Led by Professor Jo Stockham, the Print programme is a two-year specialist MA course. Renamed from Printmaking in 2015, this change signals that the study of the expanded field of Print is equal to the making of prints as a series of medium specific choices. We explore the mediated image approached through a range of intellectual approaches provided by a diverse team of tutors, all practicing artists.
Access to world-class technical facilities in all print media means that we are able to both explore and expand the field of Print addressing the constant interplay between thinking and making, the image and technology. Students from a wide variety of backgrounds choose to study with us because of their interest in questions, which include, the nature of the copy, diagramming, appropriation, materiality of the image, the politics of print and print as a collaborative practice.
Artists’ books and web based work as forms of distribution and explorations of narrative structures are a growing aspect of the course. We are benefiting from the renewed interest in the circulation, reception and creation of multiple images due to the ubiquity of digital images and computing.
We are embedded in a network of international print publishers, archives and galleries. A publishing project and exhibiting work are an integral part of the course. The potential for collaboration and residency situations where making work is a form of exchange is core to many students and we help them prepare for making applications to such opportunities.
The aim of the programme is to enable students to work across a broad platform of media appropriate to their self defined ambitions and interests. By equipping graduates with experience of exhibiting, collaboration, editioning, lecturing, curating and a thorough critical engagement with a self defined body of work we aim to develop artists who understand the expressive nuances of different materials and forms of distribution in the expanded field of print. Evidence suggests they will be able to sustain themselves on graduation as exhibiting artists often engaged in related fields such as, teaching, publishing, curating and research.
An active research culture of staff, visiting artists, MPhil and PhD students is a core part of the programme and is shared through lectures, seminars, publications, presentations and exhibitions.
Alumni include, Andrea Buettner, Adam Dant, Mabe Bethonico, William Latham, Haris Epaminonda, Daniel Gustav Cramer, Christiane Baumgartner and Katsutoshi Yuasa.
The programme offers:
You work from your own studio space where you can explore your practice and use the campus project spaces to exhibit your work, participate in group shows and hold meetings and events. You will have access to a broad range of workshops including 3D, print making, media suites and the drawing studio, all staffed with specialist technicians to support your practice.
Initiatives at galleries such as Wysing Arts Centre, Serpentine Galleries, Tate Modern and Camden Arts Centre provide opportunities to interact with the wider art world and you are challenged to consider wider realms of practice through lectures from practising artists such as 2013 Turner Prize winner Laure Prouvost, Cornelia Parker, Cécile B Evans, 2006 Turner Prize nominee Mark Titchner, Jack Strange and Jerwood Painting Fellows Susan Sluglett and Anthony Faroux. You will graduate with your final work shown in the NUA Degree Show, which attracts curators, collectors, critics and potential collaborators from across the UK.
Join a community of artists and creative thinkers, experimenting, debating, developing ideas, learning new skills and acquiring further knowledge.
Sculpture workshop, foundry, mould-making, wood and plastics fabrication.
Print Making Workshop
For silkscreen, etching, lino-cut and relief printing, mono-printing and collographs.
Drawing and life drawing classes in a well-equipped naturally lit environment. Digital options include Wacom Intuos tablets and a digital microscope.
General Technical Sessions
Optional software inductions available to all students introduce you to a wide range of creative possibilities and output options.
The University Archive
House an extensive collection of exhibition materials and publications, including the NUA East Archive.
Media Resource Centre
For digital cameras, tripods, 35mm DSLRs, 35mm film cameras and lighting equipment.
The largest specialist are, design and media collection in the East of England including 32,000 books, 1,300 journal subscriptions and 3,000 DVDs.
The offer of entry onto a Masters Degree (MA) is based on an expectation that you have the potential to fulfil the aims of the course of study and achieve the standard required to successfully complete the award. Entrants should normally have achieved a BA (Hons)/BSc Degree of 2:1 or above (or its equivalent), in a subject related to your proposed course of study.
Applicants who hold a Degree from another discipline may also be considered for entry, subject to the submission of a satisfactory portfolio of art, design or media-related work in support of their application.
The majority of applicants to courses at NUA will be invited to attend an interview. This provides an invaluable chance to meet face-to-face and is the major factor in determining the success of your submission. The interview is an opportunity to assess your work and the suitability of your application and also provides you with a chance to assess NUA’s staff, campus and facilities and ask questions. The key focus of your application process is on your portfolio. Some courses may require additional entry requirements or passes in specific subjects.
For further information on this course, please visit our website - MA Fine Art.