perspective the transformations that affect the way people live and work, national and international institutions evolve, and how cultural practices develop- http://www.gold.ac.uk/pg/ma-global-media-transnational-communications/

This programme's internationally acclaimed and comparative approach to the events, issues and debates of our times is particularly suited for those interested in exploring the bigger picture as well as the nitty-gritty of transformations in media and communications and their impact on culture, society and politics.

Its cutting-edge and interdisciplinary approach to postgraduate learning, independent study, and life skills provides you with the analytical skills, conceptual knowledge and practical understanding of the real and imagined shifts that are taking place in – and through – the media industries, everyday life online and on the ground at home and abroad.

The Masters attracts budding scholars, media practitioners, activists, and advocates from many regions, with a variety of educational and professional backgrounds.

It's particularly suitable for those wanting to move their knowledge and analytical skills up a level for further study as well as for those who have experience of studying or working in the media and cultural sectors, non-profits and other third sector organisations, alternative media, the arts, grassroots and international advocacy and activism.

The programme achieves these goals by:

-exploring the challenges traditional media sectors face as news, entertainment, and services go global and converge on the web
-critically studying the past, present, and future of the internet and information and communications technologies
-examining changes to communicative cultures, media production, and services in a ‘post-Web 2.0’ context
-thinking about how ordinary people, businesses, governments, and multilateral institutions (mis)use ICT
-looking more closely at how local communities, governments, and transnational corporations look to influence media futures
-researching differences in how people, cultures, and countries access and use media and communicate across borders
-debating the implications of the digital divide, media censorship, and digital surveillance by governmental and commercial agencies
-reading, watching, and hearing how artists, creative entrepreneurs, power elites and ordinary people respond to technological and social change

The Programme Director is Professor Marianne Franklin. Lecturers, guest speakers, and research students on this programme are affiliated to the Centre for the Study of Global Media and Democracy, the School of Mass Communications at Texas Tech University (USA), the United Nations Internet Governance Forum, Edinburgh Law School, Le Monde diplomatique, a number of international NGOs, activist and advocacy groups, international academic and media networks.

Follow us on Twitter @GloComm ‌

Contact the department

If you have specific questions about the degree, contact Professor Marianne Franklin.

Modules & Structure

The programme is broken into three parts:

-core modules
-option modules (where students can devise their own specialisations)
-dissertation

The themes covered may vary from year to year, depending on research developments and staff availability.

Along with two compulsory (core) modules, research skills module, and a research dissertation, you can choose from a range of theory and practice option modules from Media & Communications as well as other Goldsmiths departments.

Distinguishing Features: this programme's content, structure, and assessment takes an interdisciplinary and innovative approach to:

-reading, thinking and articulating challenging ideas
-conducting individual and collaborative research
-accessing and contributing to current debates
-incorporating practitioner and activist perspectives
-teaching and learning that is both research-led and student-inspired
-supporting excellence in individual and group projects

Activities: Based on an interactive communication model of learning and teaching, the core programme is organised around lectures, participatory workshops, student presentations, written work, informed debates.

-It features guest speakers from around the world and various media and communications domains.
-It involves students in creating their own media-based projects, such as our prize-winning live Video Conference event with international partners.
-It looks to foster original research dissertation work, formal presentation and collaborative skills.
-It provides instruction in the fundamentals of designing and successfully completing an independent research dissertation project alongside one to one supervision and workshops

On completing this programme you will be able to (re)enter the workplace, return to your creative pursuits, activism, or advocacy project or, if you wish, continue onto further research with up-to-date knowledge about the facts and fictions around these trends.

Assessment

Individual and group presentations; live video/web conferences, examined essays and research papers; qualitatively assessed assignments and discussion leading; dissertation.

Careers

Graduates from this programme find work and excel in a number of domains:

national and global media corporations
government departments
global news & broadcasting
online media
PR and advertising
NGOs and non-profits
intergovernmental organizations
the entertainment industry
the arts and cultural sectors
Alumni have found work with the BBC world service, Globo corporation, Carnegie Foundation, European parliament and European Commission, CCTV, NBC, Google, Microsoft, NGOs (eg Greenpeace, Global Partners) and charities (eg Dementia UK), newspapers (eg in South Korea, Brazil, Slovenia, China), alternative media and advocacy networks, museums, theatres and art gallerires, online national and international media outlets (eg Chinese, indigenous Taiwanese), PR and marketing around the world.

Other alumni have continued on to PhD programmes, at Goldsmiths and elsewhere. Many have been successful in gaining research scholarships and funding to further their academic and practitioner careers.

The ethos of the department is one which looks to achieve a healthy balance between scholarly pursuits and practical skills; we look to develop all-round thinkers and doers who can – and do – contribute to the cultural and professional life of their communities and countries. Graduates from this programme excel in their analytical skills, range of knowledge, flexibility, and adaptability.

Skills

At Goldsmiths we support and develop students to express themselves creatively and self-critically in theoretical, creative, practical and/or professional pursuits.

You will be equipped with new insights and ideas, analytical skills and practical knowledge about how both traditional and newer media, familiar and cutting-edge information and communication technologies, and computer-mediated communications actually operate and contribute to society, culture, and politics in contemporary settings.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This unique transdisciplinary course, open to people from all backgrounds, offers a special focus on contemporary social sculpture, ecological citizenship, connective eco-social practices, cultural activism, expanded art practices and transformative, creative action. Read more
This unique transdisciplinary course, open to people from all backgrounds, offers a special focus on contemporary social sculpture, ecological citizenship, connective eco-social practices, cultural activism, expanded art practices and transformative, creative action. It enables you to explore strategies of engagement, agency and the relationship between imagination and transformation. The programme also makes special reference to the proposals and legacies of Joseph Beuys, Schiller and Goethe, as well as other pedagogies of transformation such as Joanna Macy's and Paulo Freire's. It introduces theoretical and philosophical frameworks, with a special emphasis on phenomenology and experiential knowing; explores the relationship of social sculpture to ecological sustainability and offers practice-based research methodologies and creative strategies as the basis for developing individual and collaborative social sculpture processes, interdisciplinary expanded arts and reflective social practice.

The MA is Social Sculpture is, with the MA in Sound Arts, one of two taught postgraduate courses for socially-engaged artists, composers and transdisciplinary practitioners currently offered by the School of Arts at Oxford Brookes University. These MAs share two core modules in Creative Strategies and Phenomenological Methods of practice-based work. These shared modules enable cross-pollination and potential for collaboration between social sculpture and connective practice practitioners and those working in the field of sound arts. The MA in Social Sculpture is linked to the Social Sculpture Research Unit and is part of a thriving post-graduate research culture. There are opportunities to volunteer in social sculpture projects like University of the Trees: Lab for an Eco-Social Future.

Why choose this course?

The MA in Social Sculpture is an internationally renowned programme, running since 2006, linked to the Social Sculpture Research Unit at Oxford Brookes. A dedicated team of international specialists and emerging practitioners delivers innovative cross-disciplinary and socially-engaged creative practices that many students have described as 'life changing'.

-Participating in a community of dialogue and reflection: the unique 'Feedback Forum' approach which runs throughout the programme replaces the traditional art-school 'crit', offering a radical, supportive and creative form of feedback on your work. Another special feature is the regular MA Forum, in which students and staff meet to discuss creative practice in a supportive and stimulating environment. It also offers fortnightly individual tutorials and small group supervision.
-Coherent and unique teaching approach: a carefully sequenced set of modules enable you to uncover, explore and develop your own concerns within the field of contemporary social sculpture, creative cultural action and other interdisciplinary connective practices.
-Research culture and opportunities beyond the programme: MA Social Sculpture students are welcome to participate in 7 day-long 'PhD Social Sculpture Fora' per year. This is part of a stimulating environment where tutors, alumni, research fellows and student interns work closely together in the Social Sculpture Research Unit, and in projects like University of the Trees: Lab for New Knowledge and an Eco-Social Future.
-Based in the School of Arts' beautiful Richard Hamilton Building: situated very close to the city centre in a wooded landscape and arboretum, it offers excellent technical support; well-equipped workshops in video, photography, sound, artists books, printmaking and a variety of 3-D processes; a well- equipped library with materials appropriate to our programme and dedicated support for practice-based research students. There is bookable installation space, a group studio base and 24/7 studio access.
-Wider context: research and teaching programmes in the School of Arts are linked to some of Oxford’s leading cultural organisations such as Modern Art Oxford, and the annual Social Sculpture Festival of MA student work takes place in an around Oxford, using accessible local venues as a hub. You are encouraged to make links with local communities and social and ecological organisations as well as being able to design certain projects related to their home contexts. Once you graduate from the programme you have the opportunity to participate in the annual Social Sculpture Platform which is open to the public.

This course in detail

MA in Social Sculpture students take five compulsory modules - Creative Strategies 1 and 2, Social Sculpture 1 and 2 and a Major Project - in which they develop their particular concerns.

PGDip in Social Sculpture students take four compulsory modules - Creative Strategies 1 and 2 and Social Sculpture 1 and 2.

Teaching and learning

Our teaching methods include:
-Seminars and lectures on interdisciplinary creative practice, practice-based research, phenomenological root methodologies and social sculpture.
-Team teaching in group seminars, involving research methodologies for practice-based research.
-Feedback from staff and students during group feedback sessions, in which you receive constructive feedback on your work.
-Staff-led group discussions arising out of practical presentations.
-Regular individual tutorials that address your research concerns.
-Introductions to creative strategies for generating and making practice-based social sculpture and other forms of connective cultural action and reflective social practice.
-Introductions to the School of Arts technical facilities.
-Induction sessions with subject librarians.

The learning methods include:
-Regular forums where staff and students formulate and articulate responses to work.
-Social sculpture and interdisciplinary creative practice presentations.
-Presentations of practical research.
-The researching and writing of reflective reports, assignments and self-evaluations.
-Private research and study.
-Presentations to peers and group feedback via the 'feedback forum' approach to 'reception theory' in practice.

Careers and professional development

In this unique programme graduates develop excellent creative capacities and new ways of thinking that enable them to identify and develop interdisciplinary arenas and contexts for public engagement with specific communities, organisations and other constituencies.

A strong aspect of the programme is the way it enables graduates to return to existing professions and contexts in new ways: as interdisciplinary practitioners with insightful understandings, greatly enhanced imaginal capacities and knowledge of new forms of reflective and interdisciplinary connective practice.

Many Social Sculpture graduates continue as social sculpture practitioners or eco-cultural activists, whilst others develop careers related to their knowledge, expertise or interests, for example within organisational change, social enterprise programmes, festival management, tertiary education, agro-ecology, arts administration; arts and music teaching, medical humanities, educators and practitioners in arts for health, promoting ecological citizenship, community cross artform work and as sustainability activists.

These diverse career possibilities have much to do with the close relationship between the content and the pedagogic approaches offered on the MA Social Sculpture programme with its focus on experiential knowing, active citizenship and connective practices.

Combining the rigour of a traditional academic programme with innovative practical and vocational components makes graduates well placed for roles as practitioners as well as for further research in territory that includes the arts and sustainability, ecological citizenship, individual and community change processes, cultural and ecological activism and the field of contemporary social sculpture and connective aesthetics.

The methodologies taught also enable new forms of interdisciplinary and postdisciplinary practice and research.

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The Creative Media MA is an innovative programme that stays responsive to key developments in contemporary digital media, culture and society. Read more
The Creative Media MA is an innovative programme that stays responsive to key developments in contemporary digital media, culture and society.

It engages with some of the most exciting and pressing cultural and social issues of our time, such as activism, big data, the cultural and creative economy, everyday life, future cities, social wellbeing and identity.

It covers key theoretical debates in media and cultural studies and draws from local, national and global contexts to help you develop the critical and methodological skills that are necessary for researching the role of digital technologies in culture and society.

You will be taught by leading academics in visual communication, social media, smart technologies and media production for social change. Our knowledge-exchange activities engage us with diverse businesses, communities and policy actors including media, publishers, digital companies, community groups and NGOs, which will allow you to make professional contacts during your studies.

The course offers flexible modes of study through online distance or campus learning – full-time or part-time – with entry points in September and February. There are also opportunities to complete shorter programmes at both certificate and diploma level.

Course structure

The Creative Media MA is structured as follows:

Core modules:

Practising Media Research (MA and PGDip)
Professional Media Practice: Industries and Cultures (MA and PGDip)
Dissertation/Project (MA)

Options:

Big Data, Culture and Society
Collaborative Documentary Media Production*
Digital Cities
Locative Media
Social and Digital Media Activism
Sonic Media
Media Access in a Networked Society
Participatory Media Production for Social Change*
Digital Media and Web Technologies (Shared option from the Digital Media Arts MA)*
Cultural Theory (Shared option from the Cultural and Critical Theory MA)*

(*On-campus-only mode)

It is possible to complete shorter programmes in Creative Media at postgraduate certificate and postgraduate diploma level.

During your studies, you'll be granted flexibility in content, form and delivery. This flexibility is increased through the availability of online distance education modules. Not only is it possible to switch modes from on-campus to Distance Learning, you may also choose to complete the entire degree through Distance Learning.

Distance learning

Students can complete the Creative Media MA in online distance mode, either through part-time of full-time study. Distance learners follow the same weekly syllabus as on-campus students and engage online on a continuous basis with the teaching staff and their peers.

Each module has a guide that contains detailed information about the module content, readings and assessments, as well as clear instructions on how to engage with it. The University of Brighton’s student intranet system, studentcentral, is used to teach and deliver the modules.

If you are a distance learner, each module sees you: reading the module guide and collected readings to grasp the shape, content and pathway through the teaching material; participating in asynchronous online discussion boards to engage with the weekly topics; and conducting independent research and background reading to support all parts of your module study in preparation for the assessment.

Module tutors facilitate discussion and offer guidance throughout.

Provisions:

• Seminar discussions are facilitated in a number of ways to enable distance learners to participate. These include live video conferencing, online chat rooms and discussion forums.

• Masterclasses, lectures and on-campus seminars are video or audio recorded and uploaded for students to access online on studentcentral within 48 hours of the class. A range of seminars will also be streamed live online.

• All weekly readings are electronically accessible online via the studentcentral reading list.

• All assignments are submitted electronically via studentcentral (with the exception of physical artefacts, which are submitted via postal system).

• One-to-one tutorials are conducted either online either using video conferencing or via a telephone conversation.

Careers and employability

Creative media is both a description of what we do and an instruction for future practice. We take the best elements of media education, creative industries, communication/media studies and literacy theory and offer students a suite of modules that can be customised to fit career goals, family and working patterns, and personal interests.

Graduates of the MA will be able to:

• demonstrate a range of analytical, critical, collaborative practice and professional skills relevant to the digital media sector.
• understand how cultural, social and economic differences operate in mediated environments, and how they are changing with new media technologies.
• use a range of research methods and work within diverse disciplinary and professional paradigms.

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During this course we introduce you to social research methods and strategies, and the supporting theories and philosophies. You can also develop areas of specialist interests and integrate these into your methodological training. Read more

During this course we introduce you to social research methods and strategies, and the supporting theories and philosophies. You can also develop areas of specialist interests and integrate these into your methodological training. On a number of the modules, you meet and discuss research issues with students from our other MRes courses and doctoral level researchers.

This course is for you if you have a first degree in any discipline within social sciences and plan to

  • work in areas of social policy and sociology
  • carry out research in these and related subject areas such as health, crime and policing, leisure and education policy, town planning or environmental studies.

If you are already working in the field, you and your current employer may see this course as a professional development opportunity, giving you the skills to further your career and current practice.

Our staff are currently involved in research areas including

  • labour market and occupational studies
  • public health
  • discourse and identities
  • European, international and comparative politics and policy
  • social statistics
  • policing studies
  • criminology
  • urban studies
  • labour history
  • drug use and rehabilitation
  • housing studies
  • environment and sustainability
  • visual ethnography
  • education and social class
  • poverty and inclusion
  • ethnicity and religion
  • media and impact on diversity and equality
  • social activism
  • sexualities and gender
  • teenage pregnancy and parenting
  • youth studies, youth work and volunteering
  • work and family life
  • charities, volunteering and the non-profit sector.

You study a range of research methodologies throughout the course including • interview-based narrative and biographical research • case study and ethnography • media analysis • surveying and sampling • statistical analysis of large data sets. You critique current developments in research methodology then design and conduct your own pieces of original research.

The MRes includes a research-based dissertation, which may become a pilot study towards a PhD. Several recent MRes students have gone onto doctoral level study, in fields such as education and inequality, and activism and sport.

For an informal discussion about this course, please contact Dr Bob Jeffery by e-mail at

This course is hosted by the Faculty of Development and Society Graduate School. The Graduate School website provides a communication hub for students and staff engaged in research, information about our research work, and useful contact information.

You can take individual modules as short courses or combine them towards a PgDip/PgCert Research Methods in Sociology, Planning and Policy.

Course design

You need 180 credits for the MRes

You choose up to 120 credits from the following modules:

  • qualitative methodologies and interviewing skills
  • qualitative research designs and ethnography
  • discourse and linguistic theory and analysis
  • survey design
  • introduction to survey analysis
  • multivariate statistical analysis
  • philosophies of research and design
  • research philosophies in today's sociology

You may choose to substitute 30 credits from another course within our MRes programme.

To gain the MRes you must present a 60-credit research-based dissertation in an area of your choice. This piece of work is supervised by our staff and gives you the opportunity to demonstrate the skills you have learned and your understanding of the research process and philosophies.

Assessment

  • essays
  • research projects
  • presentations
  • research proposals

Employability

This course gives you the skills needed to carry out independent research. You learn to consider the research problems and associated ethical issues, select a suitable approach, and design and conduct your study. The skills and knowledge you gain are in great demand by many organisations. The Economic and Social Research Council have noted that there is a significant lack of the high-level skills in statistical analysis provided by this course.

Our previous graduates have begun various careers including

  • staff nurse for BMI General Healthcare – Thornbury Hospital, Sheffield
  • research administrator – Graduate Centre, Sheffield Hallam University, Sheffield
  • high executive officer – Department for Education and Employment, Sheffield
  • trainee probation officer – National Probation Service, Nottingham
  • research fellow and lecturer – Sheffield Hallam University, Sheffield

Others have moved into PhD research.



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This new Masters degree from the world ranking Department of Journalism and Mass Communications aims to equip students with the skills, knowledge and strategic approach to develop and analyse social change campaigns, with a particular focus on the role of communications and the media. Read more
This new Masters degree from the world ranking Department of Journalism and Mass Communications aims to equip students with the skills, knowledge and strategic approach to develop and analyse social change campaigns, with a particular focus on the role of communications and the media. Now in its second year, this is the only MA of its kind in the UK.

This innovative course builds on our close links with leading campaigners and communicators in London's vibrant social change sector. An advisory panel, with representatives from Amnesty UK, Campaign Bootcamp, FairSay, Friends of the Earth, NCVO, RIBA, WaterAid and The National Council of Voluntary Organisations among others, will ensure we always reflect the skill sets in demand and deliver an exciting learning experience. A limited number of work placements and internships will be available.

The course is aimed at those with some experience or interest in social change, the media, and communications or campaigns within not for profit organisations. The course will help you improve your practical skills, develop a deep understanding of the theories and frameworks that underpin and shape campaign communications, and enjoy the space to reflect critically on current and past practice. It is designed to help you start, or progress, a career in charity, pressure group or public sector campaign communications. It may also be of interest to those working in corporate social responsibility.

The course team has extensive experience both in developing social change campaigns and in academic research into the connections between media and social change. The course is jointly led by Michaela O’Brien and Dr. Anastasia Kavada with additional teaching by practitioners and members of CAMRI. It is taught at our campuses in the West End of London, and also at the Harrow campus.

The course offers a number of delivery modes to suit the different needs of students and can be taken as either part-time or full-time.

There are three core modules. The first develops practical planning and campaign communications skills; the second considers media and activism theories; and the third combines theory with practice, reflecting on applying concepts like power and ethics within the setting of campaign communications. Each module has assessments – e.g. essays, campaign plans, reflective blogs, debates and presentations - rather than exams.

These three core modules make up the Postgraduate Certificate.

Students can take another three modules - chosen from a very wide range of options including practical media and content production skills; diversity issues; development and policy; social media; theories of communication and more - to complete a Postgraduate Diploma.

Students wanting to take the Masters course also complete either a 15,000-word research dissertation, or a professional practice project (which can be work-based).

Modules

The following modules are indicative of what you will study on this course.

Core module semester one
-CRITICAL ISSUES IN CAMPAIGNING

Core modules semester two
-MEDIA, ACTIVISM AND POLITICS
-PLANNING CAMPAIGN COMMUNICATIONS

Option modules - You choose three option modules from the following menu. You may choose to focus on practical skills, on new technologies, on diversity or development, or on media audiences and industries.

Semester one - Choose two of the following in addition to the core module:
-Approaches to Social and Cultural Diversity
-Global Media
-Media Management and Content Production (PR and the Media)
-Media Production
-Political Economy of Communication
-Reporting Diversity: Gender, Sexuality, Age, Disability
-Social Media and e-Marketing
-Social Media: Creativity, Sharing, Visibility
-Technology and Communications Policy
-Theories of Communication.

Semester two - Choose one of the following in addition to the core modules:
-Approaches to Media and Communications Research
-Critical Theory of Social Media and the Internet
-Development and Communications Policy
-Media Audiences
-Online Journalism
-Reporting Diversity: Faith and Religion
-Reporting Migration, Race and Ethnicity
-Sociology of News
-Web Production: Westminster News Online

Associated careers

This course is particularly relevant if you want to start, or to progress, a career in communications and campaigning for social change, whether in a charity or non-governmental organisation; in a public sector body; in a political party or election campaigning setting; or even in a corporate social responsibility role. It could also be a stepping-stone towards a PhD and an academic career in this growing field of study.

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The Cultural and Critical Theory MA will give you a sophisticated appreciation of the limits of human understanding, the interdependence of philosophy and theory, and the implications of these for political action, aesthetic sensibility and representation in art and activism. Read more
The Cultural and Critical Theory MA will give you a sophisticated appreciation of the limits of human understanding, the interdependence of philosophy and theory, and the implications of these for political action, aesthetic sensibility and representation in art and activism.

The course offers three distinct pathways:

• Aesthetics and Cultural Theory
• Globalisation, Politics and Culture
• Philosophy and Critical Theory

All pathways provide for the development of an advanced understanding of specialist areas in cultural and critical theory, and effective preparation for doctoral research.

The core course, delivered during the autumn and spring terms, is complemented by a research methods module and two elective modules that offer opportunities for study across the range of humanities provision.

The course culminates in the submission of a specialist 20,000-word (or equivalent) project, which allows you to apply your advanced philosophical and theoretical understanding to an issue or text of your choice.

Taught courses are delivered with a maximum size of 12 students. Supervision for the project, and for pre and post-essay tutorials, is on a one-to-one basis with the appropriate tutor.

Why study with us?

• Opportunity to specialise in aesthetics and cultural theory, political and cultural globalisation, or philosophy and critical theory

• Successful international conferences – for example 'Slavery, Race and Reparative History', 'Globalisation and its Discontents' and 'Complicity', all with visiting scholars from across the globe

• The Philosophy, Politics and Aesthetics seminar series that invites debate from across the College, and hosts visiting scholars to deliver seminar papers twice a month

• A research methods module that improves your skills in independent study, and prepares you for doctoral work as well as for your MA project

• Staff with diverse research interests that span art practices, ethics, aesthetics, Marxisms, Freudianisms, Liberalisms, the political philosophy of international relations and global change, philosophy and filmmaking, literature and visual art, political activism and forms of democracy, and more

Areas of study

Delivered during the autumn and spring terms, the core course consists of a common lecture line and two modules in aesthetics and cultural theory, philosophy and critical theory, or political and cultural globalisation, depending on your chosen specialist area.

You also take a research methods module, which prepares you for the research project by considering the various approaches taken by relevant disciplines, interrogating the requirements of MA-level research and addressing how your intended research topic might best be refined.

The project itself normally consists of 18-20,000 word dissertation (or 12,000 words alongside a video, an installation or studio-based work) in which you apply your knowledge of cultural or critical theory to an issue or text of your choosing. Your work towards this submission is supported by one-to-one project supervision.

The elective modules can take one of three forms:

• a module from one of our other arts and humanities MA courses
• a Higher Education Teaching and Learning Course in which you shadow a tutor in the delivery of a module on the undergraduate programme
• a 10,000-word extended essay with regular one-to-one tutorial supervision.

To find out more about the course syllabus please visit the website:

https://www.brighton.ac.uk/courses/study/cultural-and-critical-theory-ma-pgcert-pgdip.aspx

Careers and employability

About a third of graduates from the Cultural and Critical Theory MA go on to PhD study, equipped with advanced research skills and specialist knowledge of their subject area. Others start or continue work as museum or gallery curators, in arts administration, journalism, social work, education or politics.

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This Masters considers ‘development’ as a widely desired goal, but also an arena of contestation. You will explore new forms of politics, especially those emerging in the non-Western world, and have the opportunity to undertake an internship. Read more
This Masters considers ‘development’ as a widely desired goal, but also an arena of contestation. You will explore new forms of politics, especially those emerging in the non-Western world, and have the opportunity to undertake an internship.

‘Development’ has been a long desired as a goal for societies and peoples, and the pursuit of it has been decisive in shaping the world, especially since the mid-20th century. However major changes in recent decades, including the emergence of new geopolitical powers on the international stage, growing challenges to neoliberal dogmas, heightened concern with increasing global inequality, and recognition of the danger of ecological devastation, mean that ‘development’ – what it means and how it is to be achieved – has become the site of contestation, where new forms of politics and struggle have emerged.

This Masters surveys these changes and this contestation, and asks, how can (and should) we talk about the challenges and possibilities for development in the 21st century?

The programme considers ‘development’ as a central political question to map out the world today. The MA will trace the murky contours that separate politics from lawlessness, political ideas and ideals from empty rhetorical gestures, international cooperation from imperialism, and political activism from violence.

Contact the department

If you have specific questions about the degree, contact Francisco Carballo or David Martin or Sanjay Seth

Modules & Structure

In this innovative and interdisciplinary course of study you’ll be able to explore:
•The defining features of contemporary forms of capitalism
•The emergence of geopolitical powers over the past 20 years
•The interplay between informal and illegal economies
•The connections between violence, politics and religion
•Patterns of immigration worldwide
•The slum as a fundamental site of the contemporary world
•The current debates on globalisation from below
•The prospects for radical politics

There will also be the opportunity to take an internship option, and to get involved in a student-led speaker and event series, where you’ll be encouraged to approach ‘industry partners’ including journalists, activists, senior staff in NGOs, politicians, and public intellectuals, who can offer differing perspectives and expose you to current debates in the professional community.

Core modules
•Development in the 21st Century (30 credits)
•Understanding Global Politics (15 credits)
•Student-Led Curriculum Development (15 credits)
•Dissertation (60 credits)

Option modules

You’ll also choose options from a wide range of courses available through the Department of Politics and other departments at Goldsmiths, including Anthropology, Cultural Studies, History, Media and Communications, and Sociology.

Skills & Careers

You’ll consider a range of debates and approaches that are pertinent to the development sector, and so it’s an ideal programme for anyone thinking of pursuing a career in this area – whether you’re interested in working for high profile charities, grass-roots organisations, social enterprises, or global activism.

It’s also an ideal foundation for a career in research or policy, or if you’re thinking of pursuing a research degree in the future.

Find out more about employability at Goldsmiths.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This multidisciplinary, visual theory-based course is established around the belief that visual literacy and the impact of visual forms of thinking and working now play significant roles in society. Read more
This multidisciplinary, visual theory-based course is established around the belief that visual literacy and the impact of visual forms of thinking and working now play significant roles in society. The course introduces you to a range of historical and contemporary debates that inform the theories and practice of visual culture, and enables you to develop a conceptual framework within which to evaluate the role of the visual arts, and other forms of visual production, in contemporary society and culture.

You will acquire creative and professional research skills, such as the ability to work from exhibitions, art works and institutional archives, to be able to operate within different artistic and conceptual frameworks.

Course content

This Masters balances historical and theoretical debates in the field of visual culture studies with a rigorous interrogation of cultural practices across a range of topics, including: activism and popular politics; contemporary visual arts, capitalism and culture; globalisation and new media technologies; institutions and their archives; and the material culture of the city. The course also draws upon the cultural institutions and intellectual resources of central London, and has established contacts with other galleries and organisations for work placements.

Modules

The following modules are indicative of what you will study on this course.

Core modules
-DISSERTATION
-VISUAL CULTURE: PRODUCTION, DISPLAY AND DISCOURSE
-VISUAL CULTURE: THEORETICAL AND CRITICAL PERSPECTIVES

Option modules - Choose four from:
-CAPITALISM AND CULTURE
-ENGAGING THE ARCHIVE
-EXHIBITING PHOTOGRAPHY
-INTERPRETING SPACE
-REPRESENTING WORLD CULTURES
-URBAN CULTURES
-WORK PLACEMENTS IN CULTURAL INSTITUTIONS

Associated careers

Graduates will be equipped for roles in the creative industries, including museum and gallery work, education, arts administration and marketing, or could pursue further study to PhD level. The course is also suitable for practising artists wishing to further their research.

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In the Utrecht Master in Gender Studies, you'll learn to develop and implement sustainable perspectives in emancipation policies, diversity management, cultural initiatives and political activism. Read more
In the Utrecht Master in Gender Studies, you'll learn to develop and implement sustainable perspectives in emancipation policies, diversity management, cultural initiatives and political activism.

Emancipation, the recognition of differences, and awareness of intersections of gender with other factors of identity making (class, race, age, sexuality, etc.) are crucial tools in analysing social and cultural relations in today's postcolonial and post-secular societies.

Our Master's programme in Gender Studies provides you with an interdisciplinary understanding of these tools, as well as advanced analytical skills. You will be trained within an internationally diverse cohort of students and academic staff to become a professionally successful 'agent of change'.

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Researchers, research managers and policy advisers, as well as service planners, are all faced with a growing need for top-quality research that is timely and relevant. Read more
Researchers, research managers and policy advisers, as well as service planners, are all faced with a growing need for top-quality research that is timely and relevant. This programme builds on the links between research and policy in developing the particular skills and capacities needed by policy-oriented researchers, professionals and postgraduate students interested in carrying out public policy, social policy and social welfare research. We believe this is vital if researchers are to maximise the impact of their work in addressing real issues of concern to policy-makers and decision-takers.

The programme provides core research training in philosophy and research design in the social sciences, along with introductions to and further approaches in quantitative and qualitative methods in the social sciences. It also offers elective courses in areas of the school's particular research expertise, namely child and family welfare, gender and violence, health and social care, poverty and social exclusion, and policy-oriented evaluation.

We recognise that students will be joining with relevant - albeit varied - experience. Therefore, there will be opportunities for you to draw on your own experiences as researchers, managers and policy advisers and to share these with other participants on the programme. Those who have recently embarked on a career in policy research, or who hope to do so, will find the programme offers a unique combination of academic rigour, up-to-date policy content and relevant skills development.

Programme structure

The programme is delivered through a combination of intensive block teaching and weekly delivery so as to be most accessible to postgraduate students, busy policy professionals and practitioners. The delivery of units on the programme is designed to allow students to accumulate credits flexibly and organise the patterns of attendance to suit their own needs and circumstances.

The MSc and PG Diploma consist of four core units and two optional units. A dissertation of 10-15,000 words is required for the MSc. The PG Certificate is awarded to students who successfully complete three units, two of which must be mandatory units.

Core units
-Philosophy and Research Design in the Social Sciences
-Introduction to Quantitative Research Methods in the Social Sciences
-Introduction to Qualitative Research methods in the Social Sciences
-Further Quantitative Methods

Optional units
-Further Qualitative Methods
-Domestic Violence: Research; Policy and Activism
-Researching Poverty, Inequality and Social Inclusion
-Economics of Public Policy
-Global Contexts of Rights and Disability
-Disabled Childhoods

Careers

The programme stresses the development of policy research and analysis methods, as well as substantive knowledge. In addition to careers in academia, this program prepares students for careers as policy researchers and analysts, research commissioners and managers in public or private agencies or organisations, both in the UK and overseas.

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MA in Film and Screen Studies offers a unique combination of critical and creative approaches to the past and the future of audiovisual media- http://www.gold.ac.uk/pg/ma-film-screen-studies/. Read more
MA in Film and Screen Studies offers a unique combination of critical and creative approaches to the past and the future of audiovisual media- http://www.gold.ac.uk/pg/ma-film-screen-studies/

The 21st century is when everything about the moving image changes.

MA Film and Screen Studies will equip you with skills and knowledge to address current transformations of moving image media in a globalised world, from the media in your pocket to architectural screens.

It explores both the old and the new, philosophy and history, theory and practice, to help you understand the challenges of the 21st century's culture of moving images, changing artistic and political contexts as well as ever developing technologies.

Innovative approach

What distinguishes the MA in Film and Screen Studies is its innovative approach to learning and research. It takes you well beyond the borders of traditional film studies. It encourages you to think critically and imaginatively, across media forms, disciplinary boundaries as well as conceptual and creative work.

You'll have the option of two pathways:

-Moving Image Studies Pathway
-Media Arts Pathway

Students taking the Media Arts pathway will have the opportunity to submit some work in non-traditional forms.

Globally renowned academics

Teaching and supervision draw on the diverse research strengths of the globally renowned academics at one of the world's leading media and communications departments, which also has strong traditions in audiovisual practice.

You'll be taught by scholars of international standing who have expertise in the interface between film criticism and creation; new screen technologies; in early cinema and the media archaeology of modernity; in artist’s film; and in non-fiction film (eg documentary and avant-garde).

Contact the department

If you have specific questions about the degree, contact Dr Rachel Moore.

Pathways

The MA offers two pathways:

MA Film and Screen Studies: Moving Image Studies Pathway:
The moving image media today are a concentrated form of culture, ideas, socialisation, wealth and power. 21st-century globalisation, ecology, migration and activism fight over and through them. How have the media built on, distorted and abandoned their past? How are they trying to destroy, deny or build the future? This pathway explores new critical approaches that address the currency of moving image media in today's global context – their aesthetics, technology and politics. It seeks to extend the boundaries for studying moving images by considering a wider range of media and introducing students to a wider range of approaches for investigating moving images' past and present.

MA Film and Screen Studies: Media Arts Pathway:
The most intense and extreme forms of media, experimental media arts, test to breaking point our established ideas and practices. From wild abstraction and surrealist visions to activist and community arts, they ask the profoundest questions about high art and popular culture, the individual and the social, meaning and beauty. This pathway explores these emerging experimental practices of image making and criticism. Students on this pathway are encouraged not just to study but to curate and critique past, present and future media arts by building exhibitions and visual essays of their own. Short practical workshops will enable students to make the most of the skills you bring into the course.

Structure

The MA consists of:

two core modules (60 credits in total) comprising one shared and one pathway-specific core module
option modules to the value of 60 credits
a dissertation (60 credits) on a topic agreed in conjuction with your supervisor (on the Media Arts pathway up to 50% of the dissertation can be submitted in audiovisual form)

Core modules

The core modules will give you a foundation to the subject. The shared core module in Archaeology of the Moving Image introduces current debates in film and screen studies through the key notion of media history.

Pathway-specific cores develop new ways of conceptualising the cinematic today, focusing respectively on the political aspects of media forms and styles in Politics of the Audiovisual (the Moving Image Studies pathway) and on artists' use of various screen media in Experimental Media (the Media Arts pathway).

Option modules

We offer a wide range of option modules each year. Below are some examples of modules that are currently running. For a full list, please contact the Media and Communications department.

Intercollegiate options

Students on the MA in Film and Screen Studies can also take one option from the MA Film & Media programmes at other University of London colleges. Please consult the Screen Studies Group website for further details of other programmes and the Film and Screen Studies Convenor at Goldsmiths for more details on how to take part in options at other colleges. Options taken under this scheme are deemed to count for 30 credits at Goldsmiths.

Assessment

The MA is assessed primarily through coursework essays and written projects. Practical modules may require audiovisual elements to be submitted. It will also include a dissertation of approximately 12,000 words.

Skills

You will develop skills enabling you to analyse, contextualise, historicise and theorise current and future developments in screen-based media and to communicate your ideas in written and, on the Media Arts pathway, in audiovisual form.

Careers

Possible careers include film and video distribution, film exhibition, museums, film and television criticism, new media criticism, new media art, and other jobs associated with screen culture, as well as further academic study.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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The session will provide a chance to meet the course leader and some current students who will share their projects and experiences. Read more
The session will provide a chance to meet the course leader and some current students who will share their projects and experiences. You will also take part in a design activity that will give you a real taste of what we do on the course in addressing social and sustainability challenges.

Choose Kingston's Sustainable Design MA

This course is aimed at designers, creative workers and other specialists who want to direct their practice towards progressive sustainability and social agendas. It focuses on the value of design as a vehicle for addressing social and ecological concerns in both developed and developing world settings. It will equip you with the knowledge, capabilities and confidence to challenge the status quo by applying design thinking to the generation of design-led interventions for a sustainable future.

Key features
-The overarching course philosophy, based on an emphasis on research, methodology and design thinking, allows individual and personal concerns to be explored through focused study in sustainable design.
-The course takes an inter-disciplinary approach to the study and practice of sustainable design, by recruiting students from all creative and design backgrounds and beyond.

What will you study?

The Sustainable Design MA is directed towards the goal of creating a more sustainable and equitable society. You will explore innovative and practical ways to help realise those visions, emphasising design, creativity, empathy, innovation and activism.

The course encourages critical thinking about the social and ecological agendas it addresses. The course is design-based, but not confined to design practice - it includes a significant amount of theoretical and contextual studies. It is possible to choose a dissertation option for the final major project.

You will be taught by leading academics and practitioners in sustainable design, social design, social innovation, participatory design, strategic design, service design, design-led innovation, and related topics. The course incorporates collaboration with partners such as Design Council, Futerra, Greengaged, Sorrell Foundation, ThinkPublic and Uscreates.

Assessment

Design project work, live projects, research project folders, 5,000-word critical essay, and a major design research project.

Course structure

The Sustainable Design MA course is part of the School of Design's postgraduate programme. The structure – shared with students from Communication Design MA, Product & Furniture Design MA, and Fashion MA – enables you to explore your individual specialist interests in sustainable design within an integrative learning environment that provides a comprehensive understanding of the value and role of interdisciplinary methods and ways of working. The influences and impact of thinking from other related design subjects on your own specialist study is an important aspect of the identity and the community of interdisciplinary practice at masters level in the School of Design.

This structure is designed to help progress and develop your independent learning, encouraging you to construct and explore projects concerned with areas of particular personal interests. The overarching course philosophy, based upon an emphasis on research, methodology and design thinking, allows individual and personal concerns to be explored through focused study in sustainable design.

The two shared modules of the School of Design's Postgraduate Framework both commence with a symposium, in which high-profile external speakers present their work and contribute to a debate on a topic of relevance to all courses in the Framework.

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The LL.M. is directed at well-qualified graduates in law and related disciplines. It seeks to promote critical analysis of, and reflection on, different aspects of national, European and international law. Read more
The LL.M. is directed at well-qualified graduates in law and related disciplines. It seeks to promote critical analysis of, and reflection on, different aspects of national, European and international law. This programme is delivered over one academic year. Students are examined in six modules and complete a research dissertation of up to 25,000 words over the academic year on an approved theme. The modules offered might typically include the following: Advanced Comparative Law: European Legal Systems, Advanced European Union Law, Advanced Lawyering Techniques, African Human Rights Law, Arbitration and Alternative Dispute Resolution, Chinese Legal System in Comparative Perspective, Comparative Civil Rights, Comparative Constitutional Law and Theory, Comparative Product Liability: Common Law, EU and US Perspectives, Copyright and Innovation, Online, Corporate Governance, Corporate, White-Collar and Regulatory Crime, Corruption Law, Creative Works and Intellectual Property, Employment Litigation, EU Aviation Law, EU Banking and Securities Law, EU Competition Law, EU Consumer Law, EU Copyright, Patents and Design Law, EU External Relations Law, EU Financial Services Law, EU Trademark Law, European Human Rights Law, Freedom of Expression and Intellectual Property Law, Online, Globalisation and the Law, Intellectual Property Law and Sport, International and Comparative analysis of Unfair Competition and Trade Mark Law, International Aviation Law, International Criminal Evidence, International Criminal Law, International Economic Law, International Dispute Resolution, International Humanitarian Law, International and European Tax Law, International Trade Law, Islamic Law, Judicial Activism, Human Rights and Indian Constitution, Judicial Review and Human Rights: Theory and Practice, Law and Bioethics, Law on the Seizure of Criminal Assets, Principles of Corporate Insolvency and Rescue, Principles of Delaware Corporate Law, Public Law of the European Union, Theoretical and Comparative Criminal Law, Transitional Justice. The Law School reserves the right to vary the above list and, in particular, the right to withdraw and add courses. Note that timetabling considerations may also restrict choice. Further information on the precise modules available in a given year is available on the LLM website.

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